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Everything posted by SamPlaysBass
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Trace Wattage, I Know, Old Topic, But...
SamPlaysBass replied to Count Bassie's topic in Amps and Cabs
At this point I'll take any technical knowledge I have (not hard), throw it out of the window and use purely anecdotal evidence, which is of course, always valid... I had a GP12 SMX 4x10 combo for a few years and adored it. It was the loudest thing in the universe as far as I was concerned. I'm not sure what component of it made it so loud; the conservatively rated power section, or the fact that it was the fact it was on wheels and wielding now old-fashioned 10" drivers way off the floor made a difference, but it carried its sound like nothing else I've ever played. It didn't have super subby lows, but it was perfect for the bands I was playing in at the time where our PA was so crap that all of the bass sound had to come from the amp. And WHAT a sound - lovely, focused bass sound filling the air in big old Workingmans Halls and Clubs around the Valleys. They had lovely mids and a very good 12-band graphic EQ. It's a shame that Trace lost its reputation for 'underpromise, overdeliver' when it came to sound, loudness and quality. The closest thing I've owned that puts me somewhat in mind of the Trace is the Markbass AG1000 through a Ninja 2x12 cab, but I'm sure if Trace designed it, they'd market it as having measly 150 watts or so. If I had the space, I'd buy that GP12 SMX combo back in a heartbeat. -
TRADED Wayne Jones Bass 1000w Powered 2x10 Cabinet GONE
SamPlaysBass replied to johnbiffa's topic in Amps and Cabs For Sale
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Squier Vintage Modified Fretless w/ EMGs - *SOLD*
SamPlaysBass replied to SamPlaysBass's topic in Basses For Sale
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NAD, some large scale Acoustic Control Corporation goodness
SamPlaysBass replied to chriswareham's topic in Amps and Cabs
Great to see some old school iron still doing the heavy lifting. I’ll always commend someone choosing the gear they want to use over the ‘convenient’ alternative. This era of Acoustic looks divine. Speaking of heavy lifting, start the beer tab early and get a few mates in to carry this bad boy up the stairs. The Lexington has quite a few! -
This is from the first run in 2024 and is a fantastic instrument. I’ve loved owning it, but unfortunately space is becoming premium and with a house move looming, I need to free up cash and room. Still has the original Ernie Ball Cobalt flats with loads of life left in them (still actually quite zingy). I’ve actually toured this bass and it does a great job - punchy, articulate and captures that Joe Dart/Bernard Edwards vibe wonderfully. The neck feels incredible, very smooth and fast with a jazz-esque profile and nut width. No EQ, just a big ol’ volume knob stuck on the front and it’s all the better for it. I’ve filed the nut grooves slightly on the E and A strings as the action was a little high, now plays incredibly well with a low, fast action. It’s in 9.9/10 condition and I’ll be sad to see it go. Collection from Trelewis, South Wales, or happy to meet within 45 minutes distance or so. No trades unfortunately, I need the room and the money! £500. Any questions, drop me a message. Sam
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NOW SOLD Up for sale is my fantastic Squier Vintage Modified Fretless bass. Bass is in A1 condition, gentle home use only. These basses offer fantastic value for money and are a lovely entry point into the world of Fretless playing. In my case, it’s been a handy addition to the arsenal but is seldom used, hence the sale. As the keen eyed amongst you have noticed, this one is loaded with active EMG pickups. These pickups sound incredible. Plenty of definition, clarity and authority, and the wonderful thing about them is they are silent when soloed; you really can get that beefy, mid-focused Jaco bridge tone but without any of the 60 cycle hum. These retail for £123 (+ £10 shipping) from the big German music store and are a huge upgrade compared to the original Duncan Designed pickups. Leagues apart. I’m looking for a straight sale as I’m moving house and thinning the heard. I’m based in Trelewis, South Wales, but happy to travel 45 minutes or so in any direction to meet a buyer. Conversely, you’re more than welcome to pickup from my house and try out through an amp etc. Any questions, drop me a message. £325. Cheers, Sam
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Cheers Merton, very kind of you. Bruce loves a challenge, shoot him a message!
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Genuinely fantastic basses, everything I’ve ever wanted from a working, gigging bass. Beautiful details and great support from Bruce. I’m really happy with mine. Bruce’s workshop is great as well!
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I owned an Ashdown CTM 100 a few years back and I’m currently using the SVT CL above. The Ashdown wanted to distort earlier and didn’t go as low and deep as the Ampeg. The Ashdown had a brilliant distorted sound, proper Live At Leeds. It didn’t have loads of low end, but I was using it through an Ampeg SVT-HE 4x10 cab which isn’t known for its low end so YMMV. The Ampeg is deep and rich. Much less keen to distort, but it does have three times the power of the CTM 100, resulting in greater headroom. Voicing wise, I prefer the Ampeg, but if I was playing in a band where bass was front and centre, the Ashdown would clinch it. I really love the Ampeg for what I play, which is rock and soul based blues.
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Alex is a fantastic guitarist with a bright future ahead of him. Tasteful! Thanks for coming! It was a great gig. Thoroughly enjoyed.
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Beings I started this thread a few years ago, here’s my current set up! The Sampeg SVT CL into a Fender Neo 8x10. Overkill in every sense of the word. Tone and volume for days, though I usually keep it sensible. Usually… Sounds incredible. @Bassworks JPJ4 featuring in front - a wonderful bass, outstanding craftsmanship. Hot take, but an 8x10 is far, far easier to move around than a 4x10, even up stairs. Happy to arm wrestle anyone who thinks otherwise.
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Here is my MusicMan StingRay 5 HH for sale. I took this bass in a trade a year or so ago and it has been my go-to session bass. It's a 2013 model in a super deep Blue Pearl with the black pick guard and maple neck. Setup perfectly with Rotosound Stainless Steel 5s (not as bright as you imagine!) and comes with the MusicMan Hardcase as well. Condition is a solid 8.5-9/10 - only a few swirl marks around the volume knob and under the G string on the pick guard. A genuine contender for most versatile / best function bass ever created (looking at you, G&L L2000!), this has the 5 way coil selector switch which offers a fantastic plethora of sounds. This thing shines in the studio - so many options from fat and vintage to out-and-out scooped StingRay. The quality is amazing and I think the QC on MusicMan Basses is yet to be surpassed by another decently sized manufacturer. Sounds incredible, feels incredible, and frankly, is incredible. I've loved gigging this bass and my reasons for sale are extremely petty. Firstly, as I've grown up with single pickup StingRays, my sound and technique is better suited to a single pickup StingRay. Secondly, it clashes with the green kit of the wedding band I play in (blue and green should never be seen etc...). Like I said, petty. On the other hand, if you have a black or white single humbucker StingRay 5 Special (the newer 18 volt one), I'd be happy to do a deal. Based just North of Cardiff, South Wales. Most welcome to try it here or willing to meet. Not willing to post or ship - if you want to arrange shipping, I'm happy to work with you. Any questions, don't hesitate to ask. Sam
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£2950 - Will consider lower value trades plus cash. Very reluctantly, my Status Stealth 4 string is up for sale. All graphite body and neck - this really is peak Status. If you catch it in the light, you can see the amber woven in and it looks incredible. Born in the mid-late 90s, it's in excellent condition and has been a case queen for most of its life. I've gigged it once and it was fantastic - everything I ever wanted it to be. Of course it can do the whole slap thing, but it's much more than that; much deeper and more soulful, and so consistent. I don't think it's ever needed tuning in my ownership and the neck profile is something special. There are some small surface scratches on the body but honestly it looks 2 years old, not 25 or so. It's still got the plastic wrapping on the back of the rear compartment! 2 band EQ, Hyperactive pickups, 18v preamp and set up to perfection. Comes with the branded Status case, the original case candy (including Allen keys) and even the original registration documentation for the warranty. It also comes with a thick, chunky genuine Status strap which supports it beautifully and was almost harder to find than the bass itself. Bought from BassBros and apparently was owned at one time by VMan from Slipknot, though I can't prove this and to be honest, I think most Status' have slipped through his ownership at some point! When in BassBros, I tried a couple of Alembics and a Wal on the same day, and this played 10x better. It felt like it had come from the future. In terms of trades, I'd love MusicMan Stingray 5 (single humbucker) plus cash my way. Try me for other trades - a cheaper bass plus cash could be considered. Cash offers considered as well. The proceeds from this are going towards a house deposit. In a few years, I'll hopefully buy another proper all graphite Status, but with the way prices are skyrocketing, who knows how much they'll cost by then. Based just North of Cardiff, South Wales. Not looking to ship unless it's arranged by the buyer - same goes for overseas shipping. Happy to work with you on that. Happy to meet up or welcome to try it here. Any questions, please don't hesitate. Sam
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Rickenbacker 4003 Limited edition 2023. £3000 - *WITHDRAWN*
SamPlaysBass replied to geofio's topic in Basses For Sale
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Absolutely drooling over this. I've looked at the Epifani's and the Nexus heads at some point over the last 18 months and nearly pulled the trigger. Seriously good rig!
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Yes. This is the only logical explanation. A modular 8x10 for under £400 🤯 😉
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Epifani stuff comes up every now and then and for relatively little money. Super high quality and great sounding, even after a few years. Time to cash in on the bargains. Haha, I think it's quite funny that new-school cabs are lighter than old school heads and by quite a margin. My Ampeg SVT CL weighs about the same as my Fender Neo 8x10 and that's massive!
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This is exactly the sentiment I was talking about - a perfect example of good performance from a brand that isn't flavour of the month and a huge saving to boot. Wonderful looking rig. I think Laney offer some serious bang for buck, especially when you buy direct from their eBay store. Laney stuff in general is solid, well made and sounds good. I honestly don't understand why we don't see more of them around, but I think the 'flavour' element of Barefaced, Aguilar etc. means that people will pay a premium for those brands. Nothing wrong with that, either. The 16 ohm cab thing is weird, though. Good plan to work around it. Trace stuff of that vintage is outstanding. That's a great looking GP11 and I reckon that head is probably heavier than the cab! Still, plenty of power to blow the bloody doors off, punches well above its weight. The equivalent Aguilar set up would be well over £1500+ brand new (a Tone Hammer 350 head and an SL210 cab). £150 all in is a bargain.