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DaytonaRik

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Posts posted by DaytonaRik

  1. 6 hours ago, skidder652003 said:

    apparently the code has been reset so you can use it again. I just got bx_boom for free.

    They  reset it every day until 31st - just picked up their SSL 4000 E emulation (RRP $299, but it's regularly on sale) for $36 too!  Might have a nosey through the $20 and under section tomorrow for a freebie!

    • Thanks 1
  2. On 18/12/2020 at 11:41, sshorepunk said:

    Yes, I know about max kite control

    the X-touch seems good value

    which one is that? Can’t tell with the reaper overlay 

    Tony

     

    This one is just called DAW Control and mimics the Mackie Surface pretty well...certainly cheaper than a hardware controller!

  3. Repetition and knowing both vocal lines and bass lines inside.  One of the tongue twister tracks I used to play in Think Lizzy was Do Anything You Wanna do which has a lot of similar sounding words...

    e.g.

    There are people that will investigate you
    They'll insinuate, intimidate and complicate you
    Don't ever wait or hesitate to state the fate that awaits those who
    Try to shake or take you
    Don't let them break you

    People that despise you will analyse then criticise you
    They'll scandalise and tell lies until they realize
    You are someone they should have apologised to
    Don't let these people compromise you
    Be wise too

    And Phil Lynott had a strange style where he sung slightly behind the beat live...tricky!  I really had to just go with it...if you though for one second about what word or what note was next it was too late so those lyrics and bass line are burned into my brain!

  4. 5 minutes ago, ordep said:

    ...I am actually more uncomfortable doing the drop D thing for lower notes (for non drop D songs) hehe

    The XT Drop D bridge is very useful for this...but it helps if remember that a) you need to set it to drop D and then b) you need to return it to standard tuning afterwards!!!

     

  5. Whilst I could quite happily live without one, I do quite fancy either a 5 string XT Spirit or get another 4 string but strung as BEAD and see where it goes.  As for learning new things...currently learning the Bulgarian Cyrillic alphabet with a view to studying Bulgarian for snowboard trips...I suspect that learning to play a 5er might be a bit easier!

    • Like 1
  6. On 10/12/2020 at 17:30, Stub Mandrel said:

    The character it gives vocals means many professional vocalists and producers prefer it over much more expensive mikes. At less than £100 they are priced more like a Squier of microphones than a Fender USA...

    The SM58 is competent or even good in most other roles if not exceptional, and tough, reliable and repairable, so it's a good choice as a general purpose mike that you can swap in and out without worry. That said, I won't argue that there are other mikes that are better for specific roles, like miking up acoustic instruments.

    I'd consider them to be the P-bass of the mic world...not always the best tool for the job but you can get something pretty usable for every occasion our of one, take a beating and you can get one pretty much anywhere!

    • Like 1
  7. We occasionally had a guest saxophonist turn up for Think Lizzy gigs just to play Dancing in The Moonlight - an AKG 416 was the clip on mic choice, which I've also used for guitar cabs with excellent results.  I have a pair that need servicing as the connector cables are quite thin and fragile.

  8. Don't be afraid to try different mics, especially if you've got plenty of channels and will be blending the signals into a single acoustic guitar buss later.  If it doesn't work then no problems...but if it does then it's a winner.  There's no right or wrong, just what works for you in your particular instance.  Go mad - throw a kick drum mic in there and see what happens when it's blended in!

    I've often recorded acoustic guitars a couple of feet away from heavy floor length curtains which helps reduce reflections.

    • Thanks 1
  9. 4 hours ago, ricksterphil said:

    Is your band Retribution? I've met your singer Kerry at a couple of OM's in Derby...she's mates with our singer Jane...small world huh

    So you'll be playing with Miss bowie then?  Indeed a small world!  I think we're friends on FaceBook too fella!

    Agree that Alberts was a great venue stage wise but awful to get into/out of.  It was much easier using the Talbot St car park but still a tight squeeze.  Also sadly missed is The Greyhound - that was an excellent Nottingham venue albeit out of town.

    I do agree with @BigRedXin that if the need or demand for a venue is there then the music usually finds an outlet but with The Maze, Alberts and now T n T going in Nottingham city centre it leaves little/no established rock outlet with the exception of The Sal (I think they pride themselves of promoting original bands so the chances of us getting a gig there are slim to non-existent) and The Vat and Fiddle near to the station.

  10. 3 hours ago, neilmurraybass said:

    Just checking - got to the 6th bar - already there's a mistake in the transcription, so I can see I'll have to do my own version! 🙂 I'm not in any way an expert at transcribing or using notation software, so don't hold your breath.

    Edit: There are 6 errors just on the first page, to be nit-picky.

    I guess as it's your bass-line Neil you can be as nit-picky as you want!!!

  11. I'm sure that this is a common theme throughout the UK, but Nottingham's Tap and Tumbler is to remain closed and won't reopen once restrictions are lifted.  Owners Greene King have confirmed that the pub which is one of the most unique venues in the city, regularly frequented by acts appearing at Rock City and a staple with the rock and alternative scene, is one of 79 pubs the chain is closing in the wake of the C-19 pandemic.

    https://www.nottinghampost.com/whats-on/food-drink/nottingham-pub-wont-reopen-lockdown-4787862?fbclid=IwAR3OOtz4-CaySOiNUZBDr3YwcRtnpKhnSJFg_iwTxPXB6SFsLpKzRor7M0A

    Sad day :( 

    • Sad 1
  12. I'm playing more, learning better recording/production techniques, invested more in the home studio, listening to/playing tracks in genres that I'd never have considered before this mess...I'd like to think that I've definitely improved and expanded my musical horizons.  As for gigging in May - it would be a nice thought but I'm not entirely convinced that it will be happening.

     

  13. 17 minutes ago, DavidJTaylor said:

    That’ll probably do the trick. It’s not in stock so I’ll look around, someone else might have one.

    It looks like it’s an add-on though, as opposed to a replacement. Still, it’ll make restringing cheaper! Thanks for your help.

    I think it slots into the ball end slots.  there are some similar items available from the USA = $45 plus $20 shipping outside of the states.

    https://headlessusa.com/string-adaptrrs

     

    A2B2306F-4121-42CB-A62C-B29FC39F95D2.jpeg

    • Like 1
  14. 6 minutes ago, Muzz said:

    I really cannot understand it when people say that - with the Super Twin it's very, very loud (plenty for hearing-protection-in rehearsals with 2 x Marshall 100w/410 geeetards and a shed-building drummer) and with both cabs it's stacktastically deafening...I had the chance a while back to run it through a rehearsal room Ampeg fridge, and it was huuuge through that, too...

    It sounds like your geeetards need to speak to my geeetards - I have them nicely trained with lunchbox heads - usually at 7w which are plenty loud enough  and actually sound better as they're being driven hard instead of just ticking over at gig volumes :) 

    Screenshot 2020-12-09 at 13.35.12.png

    • Like 1
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