I picked up a mint used example recently in the sunburst finish that had been modded with a Sadowsky on-board preamp. I changed the pickguard to tort and it is getting a LOT of my attention lately. I'm liking the 19mm (fraction wider than Fender 5s generally) bridge string spacing on these ones. It's not light though.
Cool. I've heard of none of those artists you mentioned. This forum is always teaching me new things. When I do slap I thumb mainly fretted notes. Now I'm thinking about it I rarely play open strings (low B excepted). I used them more when I was a 4 string player I think. Playing 5s has really changed how I approach the instrument now.
Appreciate the explanation. Does this apply to certain genres more commonly? I've never heard the song Slither before so I YouTubed it. Admittedly it's a genre that I don't listen to or play so it was all new to me.
I genuinely don't understand what this means. If every note in the bassline features on the fretboard (of a 5 string in standard tuning) how is it impossible? I'm not being deliberately obtuse here,in fact I might learn something.
Option 2. Bearing in mind I don't play 4 strings anymore. Having a low B isn't just about the 5 extra notes however. It can be used for economic (movement) reasons also.
My take on this is any bass can be used for any genre as long as you bond with it. Ultimately the bass does whatever you tell it to. I know others may disagree and feel for example if you play genre X then you need to play bass Y. I say bond with the feel and sound of a bass and it doesn't matter. My opinion only 😊
I really notice the real estate on my Fender 4+1 headstock when I pack it in my Warwick gig bag. It's my preferred bag when on public transport as the top of the bass doesn't sit a mile over my head. I like my Fender but the headstocks (compared to my Warwick 3+2) looks unnecessarily huge 😄