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itu

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Posts posted by itu

  1. I have five. No, six. Maybe I have "one more".

     

    FX, yes, another somewhat complicated thing: I bought a Harley Benton noise gate because it works like a swell (some know the old and very sought after Boss). Well, there was another in the closet waiting for a place in the pedalboard.

    • Haha 3
  2. The project continues. I bought few taps and made this today. I need to shape it, and the line can be seen in the face. The big hole in the middle is for the truss rod.

     

    (I should have had this and the bridge ready by August, but the anodizing company was away, and the project halted. Well, for few other reasons, too.)

    20221114_200334.jpg

    • Like 3
  3. The power needed for the fx seems to be on the lower side: 330 mA is not so much. The next step is to try to exclude one fx at a time from the group and the power. Is the Little bear in the 500 mA line?

     

    I have a Valeton looper which does not want to work if certain other pedals are in line - even with their own PSUs.

    • Like 1
  4. What's the headroom of the Nordel? How much do the fx consume / pedal, or in total? Nordel should be more powerful than the fx pedals.

     

    If there's any pedal with center positive, you may face complicated issues.

    • Thanks 1
  5. 1 hour ago, Harlequin74 said:

    I have learnt alot from this thread, thank you! 
     

    one question though, is the watt to output ratio linear? So, if i run my Orange Terror 500 at half volume , is it operating at 250 watts? ( running thru 2x obc112 400w cabs)

    First question: how do you measure this half volume? From the pot position?

     

    Amp manufacturer/designer can use parts that give you 90 % of the headroom, when the pot is pointing to 10 o'clock, or 3 o'clock, or whatever. The same applies to eq.

     

    Another thing: The amount of power you address to the cab is also dependent on the data you are pushing from your bass. I expect that the peak and RMS content of your signal are very different. People hardly drive the amp with continuous sine.

    • Thanks 1
  6. 3 hours ago, Wild Cayote said:

    Regarding the price... it sounds like it a good buy because if it's very limited production run. The way even a modern day 4003 keeps its value for resale is pretty remarkable...

    I have to say that the resale value is the least interesting thing for me. I buy instruments as tools. A good one is a keeper, poor one can go. If a 4005 is only meant for collections, it does not have to be good at all, just one more look-a-like.

  7. I think you could tell us about features, like:

    - connectors

    - strain relief

    - connection

    - cable cover material (+ colours in the stage)

    - about copper

    - length

    - velcro

    - coiling

    - frequency response

    - losses

     

    Did I miss something, you will add the rest.

  8. A simple test is to try one page in a phone, a tab/pad, and an A4. If you need a bigger screen, buy one. Small phone is a mess. I use a +10" android and good eyeglasses. The tab is a bit over a metre from me. Less brightness is good for me on dark stages.

    • Like 1
  9. 7 hours ago, Hellzero said:

    That said @itu as the neck is a 90/10 type (90% wood, 10% carbon), then it's more probably the one made on November the 15th of 1986. 😉

    Dear @Hellzero,

    In the 80's Passion had a Schaller, and Arpège a special bridge. This beauty has Kahler that became available in the 90's.

    After the series II (or 5- and 6-string basses), CF was no more an option, and 90/10 was introduced. Bolt-on came after neck-through versions, although I do not recall the year. After 1995 anyway!

    • Like 2
    • Thanks 1
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