No lust in Jazz

This
[media]http://youtu.be/XX-A4HvoGu8[/media]
this
[media]http://youtu.be/qMryWoRRqUc[/media]
and
[media]http://youtu.be/OjETibEMbJY[/media]

[media]http://youtu.be/UPhJn6pz6Fg[/media]

However, here Steve goes nuts..

[quote name='icastle' timestamp='1430133497' post='2758193']
On a purely personal level, I pretty much detest half the material I end up playing and am ambivalent towards the other half.
On a professional level, as long as the audience like it, then I'll play it without hesitation or complaint.
[/quote]

This..

[quote name='Sibob' timestamp='1429747565' post='2754625']
I also consider it very much a study bass, with the high c allowing me to further explore chords and deeper harmony that a 4 allows.
[/quote]

Well done on the new bass, I spent an hour figuring that a six would be a 'study bass' sadly I now consider that my fours are redundant - enjoy

Come to my senses - soz

I've owned a couple of fretless basses - Its all music they're just different. I tend to run a mile from bohemian types playing a battered Jazz fretless

If a P Bass doesn't work for me, its generally me who's at fault and I'm tired.

[quote name='discreet' timestamp='1429565554' post='2752762']
I just play [i]The Enormous Room[/i] by Michael Manring - always gets a mixed reaction...
[/quote]

That is so funny its hard to believe it's on the internet...

[size=4][font=arial,helvetica,sans-serif][color=#2B2B2B]Withdrawn.[/color][/font][/size]

[url="http://www.kgb-music.co.uk/"]http://www.kgb-music.co.uk/[/url] - Birkenhead

[quote name='ianrendall' timestamp='1429540227' post='2752409']
No I can't because my claim was unsubstantiated in the heat of the moment in order to add weight to my argument and have a cheap dig at pick players because I can neither slap nor use a pick properly and am just envious.
[/quote]

That's ok, I've re read my post and feel that the tone came across as a bit arrogant - so sorry if it did. I was hoping that there are some demo videos where the bass player plays with a plectrum and doesn't just play four bars of dunk, dunk, dunk before defining a new epoch in bass playing with his or her fingerstyle / slap chops. I'll have to keep watching Does Homour belong in Music..LOL

I recently had the pleasure of buying a Roscoe LG 3006 from Michele - very professional, rapid communications - highly recommended seller. I would have no hesitation buying from Michele in the future.

[quote name='ianrendall' timestamp='1429535151' post='2752327']
Slightly off topic here, but what really grinds my gears with many online comparisons is the demonstrators belief that bass players only slap and play with plectrums...
[/quote]

Which bass demos show a bass played with slap and plectrums...? Slap and its many forms I accept is overdoene, but plectrum. Could you show me?

I recently bought a 6, initially this was for my own interests in playing different styles - I should have done this years ago. After finding the B string extremely suitable for the repetoire of the band, more recently I bought a 2nd hand 5 - (one of the many for sale on here) for gigging; another and uncharacteristic smart move.

A few months and many band rehearsals later, I look at my four strings and in many ways feel that I've moved on from them.

Other than his days with Paul Young and Jools - I've never given PP a second thought*, by his own admission his sig line on "wherever I lay my hat" was copped from listening to Jaco - perhaps that's the way it should be, play your part and remain annonymous while the music speaks for you

*That said, he's a top session player and I'm contempating a few days off work during Easter.

For me the 'thing' with many of these regularly employed top names is the music and the musicians that they share the session / stage with.. If the material is good and the vibe is good, great things can happen. There a lot of 'mojo' in some of these sessions that often isn't communicated when you come to try learning the part for your next gig.

A decent P bass is a decent P bass - everyone should either own one, or have dismissed one at some point in their life.

Some great points here, we recently tried to negotiate with the horn section from a local blues band for a couple of gigs, they said no as they, didn't want to learn learn new songs.

[quote name='discreet' timestamp='1426894409' post='2723326']
Despite my attention being diverted by other basses, Spector GAS is still rampant... especially since I saw this today:

[url="http://www.bassdirect.co.uk/bass_guitar_specialists/Spector_NS4_Black_Cherry.html"]http://www.bassdirec...ack_Cherry.html[/url]


[/quote]

That's just filth.

[quote name='CamdenRob' timestamp='1427376119' post='2729543']
Spent much time in the North West?
[/quote]

Yes, I have.

I like using phrases in an unfamiliar context, for no other reason than I find it funny, usually they're robbed from a comedy that I've heard..

However, I struggle with people who finish sentences off with a rising cadence in their voice that finishes with a non existent question.

[quote name='Count Bassy' timestamp='1427300397' post='2728576']
No I'm not actually. Admittedly 90% was a figure I pulled out of the air, but I'd maintain that the differences we get fussy about are pretty minor compared to the basic fact that it's a bass amp.
You might miss certain features of amplifiers and cabs, and the sound will vary of course, but it will still sound like a bass guitar. I'd have thought that differences between the rehearsal space and the performance space would be at least as significant.
[/quote]

I feel the same way, I watched a band the other night at a small club, when the bass was heard in isolation through the PA the sound was a not very pleasant woolly thud - when played ensemble it pulled the band together beautifully.

We always rehearse with the full set up - but hired PA comes with the room and as the vocalists meet up on a separate night to work out harmonies and share a glass of wine, the time is spent playing as a band.

As regards bass gear the place we use has many reasonable options - I tend to take my own rig just so I stay in touch with its nuances. I don't get too worried about 'my sound' and have expeimented with different cab combinations, leading to me swapping a 1x15 for 2x12

Around 18 months ago, I returned to playing fingerstyle after years of playing with a plectrum. For the finger tips of my plucking hand, it was a painful experience, but it took longer for the tendons in my fingers to become robust enough to gig. It took 6 months of regular playing before I was happy enough, not to have a plectrum handy - I practice for around 2 hours most days.

[quote name='plunkrock' timestamp='1426939558' post='2723683']
I have recently picked up a pre I really like and have been looking at ways to amplify it in a small package
The Minnie D would be ideal but out of my price range at the moment, so looking at other Class D heads I can run into the effects loop on.
Anyone have any experience with this?
[/quote]

I have a Demeter mini; putting your pre into the return of a Markbass LM3 is so close that the differences aren't worth discussing.

Just received a bass from Rainer; very happy. Great communication - packaged to withstand an airdrop.

I had one of these - excellent for recording GLWTS.