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leftybassman392

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Everything posted by leftybassman392

  1. [quote name='wildus' post='520115' date='Jun 21 2009, 06:05 PM']Have a look in the porn! put some pic's of my leftys there [/quote] Nice!! I've had a hankering for a thumb for some time now. Quite close to buying one from Thomann when the credit crunch happened and UK price went up about £150 almost overnight. Keep hoping someone's gonna put one up for sale sometime soon.
  2. Weekly bump (still in no hurry). Still interested in trades.
  3. For the attention of the Doctor (and anybody else looking for a good time). Sorry about the iffy picture quality Doc. Hope they're good enough to give you some idea what it looks like. Slight crazing of the lacquer here & there and a few marks on the rear coverplate, but apart from that I'd say it looks rather good for a 22-year-old. [attachment=27355:DSCF0037.JPG] [attachment=27356:DSCF0038.JPG] [attachment=27357:DSCF0039.JPG] [attachment=27358:DSCF0040.JPG] [attachment=27359:DSCF0041.JPG] [attachment=27361:DSCF0042.JPG] [attachment=27362:DSCF0043.JPG]
  4. [quote name='slapmonsta' post='518005' date='Jun 18 2009, 11:51 PM']True Nick.That waiting list is reassuring of quality but at the same time a bloody nuisance! I've had three Jaydees-two MK's and a Roadie 2A. I have to say that as much as I love them,the quality control back in the day did leave a lot to be desired-I'm the same age as you and I was working in retail selling these beasts in the late 80's/early 90's and you had to keep a constant look out for the necks moving. My white Roadie was the best of the bunch-but the fingerboard developed a hairline crack and I had major probs with the neck...so I started my search for a "play it and bag it" bass...then I discovered Status....still the best "pound for pound" gigging bass IMO. At their peak,John was churning out MK's as fast as his team could make them and with all due respect,I think one or two may have been "Friday afternoon" jobs.You still have to be careful when buying second hand as a Jaydee,unlike a Status- is definately a bass that needs to have been kept "looked after." I still think that they are one of the most iconic and distinctive instruments you can buy-hence why I'm looking for a new one. I just got a Hed-Kandi sampler cd of some new album stuff they're releasing on the label and by the sound of the tracks I'd swear that it's 1985 all over again...maybe I'll get a session on my "new" Jaydee.. [/quote] Interesting that you guys have mentioned this (and I realise it's a little OT here). First time I put new strings on my '87 I snapped the truss rod while setting it up. When I took it to John for repair he did say that the truss rods on some of the 80's examples were a little less robust than they might have been. At the time I just assumed it was me being a little heavy handed and John being very polite... Never regretted buying or owning it though; one of the best necks on any 4 string I've ever played. I don't doubt that this one will be every bit as good. I too hope it finds a good home.
  5. [quote name='doctor_of_the_bass' post='517039' date='Jun 17 2009, 11:49 PM']Ok! The original Jaydee bass (which later became known as the Classic) was designed in 1977 by John Diggins and a bass player called Richard Ford from Birmingham who played in a band called `Muscles'. This bass closely resembled an Alembic Series I (John had never seen an Alembic and once he had, subsequent basses were changed, mainly the headstock etc). The jd range consisted of a number of models which shared the same body shape and electronics - only major differences were the construction in terms of woods, laminations etc etc. The Classic bass became known as the `Mark King Model' once Mark became rather well known, and there are three different body sizes; the Series I, the Series II (slightly narrower) and the Series III which, shape-wise, looks like a scaled down Series I. George Anderson from Shakatak met John around 1983 and they came up with the G.A. 24 model - it does resemble the MK models in terms of construction but the pickups are much closer together and the body shape is different. and of course it has the 24 fret neck!! Electronics-wise, its the same as the MK. Check out: [url="http://www.jaydeecustomguitars.co.uk"]http://www.jaydeecustomguitars.co.uk[/url] - there's the complete range featured there with pictures and data! Cheers! Nick[/quote] Jesus! Words cannot convey how impressed I am with this depth of knowledge. I've actually met John Diggins several times in connection with my MK, and I knew none of this! Have you ever thought of writing a book? Or maybe you have already?
  6. [quote name='doctor_of_the_bass' post='516421' date='Jun 17 2009, 02:11 PM']Certainly is a George Anderson (Junior) 24 Fret model! Nick[/quote] Fair cop guv....... (Still looks a lot like mine tho') Just out of interest, what are the differences between the two (apart from the 3 extra frets and a slightly altered body shape)? Not trying to be awkward, but looking for a reason why JD would have wanted a completely different model designation. Or does he see it as a special edition?
  7. [quote name='crez5150' post='516236' date='Jun 17 2009, 10:51 AM']That's not a GA24?[/quote] I have a Lefty Mark King Signature made in '87. Apart from having 21 frets instead of 24 (and being left handed of course!) it looks identical to this one. Not sure how John Diggins identifies his different products but I'd say this is a MKS also (unless anybody knows different, of course...)
  8. [quote name='overwater' post='515248' date='Jun 16 2009, 01:04 PM']Hello, I just spotted this thread – and as someone who is a partial lefty (I do most things left handed, but was made to write right handed and didn’t know left handed instruments existed), I’ve just had a thought: Here at Overwater we have long felt the industry standard 10% up charge for left handed instruments is just adding insult to the injury of little or no choice – so we have always charged exactly the same for left and right handed basses. Here’s my suggestion to even things out – if there any lefties out there in bass chat land who would be interested in having an Overwater built – we will make it for 10% less! Chris[/quote] Aha! Now that's more like it! :brow: Excuse me while I go check the website....
  9. [quote name='AndyMartin' post='513540' date='Jun 14 2009, 08:03 PM']The OP has been given plenty of reasons by various posters why he found one combo apparently louder than the other and seems to be ignoring it all. To say one combo "blew away" the other is a totally subjective statement and is entirely dependant on what he regards as a desirable bass sound.[/quote] Got to say I was thinking along those lines myself.
  10. Unless I've missed something, nobody's asked this one yet: which did you prefer? While I'm at it, is it just me or does anyone else think we're not really getting anywhere? Don't get me wrong, it's a very interesting discussion and all, but........ I dunno..... what does the OP think so far?
  11. [quote name='leftybassman392' post='513275' date='Jun 14 2009, 01:10 PM']I agree - voicing, for example, is just as important. The gear being used by the rest of the band is also likely to be a factor - in a recording environment amps are chosen and balanced so that they occupy as little as possible of each other's acoustic 'space'. It could be that the Hartge's voicing just sits better in the band mix.[/quote] Something else I meant to mention - speaker efficiency. Speakers waste most of their energy as heat (otherwise we'd all be strutting our stuff with improbably loud 40 watt amps - and guitarists would be making their audiences' ears bleed with 15 watt monsters ). I seem to remember reading somewhere that aluminium cones are a bit more efficient. In an otherwise identical setup, ali coned units would therefore be louder (as in actually louder, not just seeming louder because of a different character).
  12. [quote name='Stylon Pilson' post='513249' date='Jun 14 2009, 12:25 PM']Comparing bass amps by wattage is like comparing cars by top speed, or computers by GHz, or cameras by megapixels. It's not a universal measure of goodness - it's just one factor of many. S.P.[/quote] I agree - voicing, for example, is just as important. The gear being used by the rest of the band is also likely to be a factor - in a recording environment amps are chosen and balanced so that they occupy as little as possible of each other's acoustic 'space'. It could be that the Hartge's voicing just sits better in the band mix.
  13. [quote name='Bay Splayer' post='513189' date='Jun 14 2009, 10:53 AM']at a recent rehearsal i played the same songs on the same bass through two different combo amps set 1: Ashdown MAG C115-300..... [u][b]300 watts [/b][/u](RMS) through 15" speaker set 2: Hartke A100..... [u][b]100 watts [/b][/u](RMS) through 15" speaker the Hartke absolutely blew the Ashdown away, despite having only a third of the wattage! howcome? [/quote] At the risk of sounding anal, can you specify what you mean by 'blew away'? Are we talking volume? Tone? Projection? Approval of other band members? Could be any of quite a few things. You may know already that the amp/speaker interface is an incredibly complex relationship - not to mention the differences in the individual units. You haven't said anything about settings on the amps. I suspect this will either run and run - or die a quick death.
  14. [quote name='Johngh' post='512400' date='Jun 12 2009, 07:54 PM']I've had a Sei Flamboyant 6er and also had a Shuker 6er made. I've got to say the Shuke is incredible value for money and just as good as the Sei for a fraction of the cost. I don't really know how Jon Shuker does it. Just my opinion of course. [/quote] I have to say I was very impressed by the ones I saw - I didn't realise they were so much cheaper than the SEI's. Time for a closer look methinks!
  15. [quote name='leftybassman392' post='510279' date='Jun 10 2009, 03:40 PM']For the benefit of those who've been in touch about the Lefty Wal Custom, it's now with The Bass Gallery in Camden. If you fancy a go, pop over - might be best to give them a ring first just to make sure it's available for you to play. More details in the main 'Basses for sale' area. If you do get to play it, let me know what you think.[/quote] [b]Update as of 12th June[/b]. Now on the Bass Gallery Website.
  16. [quote name='leftybassman392' post='510267' date='Jun 10 2009, 03:32 PM']Wal is now with Martin Peterson at the Bass Gallery in Camden. By the time you read this it should have been serviced and available to have a play with. Don't know if it's on the website yet, but should be soon. If you fancy a good time with a legend, pop over or give them a ring Asking price is o.i.r.o. £3000 ex Bass Gallery, which will include a full service and setup plus a hard case - not the original one sadly, but hey!. Yes I know it's on the high side, but it's a price that has been agreed with The Bass Gallery based on their extensive knowledge of selling rare high end basses; and in any case I am still open to offers/trades for high end stuff. PM me if you'd like to make an offer or suggest a trade - bear in mind that I can undercut that price quite a lot if I sell privately.[/quote] [b]Update as of 12th June[/b]. Wal is now on the Bass Gallery website. If you can get there, give it a try. Personally I suspect the price is a bit high, but see above. As before, still open to offers/trades - thinking Jazz Bass or lookalike as a first choice.
  17. [quote name='whynot' post='512151' date='Jun 12 2009, 02:33 PM']I think if I went custom again for a jazz type it would be with Shuker, being uk based and first class workmanship/service.[/quote] The Shukers I saw did look structurally very similar to some of the SEI models (In fact at first glance I thought they were SEI's). How do they compare?
  18. Just thought I'd drop in this Wikipedia article I found. It's long, a bit technical and doesn't have much to do with playing bass, but it does give lots of detail about the social, historical and scientific backdrop to being left handed. Read if you can be bothered or can't sleep. If not, you'll live anyway (just not quite as long....). [url="http://en.wikipedia.org/wiki/Left_handedness"]Follow this link for more about your 'affliction'[/url]
  19. [quote name='whynot' post='511494' date='Jun 11 2009, 06:12 PM']Your ok. Only joking about having it back. I'm very happy with the Shuker that replaced it, although must confess to having an itch for a 5 string jazz type. I tend to be taking a Jazz deluxe 4 on most gigs at the moment. I can't phone Martin as anytime I speak to the guy or go into the Gallery I order another bass. Not healthy.[/quote] So you won't want to hear that he's got a Lefty Jazz 5 in stock at the mo. Not sure if I should be telling you this anyhow cos i've kinda taken a fancy to it myself Do like the look of the Shukers tho'. Roger Inniss is a friend of a friend, and he showed me his sixes last time I met him. Nice! (Don't think I could deal with 6 strings though - 5's plenty for me right now.)
  20. [quote name='steve-soar' post='511449' date='Jun 11 2009, 05:27 PM']So you got that lovely walnut Sei, with the blue LED's? Nice one. [/quote] Yup. If you've played it you won't need telling what a beauty it is.
  21. BTW Steve, current evidence on handedness is actually inconclusive, but the general consensus is that it is at least partly genetic. Not trying to be argumentative - just trying to have an intelligent debate, so please don't take it personally. Try this:- [url="http://www.psychologistworld.com/influence_personality/handedness.php"]Recent research[/url] Andy
  22. [quote name='whynot' post='511235' date='Jun 11 2009, 02:33 PM']I think I should add to this thread but appears to have all been said. I tend to agree with Steve that a dedicated lefty thread (other than the excellent idea of the l/h basses for sale thread) is not necessary. There are already other sites that cover the issues very well I think, leftybass.com and various ongoing threads on Talkbass as example. Having said that there is (what I hope) a minority on here who just don't get what being left handed is all about. In a recent thread where a regular contributor on Basschat commented that he believed left handed instruments should not be produced. It's that kind of ignorance that makes you think we should have our own community. Leftybassman392 did buy my SEI I believe so I won't dismiss the idea completely, in case I ever try to buy it back.[/quote] Hey! Good to hear from you again. The SEI has worked out really well for me - what a lovely instrument. Actually it's at The Bass Gallery right now getting some minor work done. Martin asked if I could remember your details. Unfortunately I have the memory of a goldfish for that kind of stuff so I forgot. Sorry! You might care to give him a call when you get some time. Oh, and no, you can't have it back... it's mine, d'ya hear... mine I tells ya!
  23. Concilliatory gesture: I still think there is a good case for a non-exclusive Lefty Forum (and please don't anyone take it personally but I still haven't heard a convincing argument against it). However I'm content to have raised the profile a bit so that it can be properly aired. If it turns out that the consensus is against it, then I'll accept the group's decision without whingeing. If anyone does want to chat about Lefty stuff though................................ I'm thinking about a career in politics btw - maybe I could stand as a Monster Raving Loony Lefty candidate! Couldn't be any worse than the current shower.
  24. [quote name='steve-soar' post='510766' date='Jun 10 2009, 11:51 PM']Hi leftybassman, I also teach and so far, non of my students have been left handed and as Tomboy has said, a lot of my students find looking at a mirror image of their fingerboard helpful. Can you tell me some of the issues you have faced as a lefty bassist?[/quote] I was going to go to bed but couldn't resist responding to this post. In the spirit of intelligent debate I will make just a couple of points (think of it as your starter for 10): 1. Instruments - where to buy decent gear; and why we need to pay more for it or else pay vast sums to have it specially made for us. 2. For those of us who teach and who take our job seriously - how to spot and respond when students are properly left handed (quite a big topic, this one); and how to deal with right handed colleagues and fellow players who don't seem able to understand why we can't all just be like them, cos wouldn't it make life so much easier? That do you for now? Nighty night fellow travellers.
  25. [quote name='tombboy' post='510759' date='Jun 10 2009, 11:32 PM']What point? Since I appear to be the only poster since your comment who is right handed, how have I reinforced your 'point'. I was just trying to continue the level of humour that some left handed contributors in this thread started. I offer my apologies if you have mis-construed my posts. I'm not Nick Griffin. Personally, I would love to take lessons from a left handed tutor as it would be a mirror image for me..... just an observation and not a derogative comment. [/quote] Ahem... I haven't misconstrued you and I wasn't only talking about your post. Dude, please try to read everything that's actually there before passing comment. I'm trying to engage in a constructive and intelligent debate. I have no intention of engaging in a pissing contest. It's now past my bedtime so I'm off for the night. To be continued hopefully.....
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