kwmlondon

That sounds like FUN!

Sorry. I’m rubbish with names. I actually saw Martin Cathy play at the tribute concert to Bert Jansch. It was just one of those stories I heard mentioned once and I’m really glad that it wasn’t that Paul Simon who stole credit for someone else’s work. Thanks for sharing

Martin McCarthy wrote that arrangement I think Paul Simon copyright Ed it

Yep. I’m not going to look into this band. Not interested going down that rabbit hole.

Didn’t Paul Simon rip off his Scarborough Fair arrangement from someone?

The Sweet were an incredible band. Outstanding musicians...

Gosh! That sounds very well thought out and I'm very impressed by your attention to level detail. A cidered-up audience will smell very appealing... apple... peeling... I'll get my coat.

Had a good fun one with one of my groups last night. Was knackered after a building project on the house but it was really good fun- the guitarist is a creative fella, good fun, writes interesting stuff and is really lovely. The drummer is inexperienced and a bit lacking in confidence but she’s great to play with and I hope we can build her up to doing a gig before long. I took the Positive Grid Spark Live and it did really well. Sounded good and easily kept up with the drummer, though she’s not a very heavy player. Did a comparison with the full rig- TC BH800 and MarkBass NY121 and the bass rig was way more authoritative and deep, coped with big transients way better and louder as you’d expect

That’s cool. Looks like a very nifty piece of kit.

I've done a review of the amp:

Right. I've had this for a couple of weeks now and I'm very keen on it but have not seen Positive Grid stuff mentioned much on basschat so I'm going to try and give a good account of how I've found it in use. This is all personal and I'm not a pro, I've only used it a couple of situations but I'll have a go. I wanted a small amp that could do a lot of things, mainly be a practise amp that I could use for bass AND guitar and may be up to practising with a band if need be. And it does the job. Not without flaws. I think the best way to describe what it's like is to tell you what it's, then how I've used it, and finish off with some pros and cons. So, what is it? It's a small combo amp about the size of a practise amp, 2x8" with tweeters and 150 digital watts. It SAYS it has 4 inputs but really it's CH1 instrument input at the front, CH2 instrument/mic input at the back and CH3/4 is a stereo in though you can connect with bluetooth and USB. You can also buy a battery and run it from that though I've not got one as it costs about £80 - quite a lot I thought but then that's no more than the one in my DeWalt drill. First impressions are that it's heavy, the knobs feel a bit cheap in use but it has a feature that I love and that's a little sort of leg thing at the back that you can use to tilt it up. This is really handy as when I'm practising I want the sound firing at my ears not the floor - it's good for the neighbours too. It cost me £480 from GuitarGuitar (great company) and came with a free mic stand and cheap mic so that's a couple of Christmas presents for people sorted out. As a bass practise amp. I've been really enjoying it to practise. The Positive Grid app is great and I'm still getting to grips with it but the bass models are pretty decent and there are loads of pedals and effects to play with, but as a basic quiet amp it's really good. The sound is quite rich and deep and dynamic at low levels - no doubt all manner of algorithm fakery flattering the sound but it's good. I saw one review that said the bass tone was sort of synthetic, which I can understand, but it's one of the few practise amps that sound nice at low volumes. One drawback that I found right away was the hiss. I suspect that the preamp and a/d circuitry isn't very high quality as the moment you add presence or drive it gets really noisy. I don't mind this so much but if you find hiss annoying try before you buy. As a guitar amp Blimey! It's incredible. I am not much of a guitarist and I have always been put off by high tech modelling setups but this makes it really easy to dial in a good starting tone, from a British combo to American tweedy or high-gain amp so I can just enjoy playing and not get hung up on the tech. It's bloody loud. You could definitely do a small gig with this for guitar duties. I took it to a mate's place for a bit of a jam, practise sort of evening and with him on acoustic and this amp doing the bass the sound was really lovely. I think as a practise tool it has a lot going for it as it sounds very pleasant in a mix. Practise with a drummer Well. This took it to its limits really. We were in a small space (shed) and even in there it looked small, but I carried it in a rucksack on the train along with my bass and I can't think of many rigs I could do that with. I have a MarkBass NY121 that I can get around on a trolley but nothing I could stick in a backpack to carry. The kit wasn't a really loud one but the Positive Grid did manage to keep up and not sound bad, but to get it to that volume I had to do a lot of messing around within the app to boost gain on part of the signal path. Having said that, I enjoyed the rehearsal and the other guys were impressed. In future we will go to Pirate and book a room with backline but I know if I have to rely on this again it'll do the business. In conclusion. Pro's. It's small, not too expensive, it does a lot of things - some well, some not so well - has an amazing range of sounds and you can run it off a battery. It's a great practise tool and ideal for a cafe gig - you could easily have a microphone too OR a guitar as well, or even run a small mixer into it. It's also great if you want to play some music in the garden for a bbq or take it camping. Con's It's not a pro piece of kit. I don't think I'd ever want to be in a situation where I was relying on this for a paying gig - the fact you need an app to adjust so much of the sound means it's clearly not something you'd rely on. It also doesn't feel or sound like pro-kit, but then doing what it does and costing what it does I don't think anyone would get that impression. If I was a serious busker I'd be looking at a powered PA monitor, mixer etc, or maybe a Roland Street Cube EX - those seem more rugged and reliable. Another big drawback is the noise, and I think this is something that other Positive Grid products have struggled with. If you don't wind up the volume it's okay, and you can put a virtual noisegate in the chain too, but be aware it's a thing. Me and a mate are planning on doing an open mic at a small venue around the corner and this would be ideal for that. It's small, portable, sounds good at low volumes and if there is a problem - even a really bad one - it won't matter for the sake of a couple of tunes.

Hang on. Not this then? https://en.m.wikipedia.org/wiki/Fanny_by_Gaslight_(film)

We were in the guitarists shed for a rehearsal last night. He’s quite eccentric and unpredictable as a musician but he’s so much fun I always enjoy playing with him. The drummer is also quite a character who is great fun, good chops but not experienced but we’re getting there. One more rehearsal then we have an open mic gig coming up early in June. Always a laugh!

I couldn't put it better (I mean, that, if I tried to say the same thing, it would not make sense), and I very much agree. It's also really resonant with the zeitgeist right now. Streaming services have upended the record industry, live music is in crisis with Ticketmaster in control of most of the big venues and events and medium venues closing down alarmingly, MTv just went off air, AI is scouring all creative material so it can reproduce our art... it feels like we're out of control so pehraps the whole Giacomo scandal is really giving vent to a lot of frusration and anger about a changing musical landscape.

I am thinking about recording a reaction video to all of these reactions to the reactions to the reactions to the original Danny Sapko video. What do you think?

When I went to the Yolanda Charles bass clinic a few weeks ago she played the pre-recorded vocal track that she and the live orchestra had to follow when she toured with Hans Zimmerman. it had variable tempo because the singer performed live to the movie - the click was just constantly varying and it was incredible to think how anyone could follow it. Yolanda and her guitarist demonstrated how they had to speed up and slow down from somewhere around 60 bpm to about 140 over just a couple of bars... in perfect sync with the orchestra and the pre-record. Honestly. It was one helluva feat of musicanship from those two and I grew another level of respect for pro musicians who do that kind of thing.

That was a really good take. Enjoyed that. Cheers for sharing. If you can stretch to a nearly 55 min video, Adam Neely's PhD thesis-level discussion of miming and authenticity is incredible. It also shows all the tricks of how you can knock up a faked video - it's an eye-opener. I knew about comping, that's been done since the first days of multi-track recording, but this is amazing:

Yeah this x100. Ripping off other people’s work and monetising it is what he’s been caught out for. If being a crap guitarist was a crime I’d be in prison with a double-sided criminal record.

I’m not a fan though. I didn’t like his music that much I just believe that in a venue where I’m close to the stage I would spot someone miming guitar where you can see so clearly what their hands are doing. I guess I think because in the past I’ve been able to spot a mined performance I’d have picked it up.. but I can’t be sure. It does bug me now though and I really want to know for sure! I don’t mind a mess up though, that’s half the fun of seeing a live show is when a good musician pulls a mistake into a save!

You’re must be right. I probably can’t tell a live musician from someone faking it when I’m standing in front of them. Nobody could.

Look. Maybe he was miming but I just don’t think it’s likely. Nobody has ever called him out as a fake for his work with his band and he’s been touring for years but…. I would love to hear his isolated playing from the desk. That would be fascinating. I think it’s more likely that he’s put a live set together of pieces that look flashy and sound impressive but are not that challenging and have runs and riffs that don’t show up flawed playing. That would be was easier than running the whole gig to a click and miming playing guitar. But I could be wrong. I often am.