I totally get the two input feature but I´d like to see two seperate input gains and EQs come with it. I´m playing fretted and fretless and both basses need different EQ settings to work together in the band.
Last week I ran into a dirt cheap Eden 410XLT and used it rightaway at our gig. Happy camper, what a great cab. It´s extremely loud and cuts through very well.
Over here it looks like this:
The basscab contains a JBL K140 speaker. The amping is a selfmade Basspreamp (FET preamp similar to Trace Elliot into a modified API 553 EQ circuit) and a KMT DC5 poweramp. The Ampeg Jet is used for my piano (late 70s Yamaha CP30).
Rush was my bass bible for quite some time. Geddy´s playing is so unusual, inventive, full of character and unusual ideas. Very refreshing. Many hyped bassplayers have less to say than Geddy.
Sorry, still a fanboy after 40 years.
I ran into a metallic green Gibson Thunderbird IV back in the 90s. It was from 1966 with a custom colour. That´s the only bass I regret selling. It paid me a Wal Mk3 fretless 6 String. Later on I traded the Wal for another Wal which I traded for another Wal which I still own. This final Mk2 5string is my favorite fretless ever. So the Thunderbird sale somehow came to a happy end. But I still miss it.