Clarky72
-
Posts
1,205 -
Joined
-
Last visited
Content Type
Profiles
Forums
Events
Shop
Articles
Everything posted by Clarky72
-
Haha. That is perfectly obvious as soon as you see me!!
-
So far it hasn’t given me the magic skill of Mr Miller but I’m sure it will.
-
Oh hang on...
-
Damn. Can’t post a pic on mobile. Its like I’m lying. Oh the shame of it all...
-
Bought myself a Marcus Miller style pork pie hat. The perfect cure for the onset of thinning hair and bright stage lights.
-
This post cannot be displayed because it is in a forum which requires at least 1 post to view.
-
[quote name='dudewheresmybass' timestamp='1507015642' post='3382659'] I am using an older x2 rack mounted system, with the receiver on my amp. I run a 20 ft cable from the receiver to my board and 20ft back to the amp. And I run the cable around the edge of the stage, so I can keep a clean, clutter free performance space. There is no significant loss of high end ( I am very fussy about my top end) or latency. [/quote] Thanks, I think I'm going to go with long cables around the edge of the stage and try that out.
-
[quote name='EBS_freak' timestamp='1506957757' post='3382305'] PS - whats the storm trooper pedal? [/quote] Its an amazing clean boost my lovely friend built for me. ( I have to say that, he's the moderator of this section of BC )
-
[quote name='EBS_freak' timestamp='1506941783' post='3382087'] With regards to a - depending upon what wireless unit you choose to use, you may get results which are/are not acceptable to you. For example, two line 6 units used in this manner will give you less overall latency than say just one single smooth hound wireless unit. Whether you can cope with additional latency depends upon you as a player - and what other digital pedals are in play that will add latency. Its a shame that the latency on the smooth hound is bad - thats the sort of form factor you'd like hanging out the last pedal in your chain. With regards to b - shouldn't be a problem but the additional capacitance will lead to a loss of highs, a decrease in signal strength and an increased chance of additional noise being added to your signal path. Have you thought about having one of those rubber cable protectors that you find in offices to put over the top of the cables to protect them? Think they look a bit ugly... but at least it will save you on cables. What are you doing with regards to power to your board by the way? Are you battery powered - or is there still a mains cable going to it? [/quote] So here's my board (below) It does seem like a long lead might be the simplest answer though. And for what it's worth our singer doesn't own anything either. I think her mic stand is even one of our spares... OMG
-
So I run my bass into a Line6 G50 wireless down to my board. It keeps us cable free onstage, invaluable at small gigs so we don't get tangled up as well as larger ones where you want the freedom of no lead. Here's the problem though... we have a female singer, she always wears heels. Her heels trash our cables from board to amp. Anyone else have this problem? My solutions are: a. buy a second wireless system to run from the board to the amp. b. run super long cables around the edge of the stage to the amp to keep away from high heels. Issues with the first solution is that I cant find anything designed for this and would have to attach a strap mount transmitter to my board; and with the second solution I could end up with bad lag/degradation from a loooooong cable. Any thoughts?
-
Great Missenden, Bucks -
Any love for a Sadowsky?
-
And withdrawn, had it repaired, fell in love with it again... sorry! -
Monday bumpday
-
Monday bumpday -
I'm in Great Missenden, Bucks. HP16
-
Still available...
-
BUMP!
-
BUMP!
-
....ON HOLD.... Plugged it last week after not playing it for a while and it sounds like the humbucker is faulty. Its with a tech now being sorted, but I can't sell the bass knowing its not 100% working correctly. I will update once its perfect again. Thx
-
Monday bumpday
-
Thanks!
-
Sorry to see this go, but a new baby equals bass sales so I'm freeing some of the flock. My Yamaha BB1025X. Its basically brand new. Bought it for a project that never happened, its been taken to rehearsal rooms twice, never left the lounge other than that. I have a Hipshot Xtender on 2 of my 4 strings so I have no real need for this anymore. I have a BB1024X which I'm never selling, these are amazing basses, probably plays better than my Sadowsky.... Model: BB1025X Construction: Bolt-On Scale Length: 34” (863.6mm) Fingerboard: Rosewood Radius: 23 5/8” (600mm) Frets: 21 Body: Alder (Spline Joint) Neck: Maple and Mahogany 5pcs (Quarter Sawn) Nut: Nickel Silver Nut Bridge: Vintage Plus (Brass Saddle, Steel Plate) Pickups: Front - Split Blade (Alnico V), Rear - Single Blade (Ceramic) Pickup Switch: 3P-Toggle Switch Controls: Master Volume, Master Tone Gig Bag: Included I'd prefer collection, I just don't trust the mail service anymore. No trades unless you have a Bianchi Oltre XR4 55cm or a Sandberg TM4 Black & Rosewood HCA.
-
[list] [*][color=#000000]Thickness at [b]1st fret[/b] = [b].790"[/b] (20mm)[/color] [*][color=#000000]Thickness at [b]12th fret[/b] = [b].920"[/b] (23mm), [/color] [*] [*]I'm in Great Missenden, Bucks [/list] -
[color=#282828][font=helvetica, arial, sans-serif]Sexy White Jazz Bass[/font][/color] [color=#282828][font=helvetica, arial, sans-serif]Sorry to see this go, but a new baby equals bass sales so I'm freeing some of the flock.[/font][/color] [color=#000000][font=Helvetica][size=3][font=helvetica, arial, sans-serif][color=#282828][size=4]Built this up using: [/size][/color][/font][/size][/font][/color] [color=#000000][font=Helvetica][size=3][font=helvetica, arial, sans-serif][color=#282828][size=4]Warmoth Jazz body[/size][/color][/font][/size][/font][/color] [color=#000000][font=Helvetica][size=3][font=helvetica, arial, sans-serif][color=#282828][size=4]Fender licenced Warmoth jazz neck with graphite reinforcements and slim taper profile so its super fast.[/size][/color][/font][/size][/font][/color] [color=#000000][font=Helvetica][size=3][font=helvetica, arial, sans-serif][color=#282828][size=4]All Fender parts except the [/size][/color][/font][color=#282828][font=helvetica, arial, sans-serif][size=4]Gotoh 201 bridge[/size][/font][/color][/size][/font][/color] [color=#000000][font=Helvetica][size=3][font=helvetica, arial, sans-serif][color=#282828][size=4]Fender Custom Shop pickups[/size][/color][/font][/size][/font][/color] [color=#000000][font=Helvetica][size=3][font=helvetica, arial, sans-serif][color=#282828][size=4]Fender tuners[/size][/color][/font][/size][/font][/color] [color=#000000][font=Helvetica][size=3][font=helvetica, arial, sans-serif][color=#282828][size=4]Super light, sexy AF, kids of the 80s will recognise the serial on the neck plate from their school calculators ;-)[/size][/color][/font][/size][/font][/color] [color=#000000][font=Helvetica][size=3][font=helvetica, arial, sans-serif][color=#282828][size=4]Comes with black scratchplate, pickup covers and knobs so you can totally change the look of the bass if you want the classic Jazz look. Also a silver pearl scratchplate, not pictured.[/size][/color][/font][/size][/font][/color] [color=#282828][font=helvetica, arial, sans-serif]I'd prefer collection, I just don't trust the mail service anymore.[/font][/color] [color=#000000][font=Helvetica][size=3][color=#282828][font=helvetica, arial, sans-serif][size=4]No trades unless you have a Bianchi Oltre XR4 55cm or a Sandberg TM4 Black & Rosewood HCA.[/size][/font][/color][/size][/font][/color] [color=#000000][font=Helvetica][size=3][/size][/font][/color] [color=#000000][font=Helvetica][size=3][/size][/font][/color] [color=#000000][font=Helvetica][size=3][/size][/font][/color] [color=#000000][font=Helvetica][size=3][/size][/font][/color] [color=#000000][font=Helvetica][size=3][/size][/font][/color] [color=#000000][font=Helvetica][size=3][/size][/font][/color] [color=#000000][font=Helvetica][size=3][/size][/font][/color] [color=#000000][font=Helvetica][size=3][/size][/font][/color]
