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Everything posted by GreeneKing
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Musicianship vs Personality & Stage Appeal
GreeneKing replied to Bluewine's topic in General Discussion
Careful. I know a lovely man who was one of Arfur's Kingdom Come and he's an accomplished musician -
Musicianship vs Personality & Stage Appeal
GreeneKing replied to Bluewine's topic in General Discussion
Agree with the rose tinted specs idea. There have always been bands with audiences that appreciate musicianship and listen with rapt attention to people just playing well. There have also been artists who get away with murder but put on a good show. The usual spectrum in between of course. I enjoy all these extremes but I'm aware that some punters get bored easily and need to be entertained by something 'flash'. Maybe that's what has changed in the age of instant gratification? -
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A stunning pearlescent white Bass Collection made in Japan in 1991 in great condition. Recently fitted with a GlockenKlang 2 EQ pre-amp that has a passive as well as an active mode with passive tone control and blend. 34" scale. I'm winding down my bass playing and have too many basses. Can be viewed and tried in Kendal. I bought this from Mick and it's had a little fettling and a new pre. It's rather lovely but 5 basses and not really playing makes no sense. £300, collection preferred, deliver can be arranged.
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I'm pretty sure you had my favourite SGC Nanyo for a while too
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This is good, very good. Why not bass and uke? No reason but it's what gives me the desire to pick up an instrument. Maybe the bass will come back? U-Bass? No thank you, that's missing the point for me.
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I need to edit out the potential sales stuff from here guys. I'll create some sales posts. One last time ? Peter
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I remember Dave Wilsons place, is he still working?
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I've a couple of gig bags not being used. I'll sort out and get them up for sale.
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I think that most people have had an ex bass of mine . Yes I can readily identify with the cyclic thing.
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I'll raise a few for sale posts next week.
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I suspect that if I do succumb to temptation it'll be Rita doing most of the tempting John
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About 22 years ago, at the age of 41, I was walking my beat in Plymouth along College Avenue, past Manson’s Music and I peered into the window. That re-triggered my desire to learn to play a musical instrument. I’d been keen at school, but my parents decided that as they weren’t musical neither was I and that the fiver deposit on the school trombone wasn’t going to happen despite the music teacher pushing for it. I’d been a marching band snare drummer and I’d had a bit of bandsman trombone practice time in my previous 20 odd years in the RN but that was it. Why bass? To be honest it was because I thought it would be easier, oh and different. I bought a headless Hohner Jack from Manson’s and my bass journey commenced. Bands, who’d have them eh? I got involved with some work colleagues and friends in Plymouth and we struck up a regular practice in Saltash Rugby Club. It was pretty dire, I was pretty dire too to be honest and we sort of collapsed after a while. I learnt a lot though and the taste for gigging was firmly instilled in my brain. I also started listening to bass and becoming sort of ‘bass centric’ in my interests and music tastes. In 2004 I moved North to Kendal for a change of career. I had by now acquired a superior case of GAS that would see over 100 basses pass through my hands to date. I think that’s quite an achievement although I’m not sure if it’s one to be proud of. I actually had 27 at one point (yes I was single at the time). I saw an ad in Mad Monks in Kendal for a bassist and headed North to Penrith for an audition. My first ‘proper’ band? Well sort of. Regular practice with 3 local guys who were all older than myself and generally a well-heeled bunch. The band’s music was supposedly a democratic choice but the singer/lead guitarist had a habit of going down the pub, referring to us as ‘his band’ and stating that he wasn’t going to play any of that crap that the bassist suggested. The Rolling Stones were the best band in the world and ‘Dead Flowers’ was their best number….. So, the writing was always on the wall really. The other guys were great, and we actually gigged three times. We opened at a local ‘mini-festival’, did one gig in the local for our supper and one charity gig. I loved it and put up with a lot of aggro in the hope of becoming a regular gigging band, but it wasn’t to be. A shame really. It got bitter and twisted at the end, mainly between the said lead guitard and the rest of us. I then had the experience of getting into a punk band that folded and then re-formed with a new bassist. The lengths some people will go to to avoid telling someone that they have another bassist who’s their mate etc. and fits the band image better. Finally, a really long stretch with a group of guys in Kendal who were actually good, particularly the lead guitarist, but we never made a gig. At the best we sounded really good. All classic rock which became very tiring after a while. I think that some of the guys didn’t really want to or have the bottle to gig but wouldn’t admit it. This all went on with the odd change of personnel for years. Recently I thought, enough is enough. I was completely dis-heartened. I sold my rig, sold some basses and thought I’d retire to a bit of noodling in the bass cupboard. It hasn’t really happened. The basses and practice combo have just sat there gathering dust. And then I bought my wife a ukulele. That’s it, I’m a bit smitten! I’ve succumbed to the Uke syndrome. All that life of bass, buying, selling and swapping at clandestine meeting in motorway services has stopped. A whole era seems to be winding down and coming to an end. I still have 5 basses and my TC 250 Combo. I’ve 2 custom ACGs that I don’t intend parting with, a full Uber top spec bubinga and wenge Finn 5 and my special holly topped headless Salace. I also have Rita, a Musicman Sterling with a Nordstrand that used to be well known in these parts. I’ve owned her twice and she stays. That leaves my pearlescent white Nanyo Bass Collection 5 that I’ve just bought from Mick and fettled with a Glockenkland pre. Finally I’m a umming and ahhing about whether to keep my soft aged Fiesta Red Sandberg 5 string P bass. It’s beautiful. I was never one for relic finished instruments but this just works. It sounds wonderful and weighs 7.5 lbs. But however much I love it I’m not playing it so what’s the point? Hmmm… So a long journey and life always changes. I've met some great people and made life long friends. I just thought I’d share. If anyone is local to me I have a load of bass books and odds and ends sat around. I don’t really want to advertise and post etc. So, statistically not good. 22 years, more than 100 basses and 3 gigs! Well life isn't always as you'd want it to be and if you don't have the right ingredients around you you'll never bake a cake I'm, off to play my Uke Peter
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Items Wanted - Why is there no bump option?
GreeneKing replied to thebrig's topic in General Discussion
I had a bump once, I don't want another, it hurt! -
Bit late to this Russ but now that my gigging days are done my Mono case isn't needed.
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Here's an early GMR made by Roman Koc in Poland. I believe that it's a Bassforce model. This bass draws heavily on Warwick traditions and carries Warwick hardware and a bubinga body. The pickups are passive MEC's, again just like a Warwick. I'm a huge fan of Warwick Thumbs because of the growl and this GMR has that same sonic base. When it came to me it was passive and it sounded good. It now has the full works John East Uni-Pre and it sounds simply awesome. This has the configureable bass control so it's not boost only like the U-Retro, well not unless you want it to be. The treble has the pull up 'zing' position and there is the sweepable mid control. In addition there is a passive tone control with a pull for passive/active and a passive blend to compliment it. A pdf of the Uni-Pre features can be found on John's site: http://www.east-uk.com/index.php/home.html 3 piece neck, 34" scale and 9.5 Ibs. Fret wear is negligible and it has a brass nut. Balance is very good. It plays and sounds absolutely lovely. Some minor dings to a waxed (Warwick again) finish. I'll be honest, since giving up performing I'm only playing bass about once a week. I have 6 great basses and it's a crying shame that they aren't getting used. UK delivery £25, collection or inspection in the Lake District. No trades please, well not unless you have a high quality tenor/baritone Ukulele or Banjo Ukulele Peter
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COG T16/Mini 66/Tarkin Price plummet! SOLD
GreeneKing replied to GreeneKing's topic in Effects For Sale
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COG T16/Mini 66/Tarkin Price plummet! SOLD
GreeneKing replied to GreeneKing's topic in Effects For Sale
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Bass Guitar Magazine, fretless bass of the year: ACG Salace
GreeneKing replied to GreeneKing's topic in General Discussion
The point is, as I already said 'given the nature of this thread', saying 'my bass is great and only cost £275' is hardly contributing anything but negativity. If you want to tell everyone how good your Cort is and you don't want it to relate to an ACG then why post it in here?????