dudewheresmybass

easy - The commodores / Faith no more

Blasphemy- morbid angel

I have a fella I’ve used in Kent, who refinished a warlock I was working on. He used to spray for rolls Royce and now does luthiery full time. 
he may be a bit far away from you though. Happy to share contact details with you if you’d like though. 
 

Choke on it - death

Pm incoming

boris the spider - Ooo

potentially good mate

It's a bit of a jog

apparently, from what I've read and heard - yes it is 

I'll do some research

@Prymabassist

Is the octave an oc2 alike?

suedehead - morrissey

3 i found too scooped for my taste. The 4 are the harris sig, so I imagine should have more mids to them

1 hour ago, MungoBass said:

 

I believe it can be.

He was switching regularly between passive and active modes during his noodlings, and he spoke about it in his spiel

money - the pinks

when a blind man cries - Poiple

the butler vintage is a great p bass no matter what the name attached to it is.

Its a bit subjective as to whether a 'name' instrument will sell more than a bog standard one. However it does seem to draw people to them perhaps in the first instance - along the lines of "oh! a *insert name here * bass I wonder how that is. 

Presumably the hope from there is that the instrument is good enough to sell.

I have sig instruments from different manufacturers (not my sig! LOL) and I bought them because they did what I wanted them to do and not based on the associated name

great balls of fire - Jerry lee

Cinnamon girl- Neil young / type o negative

2 hours ago, wintoid said:

From some of the comments, I was expecting this one https://www.andybaxterbass.com/collections/bass-guitars/products/brian-eastwood-bender-collision-bass-fiesta-red

I'd gig that as well - In a heartbeat lol

looks pretty comprehensive.

If you don't mind me asking, how much was it?

cherry pie - Warrant

pretty fly for a white guy - offspring

peacock suit - weller