ratman

I use this method for lead vocals and bass all the time to have different processing out front and in IEMs. If you use a digital mixer that allows you to change the input patching, and if you have a spare channel available, you can use two channels for bass - one channel for FOH, one just for your monitoring. In your mixer’s patching section, simply assign both channels to the same input.

What are the upgrades you mentioned?

Done.

As far as I’m aware, the current crop of capturing pedals can only capture clean or driven sounds. They can’t capture reverbs, delays or modulation sounds. Reading your post it seems to me you think you can capture a phaser sound to save on the Tonex. I’m pretty sure you won’t be able to do that. Can anyone else confirm what I’m thinking to be true?

I just sold a bass to @Schlippy. He was a pleasure to deal with from start to finish. Definitely recommended.

Nice one. I'm glad you got it sorted.

I just bought some wireless kit from Chris. Everything went smoothly and he was a pleasure to deal with. Thanks again Chris.

I've been looking at Ebay where I got mine and that particular one isn't there any more. When I was trying to find mine I bought 3 before I got one that fitted perfectly. It's not like you can go to a shop and try a few out. But I have found you one that might do the job although the item ships from China. I measured my Kingman sound hole diameter at 97mm (please check yours to comfirm this) and this Ebay ad has some, one at 96mm and one at 98mm. I would say go for the 98mm for a tight fit. Just be aware that sometimes their stated mesurements aren't always that accurate, so you might end up trying a 100mm plug, it's a case of trial and error to see what fits the best. Feel free to search around for one that's in stock closer to home, this is just the first one I found that had them around the right size. https://www.ebay.co.uk/itm/146662999184?_skw=Silicone+Acoustic+Sound+Hole+Cover&itmmeta=01JZ5ADH4JEB47HJTJVX560JPY&hash=item2225cbc490%3Ag%3A3SIAAeSwp8JoVbV9&itmprp=enc%3AAQAKAAABAFkggFvd1GGDu0w3yXCmi1fC8enOVQK1nNa20HRGGuWXX%2FHGAmFz5cfu9c2okvYXWfzXHbHPWBbB2oK8ZMX6TxJLhHs9PjyWKD%2BBd9Y1v7Eno7SPHHQm5IYcmpqiRRADYiz9wTQyPVs4krx6qPhRppKP5Bb7kn7JGNmIXst76xvoe2AAZjNQXyJBCV6uMSE24HteWhSUyizSlGHmj1zuTd%2B9WFqmtwyBKGt9oxrT%2Fkz3P%2BqOXdHuAw0Tk16JPtXzrgDaITUp2Xahv1DvZXsIovWtpm5VMplSr%2B2ZsxYXJxK2M0Wkwa8icXuJZON0udAI3%2FPlhfI4Vti1G3osLy%2BLi7E%3D|tkp%3ABFBMtJK2qvll&var=445329099935

I have a Kingman too and I always use a soundhole plug. I agree with what @JPJ said, get your HPF higher, I start mine at 50hz minimum and increase it if needed. I normally run my Kingman EQ flat and do a 400hz cut on my MS60B, HX Stomp or mixer to get those nasal sounds out of my bass tone. Does your Zoom pedal have a parametric EQ? If so, to tackle feedback, you can do an EQ cut and sweep the frequency control around to find where the feedback stops.