Jean-Luc Pickguard

You have to call them something - mine are all pretty obvious:

The Mustang
The Musicmaster
The Thunderbird
The Jazz
The Daisyrock
The 5 String
The Acoustic
The Fretless
The Black Ashbory
The Blue Ashbory
The Double Bass
Danelectro Longhorn - The Dano
Sunburst '62 reissue Precision - The Jamerson
'81 heavy Ash Precision - The QEII Anchor
NS CR-5M - the Ned
& I used to have a dean pace called 'the banister'

Could it be a youngster who thinks the correct way to interact with people is how kids talk to each other & to adults on iCarly & Hannah Diahorrea?

Whenever I get totally sick of the crap the kids watch on TV & I take the fuse out for a few days ("sorry kids the TV doesn't seem to be working at the moment!" followed by all three of them checking cables for about half an hour), I notice not only that the youngest is happy to play with his lego for hours without getting bored, but also the older two may not actually remember to say "please" & "thank you", but if prompted don't roll their eyes and say it sarcastically.

I've got three of them

Oh you mean Ashdowns?

How many logos do they need onstage? Just one on the bassdrum or one cab would be enough. Any more looks like you're trying too hard. Less is more!

He'll be getting his auntie to make band uniforms next - fell him to feck off.

I was expecting to see a Porsche with the same stupid paintjob as the foxtons w@nker minis.

I'm crap on Guitar. But then again 'm not much better on bass.

[quote name='Golchen' post='808312' date='Apr 16 2010, 12:42 PM']Having said that, there could be other scenarios ....[/quote]
found in dead uncle's loft?

I'm not aware of any EUB-specific tutorials, but I have the 2 volumes of Todd Phillips DVDs 'essential techniques for acoustic bass' which are good double bass starter lessons. Obviously he's not going to jump out of the screen and correct any bad habits of posture etc so its not the same as a 1 to 1 lesson, but the two DVDs cover a lot of the essentials for a beginner.

[url="http://www.homespuntapes.com/shop/product.aspx?ID=449"]http://www.homespuntapes.com/shop/product.aspx?ID=449[/url]

[quote name='deathpanda' post='804521' date='Apr 13 2010, 07:35 AM']Apparently he's an absolute perfectionist and knows exactly what he's on about..[/quote]

[quote name='deathpanda' post='804521' date='Apr 13 2010, 07:35 AM']...constantly slapping and popping on most fenders can lead to bowing?[/quote]
Apparently not!

[quote name='steve-soar' post='805450' date='Apr 13 2010, 10:08 PM']Mr Drummer is sick. [/quote]
If he goes to a private hospital for whatever he's got, he'll probably hear his own music in the lift.

around 1978ish - Yamato japcrap jazz bass copy £75 from soho soundhouse. Vox escort 30 guitar amp from one of the Denmark St shops. I sold the yamato when I got a Fender in 1982 not realising that it was OK to have more than one bass.

I have the same kent armstrong jazz lipsticks in my highway 1 jazz - great sounding pickups. The wide pickup spacing of the scheff helps gives it a bit more of a danelectro flavour as well.
If its a red one I want it!

Ed Friedland likes his:
[url="http://www.edfriedland.com/equipment/1/61"]http://www.edfriedland.com/equipment/1/61[/url]

I like my action super-low and play with a light touch with thomastiks Jazz Flats. When I bought my mustang it did have an annoying buzz in one area of the neck due to one or two uneven frets once I put on the flats as the issue had been masked with higher tension strings and a bit more relief. I got the frets sorted out at the Gallery and it doesn't buzz at all now. Not really had any problems with any other basses though, apart from my '81 QE2 anchor precision which had a few badly fitted frets from new - also sorted at the Gallery.

Before swapping out, have you checked that the pickup isn't set to low for the string height? My MIJ P has plenty of output - although mine was made in 1990, so it could be different.

Funny you should ask that question Pete - often in pubs gigs where I have to be the 'beardyman' (why do soundmen always have beards? - even the female ones) we do Steely Dan's 'Do it again' because I can play the open E with my right hand and fiddle with the levels & eq on the PA with my left hand.

My last one came from this chap over the pond:
[url="http://stores.shop.ebay.co.uk/HDCustom-Guitar-Supply_Detuners-Extenders-Stabalizers_W0QQ_fsubZ168571419QQ_sidZ125392899QQ_trksidZp4634Q2ec0Q2em322"]http://stores.shop.ebay.co.uk/HDCustom-Gui...634Q2ec0Q2em322[/url]
A good bloke to deal with and four items including a D-tuner took just over a week to arrive. I've just asked him about whether a lollypop set of the hipshot ultralites with 1/2" posts, plus a matching D-tuner are available. If so my CIJ mustang is probably on its way to being transformed into the coolest CIJ mustang ever!

D-tuners are dead simple to install - no drilling or fiddling around at all, more or less unscrew the old one and screw on the new one - ensuring you use the supplied flat-topped screws. pop a bit of vaseline on the moving bit, tune it up & set the thumbwheel for the detuned note.

[quote name='MoonBassAlpha' post='802478' date='Apr 11 2010, 11:58 AM']Carbon tetrachloride is a banned substance since 2002, mainly due to it's ozone-depleting powers, and that it's carcinogenic and can cause liver and kidney damage.
Apart from that, it's fine.[/quote]
Also it's totally unpalatable without plenty of tonic water and lots of ice

I like Kandinsky. His paintings look like music.

[quote name='JTUK' post='802069' date='Apr 10 2010, 07:54 PM']We have a live edit...but had to run it through an editing suite to EQ the vocals better as we put a Zoom box at the side of the stage as an afterthought and that wasn't the best place for the vox...as it turned out[/quote]
That's just mastering - you always have to do that to some extent, especially without a multitrack recording. I think people are complaining more about the increasing amounts of overdubs you get on 'live' albums - I remember reading the sleeve notes of one of my Zappa albums where a single song was made up of performances from all over the place spliced together with a guitar solo added in the studio. Sounded good though.

I've just thought of a few more:
Johnny Cash Live at Folsom Prison & Live at San Quentin

For sheer energy I'd recommend the Geno Washington 60s set of 'Live' albums
Hand Clappin' Foot Stompin' Funky-Butt ... Live!
Hipster Flipsters, Finger Poppin' Daddies
Running Wild
Despite sounding like they were recorded 'back in 68 in a sweaty club', only one of the albums was actually recorded at a real gig though - the other two were recorded 'live in the studio' with an invited audience.

I fitted one to my epiphone thunderbird. It looks like it is a bought-in tuner with hipshot gubbins added to make it into a D-Tuner rather than something made totally by hipshot - like my lollipop late 60s-style D-tuner which matches the hipshot tuners I put on my fretless P.

The tuner on mine is good quality - certainly better that the stock epiphone ones. I haven't noticed any play on mine. Certainly not when strung up to pitch. The string post not being long enough worried me at first and I had to cut a bit off my E string to accomodate, but I still managed to get four or five neat winds of the string around it (I use TI Flats) so it doesn't worry me at all. It works perfectly as a tuner and I can drop to D and back to E in the middle of a song for my low D - which is how I use it as I'm too thick to drop to D for a whole song as it confuses me having to transpose just one string.

[quote name='EssentialTension' post='801356' date='Apr 9 2010, 11:01 PM']Thanks very much.[/quote]
No probs - don't forget post some pics if you buy one

[quote name='Clarky' post='801319' date='Apr 9 2010, 10:14 PM']Thats a beautiful fretless you have assembled. Not really thought about tuners much but I like those lollipops[/quote]
Cheers Clarky - I put it together probably about four or five years ago. The stumpy schallers worked perfectly, but always bugged me. The lollys look much better.

I'm just glad that he doesn't make mustang basses - I wouldn't be able to resist getting my wallet out for a replica '66 'aged but not too reliced' Daphne Blue one.

Bill Withers Live at Carnegie Hall is one of my favorites -along with Donny Hathoway live of course. Has anyone mentioned James Brown Live at the Apollo yet?