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fretmeister

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Posts posted by fretmeister

  1. I just noticed this. I love these strings on just about every bass. I had used the long scale 45-100 set on a shortie but they were just a tiny bit light for the E&A.

    The short scales are available in 45-105 and 50-110.

     

    Amazon have the 50-110 on sale at £29 at the moment so I've ordered a set. The 45-105 are pretty much at RRP.

     

    They are excellent. They feel a lot nicer under the fingers than La Bella's which I find a bit grabby, and they have a bit more articulation too with the tone up full.

     

    https://www.ernieball.com/guitar-strings/bass-strings/stainless-steel-flatwound-electric-bass-strings

     

    Long Scales are now available as 45-105 for the first time too.

  2. It's a very good cab.

     

    I swapped back to barefaced 10 inch cone stuff just because I preferred the sound. My amp is quite uncoloured so I needed more colouration from the cab.

     

    But if I had an amp with more character then I'd be very happy to have a Super twin again. 

  3. I used to like pressure wound strings and would always use the GHS ones. Then for some basses I went to flats and rounds for others for many years.

    Then I developed an intolerance / allergy to nickel so now I have to use stainless steel strings and there aren't many pressure wounds that are steels.

     

    I gave up looking for ages and then youtube recommended a string demo of the Roto Solo 55. I investigated further and discovered they are steel rounds that are then squashed to reduce finger noise but keeping all the mass of the metal. They are not groundwounds.

     

    I had Dunlop Superbrights on my Sandberg Lionel and I like them a great deal, but even though they are very low noise for a round I wanted smoother and even less noise.

     

    So I tried out the Solo 55 set.

     

    Result: Far higher finger noise than the Dunlops. The Solo 55 are advertised as having lower string noise, presumably compared to normal Roto rounds. I hate to think how rough and noisy they are.

     

    In short - I found them to be bloody awful. Horrible feeling under the fingers and more noise than Dunlop rounds (they do not make a pressure wound). I have no views as to sound quality as I tuned up and was just playing through a little practice combo. The feel of the strings just made my skin crawl.

     

    Disappointing really.

  4. 2 hours ago, Ashborygirl said:

    Controversal opinion warning.......

     

    The Nordy Acinonyx is the most impressive new bass I've played in 40 years.    It's short scale.

     

    Oh & I'd be pretty happy to have this tone as my only one too.

     

    https://youtu.be/-Qylhk6jsT0?si=iRDmdrRwgALy3kIV

     

    That sounds ace. I have a cheap as you like Jim Deacon shortie P bass with flats on it that sounds like the link.

    I love that bass. It's by far the cheapest in my collection and I'd be heartbroken if anything happened to it.

  5. I love Dunlop Superbright Steel Rounds. They are not actually that bright - not as bright as Prosteels for example, but they have a lovely feel under the fingers with lower noise and a round core for flexibility.

     

    However, the biggest set they do is 45-105 and for my shortie I really wish they had a heavier / less flexible A and E - just by a little bit

     

    Dunlop do standard steel rounds in 50-110. Does anyone know if the wrap wire is the same on these so they have the same low-noise as the Superbrights?

    The Standards are hex core so I would expect them to be less flexible, maybe even to the point that a 105 would be plenty with the hex core.

     

    Has anyone played both of these?

     

    ta

  6. 1 hour ago, dave_bass5 said:

    Maybe there was a reason Ashdown put the Octave button on their amps after all. Can't say I ever used it (ive had a few of their amps with it). 

     

     

    As they went to all that trouble they could have at least made it a good octave.

    Maybe it was a Friday...

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  7. Dusty Hill used to have a microPOG on all the time, with a Thumpinator after it to stop anything lower than an A getting through.

    It was on the Rig Rundown when Elwood was still the tech.

     

    It was set to just have a tiny bit of the octave happening and he never turned it off.

     

    Ever since I watched that I've had an Octave and a Thumpinator on my board.

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