gafbass02

Acoustic duo gig last night in my local, brilliant time was had, the standard drunk morons both made idiots of themselves much to my amusement. I really enjoyed the whole evening and so did the audience. So that was nice.

‘Twas a decent enough night in Hereford, a few headstock> wall incidents and a few shaky starts, but otherwise all good. Always a fun place to play. As usual I used my SR500 all night, thinking of selling my SR1200 tbh, it never gets used. 

Ooh tempting, you don’t ever get as far as Cheltenham do you? I’m only down the road, but in the throes of a PGCE, so I’ve no time to even breathe  at the minute. 😩

I’ve been a pleasure for about two years and it’s the best move I’ve ever made. Every gig sounds the same, so no fighting a room, no volume war, no lifting - it’s ace. We have our own engineer at every gig, which helps of course. The singer and I are the only ones on IEMs, with the guitarist still using a combo and wedge and the drummer also on a small wedge. I use a rolls pm50 as a ‘more me’ box and have a custom cable that take both guitar and headphone feeds. (I can’t afford a quality wireless IEM system nor do I really need one tbh). 
I still keep hold of my two Headrush frfr112s for festival gigs without our own engineer, and they do duty as my acoustic pa, my guitar rig, and bass rig on the odd occasion it might be needed.

Weird gig for me last night, a local football club in a room that was little more than a Spartan concrete rectangle with no decor, that, it seemed, had one purpose only. - For testosterone fuelled men to drink themselves into a blind frenzy and chant about their team. - My idea of actual hell. Also, they appeared (unsurprisingly) to only play oasis for in house music. 
I was playing as part of an acoustic duo, with a very simple set up (7 minutes to strike the whole kit). Which was nice, cause I couldn’t get out of there quick enough. Everyone was very friendly to us and liked what we did a lot, but, as a person who just doesn’t get that whole ‘ragey, team sport aggressive thing’, I’m just not comfortable being around it.
They seemed to have alternate lyrics for every single song about their team or how much they hate another team. Some blokes seemed have their pathetic alpha masculinity threatened by us being the centre of attention and not them , so would try to sing other songs as loudly as possible over the top us - as if they were going to win some self involved volume war against a PA system. - Baffling animalistic behaviour!! Anyway. Rant over, got paid and was back in my own local by 10:30. They want us back, but I’m not keen!

4 hours ago, lowdown said:

 

 

Very nice and it looks great. Trigger (R.I.P) would have been very proud of you...

That's exactly what I call it

And the Ibanez, but it’s almost cheating on an SR500, they look like this after twenty minutes!

My 1990 mij jazz. All real gig wear, the finish is slowly letting go of the body, lots of splits and cracks have just appeared over the years, it lives in a cellar, which probably hasn’t helped. It’s surprisingly hard to capture the extent of the damage in photographs..
Still plays and sounds fantastic though. I just swapped out the wizard GAFfer prototype neck pickup for a quarter pounder for a bit. The neck/pickup/bridge alignment isn’t as off as it looks in pictures, but the only original parts now are the body and three of the tuners. It’s had many lives and forms since I bought it in 1992. 

Last night I was on bass as part of an acoustic duo as the drummer and guitarist couldn't make the date. It was a standard Cheltenham race meet affair. Basically a mix of old blokes in tweed demanding Irish songs, young blokes in unintentionally hilarious ‘Peaky Blinders’ fancy dress, women in jodhpurs with a dead bird on their head and orange girls apparently live streaming themselves posing into their phone screen all night. All of whom are screaming the word ‘Oasis’ in perpetuity. 
standard. 

I did a solo acoustic spot in my local on Friday, usual stuff to the usual crowd. The big difference to me was the first use of my EHX Mel9 pedal and my laser kick drum. 

The drum was amazing and still hurt, although much less than a traditional stomp box! But the mel9 was a bit of a let down. Its epic at home, giving me subtle string accompaniment on some songs, but in the pub it just didn't cut through, even with the 'wet' level cranked. A rethink may be in order!

I tried the talker on my zoom b9, but it just sounded better without tbh   Lost too much low end 

After a run of gigs with my SR500, I decided to dig out my jazz again. 
 

Got told never to bring it again! 
😂😁

41 minutes ago, PaulThePlug said:

https://www.ebay.co.uk/itm/Long-Barrel-End-Pin-Strap-Guitar-Jack-Input-Socket-Acoustic-or-Electric-Flange-/265710749807?mkcid=16&mkevt=1&_trksid=p2349624.m46890.l49286&mkrid=710-127635-2958-0

 £8...

That looks promising.  I suppose all I can do is start buying and see what works!! Cheers both

Thanks it’s this chunky monkey. I’m not sure it’s stereo tbh. I think it’s mono as it’s part of a stereo pair (the guitar has two jacks, this one sums both pickups together) 

Help! My epiphone EJ200's stereo output endpin jack has gone weird - its started spitting the cable out, like it can't grip it. I need to replace it ASAP, but the internet has failed me and I can't find a spare part anywhere. Does anyone know where I can get one or if any old stereo endpin jack will do?
Thanks in advance!
Gaf

thank you  That's really kind of you.

I recorded this song sometime in the late 90s using the defretter on a zoom 506 of all things. I was shooting for a fretless sound just using my jazz bass favouring the bridge a tad and rolling back the tone. 
It is what is is. 

Bit of Locked out of heaven from the Jubilee weekend. I’m glad it caught a bit of cheeky interplay with the drummer at the start of the second verse and my synth sound in the chorus, but Whoever recorded it seems to have been at subwoofer height so it’s a bit ‘wuffly’ 😆

I just found a video I thought might be handy here. I think our drummer filmed himself with his phone or something, but it’s happened to have caught a pretty good impression of what it’s like from an on stage perspective using a single Headrush 112, you can even see the cab for context. Yes it’s Mr Brightside at a lively festival, but just ignore that 😂🫣😴 Thought it might be handy for those wondering. Was certainly easier than lugging a full rig through the crowd. Headphones will get you pretty close to what I hear  

 And here’s the FOH perspective. 

New additions to my acoustic board. The Mel9 is amazing, I’m blown away by how nice it sounds under chords if used subtly. Didn’t like it on bass at all sadly.
The other change is the Donner  power supply which is very light, came with loads of cables and looks kinda cool too. 

Standard function job. Birthday party, slow burner, but we got there eventually, I was tired from a solo acoustic gig the previous night and didn’t play my best. We had three hour long sets and the manager was a bit fussy over volume, which was annoying in a room with the acoustics of a giant toilet. The necks on both my basses moved during the very hot evening. Afterwards we discovered that the radiators were on!!! My basses had been sat next to them and the inevitable happened. 

Sorry. Only just spotted this. Yep. As mentioned. 

I did it long ago with no issues. They shared a battery. 

You too bud 🙂 

Wow I used to have one of those! Had no idea it was that old  cool. GLwTs