lozkerr

5' 5" down from 5' 6" a while back. This Fender's bloody heavy.

7 hours ago, mcnach said:

Do you have personal experience with Tranent's Al James?

Yes - he's my tutor and currently weaning me off my 4.5/4 time signature habit. Good guy, very patient and professional. Here's his website:

https://aljamesmusic.co.uk/

Probably best to drop him a line and suggest an introductory session, just to see how he and your girlfriend get on.

20 hours ago, mcnach said:

Hmm, she doesn't drive, but I do rehearse in Rosyth so it might be possible to combine both our "bassinesses"... Thank you for the heads up.

Ah. I was going to suggest Al James but he's right out in the sticks at Tranent so driving (or picking up and dropping off) would be essential. But he is on your side of Edinburgh.

You should never change a light bulb. It destroys the feel of the original.

1 hour ago, Stub Mandrel said:

Anyone know if they sell Fender nylon tapewounds?

What key are you playing it in?

I arrived at the low end after dabbling with several different instruments - piano and violin as a kid, both of which I hated largely because of the utterly uninspiring teachers I had, followed by bugle, trumpet and marching snare drum. I was quite passable on those, and if I'd stuck with the trumpet I might be a reasonable trad jazz musician by now. I still play the snare on occasion. Used to sing pretty well, too.

Then I went to university (well, it were Hatfield Poly, but it were a university to us, etc). One of the lads in the house next to ours had bought a bass - no idea what it was - and it was sitting there gathering dust, like so many students' instruments do. An impromptu jam started up one evening and I had a go on the bass. I was surprised to find I could easily manage some simple stuff by ear but thought no more of it. Shortly afterwards, I started knocking round with the technical manager of a theatre in St Albans, who'd been a pro for a while - he was in the Dogs D'Amour at one point. He suggested I should give the bass a go, but me being me and Knowing It All, decided I was meant to be a guitarer.

So I tried it, couldn't get on with it and promptly gave up. Then life intervened - career, marriage, house, kids - and music went to the back of my mind. After my marriage broke down and I'd got over glaring at the world through the bottom of a bottle, I realised I didn't Know It All after all. I bought an Ibanez GSR200 and was instantly hooked.

Looking back now, I should have followed my instinct and taken my mate's advice. If I had, I'd now have thirty years' playing under my belt. But better late than never!

Reactivating a zombie thread, but this has to meet the OP's criteria. Simple, quite repetitive, but this would be nothing without the bassline. That's my next transcription exercise sorted.

Ellen Foley - Night Out

On 12/10/2019 at 17:23, Machines said:

I know for a fact some NHS bodies advertise and interview external candidates when they've already decided which internal one will get it. And the post was created for that person too. 

Can confirm. No names, no pack drill, but I've worked for the NHS and seen it happen first-hand.

Not a gig as such, but I did do a three-hour slot on the independence march here in Edinburgh yesterday playing snare drum.

I had a strong sense of irony though. I've spent rather more than I want to think about on bass gear and lessons and I'm still looking for a band. By contrast, I was playing an el-cheapo drum I picked up for 20 quid on fleabay. It was held on with a £2 belt from Primani as I was too tight to buy a sling and I had to jam every tune as I hadn't heard them before - and at the end, the band were very complimentary about my drumming and asked me to join them permanently. Funny old world!

6 hours ago, Reggaebass said:

Or get one of these, this was my first metronome 😂

I have one too! Still use it on occasion.

12 minutes ago, nilebodgers said:

Also - get a tuner and get used to being in tune whenever you play.

And a metronome. I use an app on my tablet and plug it into the aux in on my amp when playing late at night.

After a tiresome week in the smoke, I got home to find a large parcel from a well-known music retailer waiting for me. I was impressed with its size - what could it be? A new head? A set of IEMs? A couple of new pedals? A whole spider's web of patch cables? A lifetime's supply of strings? A box this size could contain anything... ah.

Well OK, I was expecting it, but talk about OTT packaging!

1. Sherry.

2. Wonderwall.

3. Err.

4. That's pretty much it. Two songs I loathe with a passion.

Two recent purchases, but not new releases:

Ellen Foley - double CD of Night Out and Spirit Of St Louis. 
Deacon Blue - Believers

The final Passions album - Sanctuary - is due for re-release in November. That's next on my list.

2 hours ago, ahpook said:

Anyone know any bands they don't like that need a bass player ? Maybe another covers band is nicking your regular slot at the Dog & Duck ? Ex-spouse getting somewhere with their Nu-Klezmer band ? Sick of that residency at the Filmore and you want a change ?

Email me the band ad, I'll reply with my schedule of services and we can get to work....

I am informed that a Mr Justin Bieber may be planning a tour. You may wish to contact his management.

1 hour ago, lonestar said:

I had a brainwave half way around. Why didn’t  I bring my little VoX Amplug and headphones so I could try instruments out without all the din ?Will try this next time.

That's what I did, but even with new batteries and the volume up to 11, the general racket made it difficult to get a good sense of the tone. It was a definite improvement over crouching in front of a speaker, though.

After trying a few instruments, I just concentrated on how they felt to play. Spent quite a while playing the Chowny NT5; I think that'll be my first choice when I need a backup gigging bass. Lovely instrument.

Well, all in all, I had a fab time. I felt much more confident than I did last year - 2018 was the first time I'd been and I felt like a rabbit caught in the headlights. I think the highlights were having a play with the lovely @Chownybassgear - his five-string is on the shopping list for my next bass.

The masterclasses were good, too. I got the most out of Ellen O'Reilly's sessions. Lovely lass and really approachable. Here's a wee pic of me with her and her band.

Roll on next year!

I'd played several different instruments in the past - piano, violin, snare drum, bugle, trumpet. If it hadn't been for a particularly vicious dental abscess, I might now be quite a reasonable trad jazz musician. But pain of that nature put me off in a big way.

I tried guitar when I was a student, but found it really difficult to play chords as my thick stubby fingers kept getting tangled up with each other. I should really have gone for an acoustic, but I wanted an electric because, y'know, guitar.

At the time, I was knocking about with the original bassist from the Dogs D'Amour. He tried to get me to take up bass, but me being me and Knowing It All, decided I was meant to be a guitard. Which it turned out I wasn't.

I think a seed might have been planted, though. Fast-forward a few years and I was chatting to a friend on Facebook. She was making noises about learning some Thin Lizzy songs and I said I'd be up for learning bass. Don't ask me why - it just seemed a logical step, albeit one fuelled by rather a lot of home-brewed wine.

The next day, I wandered into Dawson's Music and mumbled something about bass guitars. Shortly afterwards, I left with my first bass - an Ibanez GSR200. It just felt like it dropped into my hands and it instinctively felt right; I knew there and then that I'd discovered 'my' instrument.

I've been playing ever since. Just wish I'd listened to my friend's advice years ago.

6 minutes ago, taunton-hobbit said:

And it won't load

Should be working now. I hope it is - otherwise I'll have to nail the URL shortener's other foot to the floor.

17 hours ago, Ricky 4000 said:

Oh Lord *breaks down*... Thank you, Skank, and thank you @lozkerr ... how can I ever repay you(s)?? *sob*

It's business. If I need something in return, I know where to find you.

Thanks for the nod, @skankdelvar. Everything's in hand, @Ricky 4000. I've found us some nice transport - my procurement team of McThug and McPliers obtained a luxury coach with the minimum of unpleasantness, and we're on our way. It's an excellent vehicle - they've learnt well.

All being well, your children will be returned unharmed in a few hours. I would however recommend that if you should encounter incidents like the below before you and they are reunited that you avoid becoming involved. Leave it to the professionals - we'll deal with it. It'll be sweet.

https://www.youtube.com/watch?v=vdnA-ESWcPs

19 minutes ago, neilp said:

it turns out that the "accommodation" they so generously provided was in tents! In Edinburgh....

Jesus wept. Talk about rubbing their noses in it. That's appalling.

I've done arts festivals in the past and slept in some pretty dubious accommodation, including dressing rooms, but at least I aye had a roof ower my head. Do they hand out trowels and a roll of army form blank in place of toilets, too? Sheesh.

1 hour ago, skankdelvar said:

You could have avoided this problem if you'd only thought to bring a pair of opera glasses with you. The traditional kind that come on a stick.

I am approve. And I think I'll use my video camera tomorrow night to record the march out and the fireworks. It has an impressive zoom capability for a device that is twenty years old. Far more civilised to lean out of the window than stand in the street with hoi polloi.

48 minutes ago, Bluewine said:

When your young and starting out it's probably not that bad. It's a young mans game anyway you look at it.

I suspect that might have been in the Tattoo's mind when they placed the ad. As I said above, I've been watching the march-out ever since the blasted thing started - thankfully missed last night as we bailed to the pub - and the wee gaggle bringing up the rear have a noticeably gawky teenager air about them. I haven't seen them up close - CBA to run down 76 steps and back up again - but they do look very young.

Assuming they are this band, of course. And bearing in mind that I'm now at the age where MPs and senior Forces officers look young, too 😉

On 14/07/2019 at 11:01, Dan Dare said:

Anyone else receive the email from the MU about this? Appears they are going to pursue it.

Has anyone heard any more about this? I'm getting the impression they managed to recruit some suckers eager beavers after all, as I've been watching the Tattoo march-out for the last few nights. Can't do much else, as the buggers make too much noise to get any shut-eye.

They all come marching down Castlehill in smart uniforms - the Guards in scarlet, the Highland dancers, a detachment of what I think are Commonwealth soldiers, some singing girls - and before the massed pipes and drums rock up, there's a small gaggle of T-shirt and jeans types who look like a band, even though they're no carrying instruments.

On 10/08/2019 at 15:19, Crawford13 said:

The main reason for the B is efficiency and not having to move up and down the neck to get notes you want as they can be under your fingers.

This should be a pinned post. That was what convinced me to switch to a five-string.

Take Teenage Kicks. Dead simple bassline - so simple that even I can play it without cocking it  up too much. The first note is a D. On a four, you might start at fret 5 on the A string and bob up and down towards the nut. Fine if you have hands the size of shovels, not quite so easy for us lesser mortals.

On the five, start at fret 10 of the E string. You can play the whole thing over four frets without changing position at all - just drop down to the B string when you hit the chorus.