Paulhauser
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The normal (ie non-fanned) nut essentially negates the whole idea of multiscale? I'm wondering if the dark grey thing is not a nut but a string guide and the first, fanned fret is a zero fret, then it's all good....I'm confused 🙂 (if you zoom in you can see the cut slots for the strings on the "nut" )
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Following this with interest.....
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Also some new RST Zebra limited ones
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Yeah, wondering myself, too... what's that, a prototype that got away maybe?
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Monetary considerations aside it is a simple question of which is more 'unbearable' : the guilt of having it but not being used or the regret that you would definitely feel once you sell it (and unsuccessfully trying to buy back) -
Found this new dealer exclusive shell pink Euro Classic 4 and 5, seems like they have a regular classic version and one with the roasted neck (check the paint / natural finish transition at the heel) Some German and Japaneese dealers have them, though I have no idea about worldwide availability or exclusivity. Cool color and I must say it is a great time to be a Spector aficionado, even if my wallet does not think so.
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Sorry to hear about your health issues, I hope you can still play to some extent in the future. I just asked because I came upon my own thread when googling the limited editions and what is the market for them - if any (ie prices) - and browsing though I saw your response and was reminded that you, too had them. I still have them both but they are my Spectors I use the least, the '77 saw some action when I subbed for a band where a 5er would have looked out of place and its sound fit like a glove but other than that my other Spectors with a low B are getting all the attention.
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@ead just out of curiousity, do you still have them both?
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In a perfect world i'd have one of each. I really like ebony for a fingerboard and none of my current Spectors have one. I used to have a US 6er with ebony and really loved its response when tapping. @Sean thanks a lot, but I'm afraid he is right 🙂
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Thanks Gary! 🙂 I have to say that though a great looking Spector it is, yours (and the 5er) wins with the paintjob / color selection, the maple board and the matching inlays. If I were to have an ebony boarded CST (which I'm seriously contemplating) it would be a red one.
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Damn you, Gary 😄 😄 Now I have to get one, thanks a lot 🙂 (secretly hoped though that there is a 5er version 😉 ) Yes but, alas, no. But the quest begins! 🙂
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Congratulations @cetera it is a stunner! Myself is a bit relieved that it's not a 5 string and even if it was it's not available (Ishibashi site doesn't show new items, only used)
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@SteveXFR as said above dialing back on the output might help. Also try to play with the treble a bit. While technically the tonepump isn't a boost only setup, it doesn't have a center detent so the best bet is to dial back to "zero" , counterclockwise and start from there to see (hear) what you like. Eventually Spectors have their own sound and that either fits to the music you play or not.
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Come to think of it, this Dickens model has some quite advanced Bartolini preamp package in it. I did a search and it indeed is quite something 🙂
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Nice score Russ! The GTBD was on my bucket list for a few years albeit I was not succesfull in getting one. I had a GT-7 though for a few years, the regular overseas Conklin 7er and that was a great bass, heavy but balanced exceptionally well with the huge body and fat neck. I seem to remember that the neck on the Dickens model is somewhat narrower and thinner than the GT-7. I think you are up for a treat!
