Playing with a pick I tried adding the Shape scoop sound with 9 band EQ on but adding a bit more Mids
The sound / tone was amazing and the pick helped remove the boom that the Shape sound tends to cause and the depth of sound yet still punchy was a great sound with the PBass
This was one of those rock sounds you have in your head ..
I also had the valve drive on slightly and the compressor on too and this all made it work well together
Also as I mentioned before when you have the Shape Mid scoop sound and you change it to “OFF” the tone sounds thin while your ears adjust and then you really hear the punchy full sound that isn’t boomy or muddy but clear and defined
Yes I agree there is a big difference on the RM, the drive is more like an overdrive / distortion and very obvious
The ABM does appear to be a subtle variation from on to full on assuming mines working correctly
Can anyone with the ABM600 describe the range of the valve drive ?
Off is obvious and as I turn the control it comes in ( louder too ) and the changes from just on to full on seem subtle?
I haven’t had it at gig volume yet of course so maybe more noticeable at volume?
Ive fitted a new JJECC83S pre amp tube as the original Chinese was a bit noisy
I will be interested if they change anything
I do notice a volume lift when the drive comes in and the valve warmth
I changed the original to a JJ ECC83 as the original was a bit noisy / crackly
The dual fans are noisier than my RM800 but not excessive and ok
I found using my ears helped and mostly ignoring the VU meter
I tried at 3pm approx on my RM800 and it added too much gain for my liking
The ABM600 does seem to have a more sensitive VU meter but again I’ve tried it kissing the red ( uh er misses lol ) and found backing it off worked for me
Naturally playing styles and bass spec all play a part to the input signal
One thing for sure although at low volume at home the shape button is nice but for normal use I take it out.... strangely you have to let your ears settle as the change is dramatic!
It appears the ABM600 and RM800 are similar in EQ tones with the ABM having an added warmth and more EQ to tweek
The SUB is far more subtle on the ABM600 too
Great amps though and well pleased with both of mine
What settings do you use on your ABM600 for rock / pop tones ?
The manual offers some guides but I ended setting mine as above
Not too far off Flat settings and with some valve drive ( seems to add warmth ) and no compressor
Previously as a guitarist I tried the all valve ( hybrid ?? ) valve heads and there was something lacking compared to a Marshall DSL 100 head.
I wasn’t tempted by the bass amps but did consider them before getting Ashdown
They do tend to have many choices in their range but as someone said breaking into a crowded bass market is really tough
Exactly my reason to choose Ashdown
They have great products at affordable pricing and perfect for gigging and studio
Based in Essex they offer fast and helpful backup and service long after most typical manufacturers warranty run out.
I was a long time Ampeg user many years back but for me Ashdown is just better in so many ways
Liking my new settings on my RM800
Rock tone using a bit of drive and SUB
Inspired by the ABM600 I’ve recently acquired and suggested tones in the ABM manual. Sounds good finger or pick playing ( PBass tone backed off )
Grind and punch sounding yet with clarity
Call the U.K. office and ask for service
They have Alpha pots in them I believe but not easy matching up exactly
Ashdown service is fantastic and they will help you
I’m so amazed that singers apply to bands and in so many cases go not have any PA or even fold back etc
They also tend not to know anything about setting one up and EQ, reverb, feedback etc etc
Hey that’s band life for you !
Do you think PSX112 would handle typical pub gigs if used for two mikes on vocals for rock covers band
Not huge venues but large to medium sized U.K. pubs where volumes have to be sensible