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NikNik

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    F a n n y (the band)

    in General Discussion

    Posted

    4 hours ago, tauzero said:

    Surely the sweary filter is set up wrong? After all, Johnny said " I hope all your doughnuts turn out like Phanny's" so it should be changed to doughnut, not craddock.

    The Talkbass one is set up to capture most of our Anglo terms. 😉

    F a n n y (the band)

    in General Discussion

    Posted

    On 21/02/2019 at 20:10, Jimbobble said:

    500889649_CSLjazz1976.thumb.JPG.cf2f1a98f2b540907b338546f496f3f8.JPG

    This jazz bass if anyone's interested, was the one stolen from me & I'd like it back. I'd buy it back straightaway. The nicest maple nack I've ever played. You can tell it's mine (but not from this photo) because I had to replace the bridge pickup with a mexi jazz one I had so the poles don't fit in the dimarzio cover and aren't aligned. There's also a split on the back where the bottom wing is coming away. But what a bass! Weighed a ton, sounded like thunder & has so little re sale value the police said it's going to end up in someone's nephews' room being unappreciated. I want this bass back so much!

    Did you reshape the headstock?

    F a n n y (the band)

    in General Discussion

    Posted

    10 hours ago, ubit said:

    Reminds me of when Celtic signed a player from Brazil called Rafael Scheidt. The commentators bottled it and called him Rafael. It still gave opposition fans loads of fun! 

    ...and for me it was Sue Lawley on Nationwide interviewing one Dr Clitterhouse. I whizzed myself rotten over that one.

    • Haha 1

    My bass life winding down?

    in General Discussion

    Posted

    On 01/03/2018 at 14:27, GreeneKing said:

    About 22 years ago, at the age of 41, I was walking my beat in Plymouth along College Avenue, past Manson’s Music and I peered into the window. That re-triggered my desire to learn to play a musical instrument. I’d been keen at school, but my parents decided that as they weren’t musical neither was I and that the fiver deposit on the school trombone wasn’t going to happen despite the music teacher pushing for it. I’d been a marching band snare drummer and I’d had a bit of bandsman trombone practice time in my previous 20 odd years in the RN but that was it.

    Why bass? To be honest it was because I thought it would be easier, oh and different. I bought a headless Hohner Jack from Manson’s and my bass journey commenced.

    Bands, who’d have them eh? I got involved with some work colleagues and friends in Plymouth and we struck up a regular practice in Saltash Rugby Club. It was pretty dire, I was pretty dire too to be honest and we sort of collapsed after a while. I learnt a lot though and the taste for gigging was firmly instilled in my brain. I also started listening to bass and becoming sort of ‘bass centric’ in my interests and music tastes.

    In 2004 I moved North to Kendal for a change of career. I had by now acquired a superior case of GAS that would see over 100 basses pass through my hands to date. I think that’s quite an achievement although I’m not sure if it’s one to be proud of. I actually had 27 at one point (yes I was single at the time). I saw an ad in Mad Monks in Kendal for a bassist and headed North to Penrith for an audition.

    My first ‘proper’ band? Well sort of. Regular practice with 3 local guys who were all older than myself and generally a well-heeled bunch. The band’s music was supposedly a democratic choice but the singer/lead guitarist had a habit of going down the pub, referring to us as ‘his band’ and stating that he wasn’t going to play any of that crap that the bassist suggested. The Rolling Stones were the best band in the world and ‘Dead Flowers’ was their best number…..

    So, the writing was always on the wall really. The other guys were great, and we actually gigged three times. We opened at a local ‘mini-festival’, did one gig in the local for our supper and one charity gig. I loved it and put up with a lot of aggro in the hope of becoming a regular gigging band, but it wasn’t to be. A shame really. It got bitter and twisted at the end, mainly between the said lead guitard and the rest of us.

    I then had the experience of getting into a punk band that folded and then re-formed with a new bassist. The lengths some people will go to to avoid telling someone that they have another bassist who’s their mate etc. and fits the band image better.

    Finally, a really long stretch with a group of guys in Kendal who were actually good, particularly the lead guitarist, but we never made a gig. At the best we sounded really good. All classic rock which became very tiring after a while. I think that some of the guys didn’t really want to or have the bottle to gig but wouldn’t admit it. This all went on with the odd change of personnel for years.

    Recently I thought, enough is enough. I was completely dis-heartened. I sold my rig, sold some basses and thought I’d retire to a bit of noodling in the bass cupboard.

    It hasn’t really happened. The basses and practice combo have just sat there gathering dust.

    And then I bought my wife a ukulele.  That’s it, I’m a bit smitten! I’ve succumbed to the Uke syndrome. All that life of bass, buying, selling and swapping at clandestine meeting in motorway services has stopped. A whole era seems to be winding down and coming to an end.

    I still have 5 basses and my TC 250 Combo. I’ve 2 custom ACGs that I don’t intend parting with, a full Uber top spec bubinga and wenge Finn 5 and my special holly topped headless Salace. I also have Rita, a Musicman Sterling with a Nordstrand that used to be well known in these parts. I’ve owned her twice and she stays. That leaves my pearlescent white Nanyo Bass Collection 5 that I’ve just bought from Mick and fettled with a Glockenkland pre. Finally I’m a umming and ahhing about whether to keep my soft aged Fiesta Red Sandberg 5 string P bass. It’s beautiful. I was never one for relic finished instruments but this just works. It sounds wonderful and weighs 7.5 lbs. But however much I love it I’m not playing it so what’s the point? Hmmm…

    So a long journey and life always changes. I've met some great people and made life long friends. I just thought I’d share. If anyone is local to me I have a load of bass books and odds and ends sat around. I don’t really want to advertise and post etc.

    So, statistically not good. 22 years, more than 100 basses and 3 gigs! Well life isn't always as you'd want it to be and if you don't have the right ingredients around you you'll never bake a cake :) 

    I'm, off to play my Uke

    Peter

     

     

    Keep playing, lad. 

    Swapping out pre-amp for something more versatile?

    in Bass Guitars

    Posted · Edited by NikNik

    So, I have this Levinson Blade B4 J-Bass, built in '91. I only play it at home but last year I hired it out and was at the sound-check. It went through an SVT Classic but, amp aside, I was surprised about how Old Skool active it sounded on a stage: it had a very prominent top end and seemed to lack some low end. Adjusting the trim pots made slight differences, usually to the lower mids and sometimes not for the better! The bass was never used in anger at the gig but it got me thinking about upgrading the pre-amp system. Levinson Blade tell me they have not updated that system so I'm going to swap it out for something like the John East Uni-Pre 3.

    Before I make my mind up, has anyone else got any recommendations? It has to be a three-gang job as there are only volume, blend and boost on the B4. Also, I recall that the Blade has a dummy coil to filter out interference so if I swap the blade circuit out the dummy will become redundant.

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