adledman

here we have a lovely and pretty rare yamaha BB1500a. i suppose you would class it as a super jazz. plays like a dream and has a very wide tonal palette from the active electrics. there are extra midrange tailoring pots in the rear electrics cavity. all in all a very good professional bass for a not too hefty price tag. its in very good condition with no dings and comes with a good quality moulded hard case. cheekily using original sales advert photos as its in the same condition. £375 including postage to your door. trades welcome. try me. cheers all. ad

WILL TAKE £325 POSTED. BARGAIN!

Body: Solid Alder Body
Neck: 34" Scale Bolt-on Maple Neck with 21 Frets
Pickups: 2 Stacked Alnico Single Coil Pickups

did a yamaha swap with bobby and got a superb deal and a top chap to deal with. highly recommended bass chatter. all the best mate. ad

a trade is looming so get ya readies out to avoid great sadness!

that is bloody lovely. wish i had the beer vouchers for it.

as above in fantastic original condition P/J style bass with active 3 band eq or passive at the flick of a switch. this bass does precision tones better than one with an F on it and the bridge jazz is awesome too. quite simply the best tone on a bass i have had in many years but the neck is P profile so not for me as i love the skinny necks. a few dings and dongs and scratches as you would expect on a 30 year old bass but nothing too bad at all. open to trades or £325 posted in a hard case. cheers

up up and away!!

up

if crazily its not gone i would gladly pay a hundred quid for a ibanez musician.

thats a bargain!

bump

sold paul a yammy rbx800a and had a perfect sale and nice chap to deal with, cheers again. ad

rump

my first proper expensive bass was sr1305 prestige in 1994 for a little shy of £1400! these really are the nuts these basses. the necks are so bloody good.

cheers i will have a look. not a bass you see at all often. ad

gimme a shout if it falls through. ta

bump for trade for keys

are you selling the basses?

has me drooling. bet these cabs are fantastic together, and with two vigiers! dribble dribble,

i asked after the weight but alas no.

sorry sold months ago.

i dont know why there is a general sneering at peavey amps. i have had several over the years and all have worked perfect and never broken down. they dont have the bling factor perhaps thats true but they are well put together and sound great and are generally at a give away price compared to more desirable brands. i have used one of these heads and really liked it. got a lovely punchy sound from it.

that is a crazy price! mega bargain.

seriously good sound card style bump

[attachment=90879:EMU055card.jpg]emu 1820m card and breakout box. these are really high quality and produce some superb recordings. works perfect but the front plate has got a chip and looks a little bit sad. this was emu`s flagship card and comes with the Sync daughter card. works with win` 7 64 bit. the onboard effects are superb and dont use any cpu power which is fantastic for cubase etc. these were £300ish new and still hold their own compared to todays cards so grab a bargain.


[b]Package Includes[/b][list]
[*]E-MU 1010 PCI card
[*]E-MU AudioDock M
[*]E-MU Sync daughter card
[*]EDI (E-MU Digital Interface) cable (3 metres
[*]Sync cable
[/list]
[b]Features[/b][list]
[*]Mastering-grade 24-bit, 192kHz converters - the same A/D converters used in Digidesign's flagship ProTools HD I/O Interface
[/list][list]
[*]Pristine 24-bit, 192kHz converters and flexible connectivity with 18 audio inputs, 20 outputs, 32 channels of MIDI I/O, plus a FireWire port for seamless integration with your entire studio
[/list][list]
[*]2 premium TFPro mic preamps with Mic/Line/Hi-Z inputs with 40db of gain/attenuation and 48V phantom power - plug guitars, keyboards
[/list][list]
[*]E-DSP 32-bit Multi-effects Processor offers you over 20 hardware- accelerated effects (over 500 presets) with no CPU overhead - plug-in architecture allows you to add new effects as needed
[/list][list]
[*]32 channels of zero latency hardware mixing/monitoring with super-flexible virtual patchbay - no external mixer needed
[/list]
[b]General Specifications[/b][list]
[*]Sample Rates: 44.1, 48, 96, 192 from internal crystal or externally supplied clock
[*]Bit Depth: 16 or 24 bits
[*]PCI Bus-Mastering DMA subsystem reduces CPU usage
[*]Zero-latency direct hardware monitoring w/effects
[/list]
[b]Analogue Line Inputs[/b][list]
[*]Type: servo-balanced, DC-coupled, low-noise input circuitry
[*]Level (software selectable)
[list]
[*]Professional: +4 dBu nominal, 20 dBu maximum
[*]Consumer: -10 dBV nominal, 6 dBV maximum
[/list][*]Frequency Response: ±0.05 dB, 20 Hz- 20 kHz
[*]THD+N (1 kHz at -1 dBFS): -110 dB (.0003%)
[*]SNR (A-weighted): 120 dB
[*]Dynamic Range (1 kHz, A-weighted): 120 dB
[*]Stereo Crosstalk (1 kHz at -1 dBFS): < -115 dB
[*]Common-Mode Rejection (60 Hz): > 40 dB
[/list]
[b]Analogue Line Outputs[/b][list]
[*]Type: balanced, low-noise, 2-pole low-pass differential filter
[*]Level (software selectable)
[list]
[*]Professional: +4 dBu nominal, 20 dBu (balanced)
[*]Consumer: -10 dBV nominal, 6 dBV max (unbalanced)
[/list][*]Frequency Response: +0.0/-0.35 dB, 20 Hz- 20 kHz
[*]THD+N (1 kHz at -1 dBFS): -105 dB (.0006%)
[*]SNR (A-weighted): 120 dB
[*]Dynamic Range (1 kHz, A-weighted): 120 dB
[*]Stereo Crosstalk (1 kHz at -1 dBFS): < -115 dB
[/list]
[b]Combo Microphone Preamplifier/Line Inputs[/b][list]
[*]Type: TFPro combination microphone preamp and line input
[*]Frequency Response: +0.8/-0.1 dB, 20 Hz - 20 kHz
[*]Stereo Crosstalk (1 kHz): < -120 dB
[*]Line Input:
[list]
[*]Gain Range: -12 to +28 dB
[*]Max Level: +17 dBV (19.2 dBu)
[*]THD+N (1 kHz at -1 dBFS, min gain): -100 dB (.001%)
[*]Dynamic Range (A-weighted, min gain): 107 dB
[*]SNR (A-weighted, min gain): 107 dB
[*]Input Impedance: 10K ohm
[*]Common-Mode Rejection Ratio (60 Hz): > 40 dB
[/list][*]Microphone Preamplifier
[list]
[*]Gain Range: +10 to +50 dB
[*]Max Level: -12 dBV (-9.8 dBu)
[*]THD+N (1 kHz at -1 dBFS, min gain): -100 dB (.001%)
[*]SNR (A-weighted, min gain): 106 dB
[*]Input impedance: 330 ohms
[*]Common-Mode Rejection Ratio (60 Hz): > 80 dB
[/list]
[/list]
[b]Headphones[/b][list]
[*]Type: linear power amplifier
[*]Frequency Response: +0.0/-0.35 dB, 20 Hz - 20 kHz
[*]THD+N (1 kHz, max level)
[list]
[*]33 ohm load: -69 dB (0.035%)
[*]600 ohm load: -94 dB (0.002%)
[/list][*]SNR (A-weighted): 117 dB
[*]Dynamic Range (A-weighted): 117 dB
[*]Stereo Crosstalk (1 kHz at -1 dBFS, 600 ohm load):< -100 dB
[*]Maximum Output Power: 500 mW
[*]Output impedance: 22 ohms
[*]Gain Range: 85 dB
[/list]
[b]Phono Input[/b][list]
[*]Type: RIAA equalised phono input
[*]Frequency Response: +/-0.5 dB, 50 Hz - 20 kHz
[*]THD+N (1 kHz, 10 mV RMS unbalanced input): -76 dB (.015%)
[*]SNR (10 mV RMS unbalanced input, A-weighted): 90 dB
[*]Stereo Crosstalk (1 kHz at -1 dBFS): < -80 dB
[*]Maximum level:
[list]
[*]Professional: 80 mV RMS
[*]Consumer: 20 mV RMS
[/list][*]Input capacitance: 220 pF
[*]Input impedance: 47K ohm
[/list]
[b]Digital I/O[/b][list]
[*]S/PDIF
[list]
[*]2 in/2 out coaxial (transformer coupled)
[*]2 in/3 out optical (software switched with ADAT)
[*]AES/EBU or S/PDIF format (software controlled)
[/list][*]ADAT
[list]
[*]8 channels, 24-bit @ 44.1/48 kHz
[*]4 channels, 24-bit @ 96 kHz (S-Mux compatible)
[*]2 channels, 24-bit @ 192 kH
[/list]
[/list]
[b]FireWire[/b][list]
[*]400 Mbps 1394a port (6-pin)
[*]Compatible with DV cameras, storage peripherals, etc.
[/list]
[b]MIDI[/b] - 2 in, 2 out (32 channels)


[b]Synchronisation[/b][list]
[*]Internal crystal sync at 44.1, 48, 96, 192
[*]External sample rate sync
[list]
[*]ADAT
[*]SP/DIF (optical or coax)
[*]Word clock (75 ohm termination, switchable)
[/list][*]SMPTE LTC Timecode
[list]
[*]Converts to/from longitudinal time code (LTC) to MIDI time code (MTC)
[*]Regen, stripe, and conversion modes
[*]24, 25, 30 drop, 30 non-drop frames/sec
[*]Compatible with 29.97 fps timecode
[*]Input level: 0.5 - 4V p-p
[*]Output levels: +4 dBu, -10 dBV (software selectable)
[*]Input impedance: 10K ohm
[/list]
[/list]

price?