1976fenderhead

I had a Carbon Copy and loved it. Then I got a Line 6 M9 and A-B'd the "Analog Delay w/Mod" model in it against the Carbon Copy and couldn't hear a difference at all, even the degradation of the repetitions sounded alike. So I sold it. Now I'm back to single pedals though, and if I need a delay again I'll get the same one. Aqua Puss is bigger and I use a Pedaltrain Mini so...

[quote name='mcnach' timestamp='1325301057' post='1481998'] I prefer the SynthWah for that sound. And it's a LOT of fun on guitar too! (for guitar I prefer the bass synth wah over the guitar synth wah, actually). I had the SYB5 too -but ended up selling it- and it is an entirely different beast, definitely a lot more "synthy" than the SynthWah, which combines envelope filter with octave effect and synth. I found the SynthWah more musical, and would be my choice for Deeper Underground. [/quote] What setting did you use, I'm guessing Synth 2? Is there a way to control the speed of the filter sweep?

I'm looking for a pedal that does that kind of sound: electronic sounding buzzy synth with barely any envelope filter going on (or none at all). I have the EHX Bass Micro Synth but I'm not getting this sound from it... It always sounds too analogue and normal fuzz-like... I'd like something sounding more like shittier electronics lol... Which of these two would better do a digital buzzy synth with no envelope filter, allowing some control over the tone so I can cut the harshness if I have to?

Can you recommend a good (and cheap) one?

Try this and a pick: [url="http://www.sfxsound.co.uk/mainpage.asp?page=micro_fuzz"]http://www.sfxsound.co.uk/mainpage.asp?page=micro_fuzz[/url]

[quote name='Mr. Foxen' post='1067881' date='Dec 23 2010, 04:01 PM']"Analogue watts" gah. 300w might be a bit underpowered I reckon, think another member had troubles with his Sansamp amp clipping.[/quote] Yeah I have a 350w SWR amp and I find it lacking often, wouldn't buy less than 500 today, unless if we're talking all valve of course... Analog watts, lol, they just invented a new kind of watts. Let's hope they mean RMS by the way

[url="http://www.tech21nyc.com/products/amps/bass/vt300.html"]http://www.tech21nyc.com/products/amps/bass/vt300.html[/url]

[quote name='jbarks' post='1056187' date='Dec 12 2010, 04:51 PM']Other than that, your best bet is the POD, but you'd be recording it effected anyway so your end result would be the same.[/quote] If using POD Farm with POD Studio (or with iLok and another audio interface instead), you can monitor effected and record dry.

[quote name='dumelow' post='1055882' date='Dec 12 2010, 11:56 AM']Hi, Im currently running ProTools LE on a fairly decent windows computer. I recently recorded a composition which had around 15 tracks on it and my computer handled this fine. I had about 6 tracks of guitar and bass, and with me only having limited gear, I use amplitube LE as an amp modeller and for the effects at hand, with excellent results. Apart from my computer gets loads of low memory errors when there is more than 5 tracks loaded with amplitube. I mainly use the amp modelling by the way and then some distortion or chorus My idea was that, If i have some hardware that can do what amplitube does for me with sound recording quality, then my computer wont ever have to struggle. Im aware of POD's, and ive used a zoom b2.1u (which was fantastic live but some patches were quite noisy when recording DI) What would you recommend I look into buying for a zero noise amp modeller/multifx for use with guitar AND bass? Cheers[/quote] Amplitube is known for being a system hog. Personally I'm enjoying Guitar Rig at the moment. I have POD Farm Platinum but I find it consumes too much time as it has too many not so great options to choose from, while Guitar Rig has less but better. POD Farm's advantage though, is the models are stored in the interface (POD Studio or Toneport) which I believe therefore does most of the processing leaving your computer RAM unaffected (I may be wrong). Also, if you monitor your recording through POD Farm standalone and not through your DAW, you're recording with zero latency. And POD Farm 2 let's you load modules instead of the whole thing as plugins, so for example if you just want an amp and a distortion pedal, you just load the amps module and the distortions module, instead of having to load POD Farm 2 with all other models that come with it. If your main problem is system performance, I suppose POD Farm 2 would be a good option because of the modules. I wouldn't get their interfaces though, they're a bit s*it, you can buy it with iLock instead.

Wow man, good to know it arrived ok and you're that happy with it

I had the BF-2B as well, it's ok. Also used to have a Rocktron Flanger which was great because it had a mix knob, but it was overall a bit subtle. I find flanger very tricky to get right on bass, FWIW over a few years the ones I found to work best were in Line 6 POD Farm and now in the M9...

Simpler and simpler.

Bought a 25kohm VPJR from him. Great to deal with, took photos on request and sent Special Delivery which was more than I expected. Many thanks, recommended!

[quote name='Wud' post='1030560' date='Nov 20 2010, 05:14 PM']The Iron Ether Oxide Fuzz is truly fantastic. As are Earthbound Audio pedals - [url="http://earthboundaudio.blogspot.com/"]http://earthboundaudio.blogspot.com/[/url][/quote] Yeah I've read a lot about the Supercollider. Probably great but I feel uneasy about buying a pedal from abroad due to the expense it will be to return it if I'm not happy...