jay-syncro

I'll let you know if I head that way 👍

I'm driving from Margate to Basildon tomorrow morning if anyone en route fancies this?

There's a 57 RI Precision and a more recent Traditional 50's P both available currently on BC that have the smaller tuners fitted, so not entirely sure what spec warrants the full sized traditional tuners?

Thanks for this. It does seem that the smaller generic Tuners are used on the bulk of Japanese Fenders.

A top-end classically styled Japanese Sadowsky for new Mexican Fender money!

I'm driving from Margate to Basildon tomorrow morning if anyone en route fancies this?

It's always a possibility! 😂

Yes it has all been quite outrageous 😁 I'm dithering between this and the Moon I previously had for sale. Equal in terms of build quality but I think I prefer the nitro finish on the Moon, hence the sale of this. If I didn't need to raise some funds I'd keep both!

It does indeed.

I'm driving from Margate to Basildon tomorrow morning if anyone en route fancies this?

Hi, it's 4.3kg/9.4lb.

Thanks, they are quality instruments. I reckon I could get by with a 2 string on my current gig 😁

I could post this with the neck detached for around £20 if anyone fancies this?

Although collection is preferred I may be able to meet up somewhere mutually convenient for a handover. Or I can box it up if you'd like to arrange a courier.

Withdrawn.

Withdrawn

Bargain!

Excellent, am I right in thinking the early LG sigs didn't have the back of the neck painted?

Strange times indeed.

Warwick Gnome I Pro V 2 complete with box, instructions, USB interface lead and I'll even chuck in a very high quality Planet Waves/D'Addario speaker lead! I bought this head to use as a very compact spare but I liked it so much I've gigged with it several times as my main amp. It is very loud for it's diminutive size and the 300w on offer are more than capable to use for gigs. I used it with a couple of Phil Jones C2 cabs for a while and it was immense! It doubles as an audio interface when connected to a computer using the supplied USB cable, and it has a very handy headphone output with Aux input for silent practice. Lovely.

It doesn't come with a cover.

I totally agree, the consistency of Japanese basses is pretty amazing. The Moon Larry Graham sig is my dream bass.

They always sound amazing and are generally quite heavy, not this one though 👌🏻

Excellent DI and tone shaping tool in as-new condition. I'd ideally like to trade for an EBS Micro bass 2 or 3. Collection from Margate or I can post at cost. LR Baggs - Stadium DI Studio-Grade Bass DI for the StageLR Baggs bass playing engineers originally developed this Stadium DI for their own use, this pedal infuses your signal with a blend of studio-grade circuitry and a vibrant palette of unique, tone shaping tools. Made up of carefully selected, “top shelf” components, the all-discrete electronics provide a level of fidelity that rivals even the most sought after studio DIs. Engage the effects to open up an expansive range of colourful tones shaped by just a few powerful and easy-to-use controls. Built in a rugged enclosure constructed of aluminum, steel, and ABS plastic, the Stadium DI ensures over-the-top reliability for life on the road. Hand assembled in California. At A Glance• Growl control adds low end distortion for thickness and rich, harmonic content • Drive button pushes the Growl to a full overdrive • Comp EQ enhances the feel of playing while evening out your tone • Attack sweeps between a wide range of warmth, clarity, and everywhere in between • Fat switch boosts 150Hz +3dB or +6dB for a fuller, rounded tone • VU meter visually optimizes gain for passive and active pickups • All-discrete signal path with XLR and quarter inch outputs • 48V phantom power, 9V battery or 9V DC powering options • Pad boosts or cuts XLR out (-10dBV or +4dBu) to meet the needs of the PA • Ground lift switch effectively eliminates ground-loop noise • Rugged enclosure constructed of aluminum, steel, and ABS plastic Tone Shaping Tools GrowlDifferent from overdrives that use full-range distortion, the Growl saturates a focused range of low frequencies, enhancing warmth and creating harmonically rich overtones without too much breakup. The effect compliments dynamics and is responsive to even the lightest touch, offering just the right amount of edge to cut through the mix. For extra versatility, a paired Drive button pushes the Growl to a full-range overdrive. Comp EQThe Comp EQ features 3 bands of compression for bringing evenness to your tone while retaining the natural feel of your playing dynamics. The low, mid, and high frequency compressors are essentially “touch-sensitive” EQs that respond in real time as you play. The harder you dig in, the more they compress and vice versa. AttackThis highly specific EQ affects a unique, medium-sized bandwidth to adjust the attack of the strings for a wide range of tones, covering all playing styles. Turn left for warmer, muted jazz tones or right for added clarity and a punchier attack. The Tech Spec FeaturesSpecification TypeBass Preamp, Direct Box Form FactorPedal Inputs1 x 1/4" Outputs1 x 1/4", 1 x XLR Power Source9V DC power supply (sold separately) / 48V phantom power BatteriesOptional 9V battery DimensionsWidth: 4" Height: 1.75" Depth: 6.25" Weight1.5 lbs