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New bass(es) day - Stingray & Ibanez content


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Posted

Recieved my new Stingray 5 Special yesterday, and boy is it great

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I'd been selling my Lakland DJ5 to fund an ADHD assessment for my youngest, but as it took so long to sell, shortly after we got a letter telling us she would have one on the NHS, which freed up some money. That coupled with being 40 soon meant I jumped on this, I've never had an instrument of this quality before, it's just brilliant

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The neck is so comfortable, I found my hand dancing over it, easily playing things I'd found more challenging before.

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The tone is clear, articulate and punchy without being thin or clanky; I'll need to spend a bit more time with the onboard pre-amp and my practice set-up to get the best out of it, last night I was pretty much running it flat

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The low B is excellent, articulate and big sounding, but still well balanced with the other four strings - something I've been searching for in a five string for ages

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That 18v pre is a monster though, a little goes a long way and you can get into clipping very easily.

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It seems a bass that's very responsive to your playing, the tone shifting a fair bit depending on your hand position and how much you dig in. I wasn't running any compression last night, but I'll experiment with that too.

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All in all, I'm a bit smitten and very glad I've bought it

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Technically, I received two basses yesterday as I also paid my colleague for the de-fretted Ibanez SR505 he leant me *ages* ago, so whilst it's not new to me, it is newly mine. I'd been having a lot of fun playing the fretless, I definitely need to work on my intonation though. Looking forward to dropping the tuning down a tone to play some Death and Cynic

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Anyway, I know you're mostly here for pictures, so

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Posted

I set my pedalboard back up last night, so I could use my TC Spectracomp with the Ampeg SGT-DI which I use for practice and found some really interesting results - got a lot more out the Ampeg pre-amp and didn't need the compressor; which is quite different to my experiences using other basses -Ā Lakland DJ5 and a Sterling Ray25CA

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The Sepectracomp was a key part of my live tone for years into an EBS amp, but (at home, on headphones) it was too much - just swamped the Ampeg pre and made everything sound unwieldy. I found there was no need for compression, the Stingray sounded better without it. Now I don't play live much at the moment, so I've left the Spectracomp on the board to see how it translates in a live setting at some point in the future, but I found that very interesting.

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Also, I found the two channels of the Ampeg sounded much more distinct from each other - the SGT channel was more driven, whereas before I'd just found it bigger sounding. So now I have "pop" and "rock" settings to go with what I'm playing, which is very useful.

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I assume this is function of the output level of the bass, but presumably also which frequencies are enhanced/diminished compared to my previous instruments

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