dudewheresmybass

princess of the night - saxon

I'm skint - temper

orgasm addict  - buzzcocks

house of love - east 17

sheikh yerbouti tango - Zappa

weather with you - crowded house

shaddap ya face - joe dolce

I have one. It's a screamer type drive IIRC

It sounds ok, haven't used it in quite some time though

the funky chicken - rufus thomas

Always on my mind - elvis

Fair enough. 

@Prymabassist

They look great, but I wonder about grip. 
perhaps a ridged design or a slight knurl might help?

Excoriating abdominal emanation - carcass

my heart skips a beat - Olly murs

digging the grave - fnm

break like the wind - spinal tap

#1 Barbed (Classic Rock With Balls) - Rock and metal covers. Being a four piece the 'balls' part comes from trying stuff other four piece bands won't lol

#2 Ultimate Sin - Ozzy and Black Sabbath tribute show. four piece again, and we actually have a singist that not only sounds like him but looks like him too

#3 Thunderstick - reactivated NWOBHM band featuring ex Samson and Iron Maiden drummer (can you guess what his name is?🤣) My second studio album with them is due for release imminently, but I've also done EPs and a live album. A new live album is to be recorded in Poland later this year.

#4 Good Morning Vietnam - Late 60's and 70's largely american covers of the vietnam era

#5 Desolate Pathway - Traditional Doom metal. Album recorded and waiting for release  

#6 Monsters of Rock - Covers from bands that played Donington pre 1992

Keeps me busy lol

tears are falling - kiss

5 minutes ago, Al Krow said:

 

I mean I take the exact same approach as you with all the bands I'm in.

However, I think you've essentially asked the exact right question: "why should someone earn any more than everyone else unless you are hired as a 'session type' player for an agreed fee?" 

How about precisely if they are putting in more work than everyone else (e.g. providing PA, lights and do the majority of the booking). Should they be expected to do that extra work for free? If so, aren't they the ones being exploited by their bandmates?

perhaps, but equally I don't earn if I have no one else to perform alongside. 

I've just received the octave pedal I bought from Pete.

A total gent from start to finish. 

Cheers mate

Every band I work with is a straight split - even though I often provide PA, lights and do the majority of the booking.

I don't see why someone should earn any more than everyone else unless you are hired as a 'session type' player for an agreed fee

If six was nine - Jimi

son of my father - chicory tip

hell on earth - Iron maiden