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waldemar

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Everything posted by waldemar

  1. Very friendly and communicative. I'd be happy to buy from Martyn again. Cheers! w./
  2. Hey Mike, Great vids, great band - I thought I recognised one of your sax players, turns out it's none other than Matt Telfer - say hi to him - we used to go out riding our motorbikes together when we both lived in Stratford upon Avon twenty or so years ago... He never let on how big a jazzer he was back then, one time we checked out what he had playing on his walkman during one particular ride... Bat Out of Hell... Hehe. Warmest regards. Wal.
  3. Cheers all. A few opinions there, all with merit - I spoke to our keyboard player earlier who has had a fair bit of past experience in the studio and he reckons that in the time we've got it's not worth dragging in new gear and just going with DI. Yep, if we had the place for a week then different story... I'll have a chat with the engineer beforehand - to be honest he'll probably be thanking his stars by the time the vocals are down... Most certainly will post back once the results are in... w./
  4. >if he has a bit of gear he is saying use Nope, he's not recommending using gear that he has access to already, he's recommending that I bring along a vintage set-up to compliment the type of music we're recording. Yes, I'm being totally realistic regarding what we'll get out of this - part of me thinks that we'll be lucky to get a single recording finished let alone the three we're planning on doing... and I'd be happy with just that, in all honesty..! He'll mix the audio in the week or so after the session so there'll be a fair bit of time for post. It'll be interesting to see how this all pans out. Right again on the vocals - we have two females fronting and it seems that putting a mic in front of 'em gives 'em ADHD - great fun but terrible as far as getting stuff done goes... w./
  5. >You havent booked enough time to be playing about Yep, you're exactly right, Si, which is why it's a bit funny that he's after using a vintage rig that isn't mine... I'd have thought that for what we're doing (a basic demo to help us get more gigs) a DI would have sufficed, which is why the question of whether this was going to make that big a difference arose. Like I said before, he's a good guy and he's been fantastic to have around when he's done the sound at a few of our gigs. I'll take both rigs and see what happens on the day. I'm fairly easy about the whole thing and in this case happy to do as I'm told. Hehe - for the record, I can be unpacked, plugged in, tuned up and ready within 5 minutes... Probably less. Won't be me that's wasting time..!
  6. All of the above makes sense. Like I said - the guy's very knowledgeable and there's no reason to not do as he's asking but it's interesting to see how this divides opinion. Another friend of mine who's spent a lot of time in studios insists that the most versatile instrument in there is the mixing desk - maybe this guy's hoping to bypass the amount of post work that needs to be done - and that's fair enough given the limited time he'll be spending on it. Cheers. w./
  7. Hi all. I'm recording with my band this coming Thursday evening and I'm debating what gear to take in with me. Here are my choices: 1. Straight out of a DI box into the desk (with a feed going into my combo purely for monitoring). 2. DI out the back of my GenzBenz Shuttle 3.0 combo. 3. Hire a Bassman 100 to drive my GenzBenz 2x10 Focus cab and mic it all up. 4. Hire a Bassman 100 and some sort of vintage cab and mic it all up. Here's the thing. The guy that's recording us did this quick and dirty test during one of our rehearsals: http://soundcloud.com/schweinhaxe/why-dont-you-do-right Even in this very rough mix I think the bass sounds half decent but he's keen that we use an old school rig. He's a really nice guy, he knows what he's talking about and you can tell that he wants to do a great job so I'll probably hire that Bassman and do it his way - but really - is this going to make that much of a difference in the 5 hours we have in the studio? Just seems like added ball-ache... Opinions? w./
  8. They looked great on one of my basses, but I just don't get on with 'em from a playing perspective... They're used, but not heavily (the cotton wound onto the string ends is tatty and they were cut down for a 2x2 tuner headstock, so probably won't stretch to a Fender style 4 in-a-line headstock...) - if you wanna try a set of coated strings for free then hit me up. I'll pop 'em in the post to the quickest responder at my earliest convenience. w./
  9. Here's what's on GAK's site: [url="http://www.gak.co.uk/en/vintage-est96-5-string-bass/7264"]http://www.gak.co.uk...tring-bass/7264[/url] Here are some pictures of mine: [url="https://www.dropbox.com/sh/wcw0azuz0aqr1r0/z2OQRNq2Wj"]https://www.dropbox....r1r0/z2OQRNq2Wj[/url] I bought it in another attempt at giving 5 strings a go. No change. They're still not for me... The condition of this bass is [i][b]not[/b][/i] A1 - there are a fair few dings here and there, but nothing that affects the playability - which is so-so, but nothing that a competent set-up wouldn't make better. Build quality/hardware is pretty typical of the cheaper end of the market. The biggest issue with this bass are it's electronics. Without a 9V battery it functions quite happily in passive mode (although the tone pot[b]*[/b] makes very little discernible difference to, err, the tone) pop a 9V battery in and you get what I can only describe as an unusable noisy signal. If you're happy to run it passive with not much control over the tone then it's good to go. If you want what it's meant to have [i][size=3](according to the blurb: powerful 3-band onboard EQ, controlled by active bass, mid and treble rotaries)[/size][/i] then you'll need to be prepared to install new electronics. I'd like £90 for this please. Collection, or I'll deliver in the Manchester area (within reason). Busyness and/or laziness mean that I'm currently not able to post this. w./ [b]*[/b][b]E[/b][b]DIT:[/b] I assumed that the active level pot functioned as a tone when no battery was present - being an electronics buffoon, I'm not even sure if this is at all possible - maybe it's just me hearing things if indeed I hear any change to the tone - like I say, it makes very little difference (if any). Just be aware that in it's current state this bass is passive and (in all likelihood) has no tone control. Hmm. My ad really does this bass down, doesn't it..? It's actually not as sh*te as I'm making it sound. It does play and makes a reasonable sound. Here's a quick demo recording I made last night. Sorry for the agricultural rendition - my technique is poor..! [media]http://www.youtube.com/watch?v=JN6bovee5Io[/media]
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  11. Hi all. I'm selling these on behalf of a colleague who has had them in his possession for a while. Despite their age, they are in good shape and have essentially been mothballed since being hung in a studio for a few years back in the 90's. I'm led to believe that the 15" Tannoy 3805 dual-concentric drivers being used in these PA cabs are well regarded in the audiophile community and since they're full range, it's not uncommon to find the odd pair sat in hi-fi speaker systems, however, the drivers in these cabs [i][b]should not be confused[/b][/i] with the highly desirable (and much more expensive) dual-concentric 'Gold' drivers which are identifiable by a gold plastic cover over their alnico magnets. The upload feature doesn't seem to be working, but you can see some photos of what's for sale here: [url="https://www.dropbox.com/sh/ergmddeauf05va6/BTB6b3wNGb"]https://www.dropbox.com/sh/ergmddeauf05va6/BTB6b3wNGb[/url] A bit more information on the Tannoy Wildcat series is available at these sites: [url="http://www.preservationsound.com/?p=1729"]http://www.preservationsound.com/?p=1729[/url] [url="http://www.hilberink.nl/codehans/tannoy125.htm"]http://www.hilberink.nl/codehans/tannoy125.htm[/url] (The latter link includes a fairly detailed specification chart at the bottom of the page). From the limited amount of research that's been done on these, a reasonable asking price (so I'm told) is around the £500 mark. Collection only (Manchester) on these - they're big buggers. w./
  12. Thanks guys. Yeah, the two front-women are great. 2 very different voices but they work well together. Will try reintroducing a bit of percussion, we used to start it all in, but it slots in after a loud number now so the drop punctuates the set a bit. Can't hurt to give it a go, though. Thanks again for having a listen. w./
  13. Recently had the opportunity to pop along to SSR in Manchester for a couple of hours, where a few of their students had a go at recording the blues band I'm in. The results: http://soundcloud.com/schweinhaxe/need-your-love-so-bad All in all a pretty decent job considering it was all live and mixed on the fly..! I think we could have played better, but ain't it always the way... Thoughts? Observations?
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  15. Yeah, I was watching it - I thought that it would fetch a little bit more - even in the condition it was, they're rare old things. Ah well, something else will show up in someone's attic some day..! w./
  16. +1 on BassDoc - I hear nothing but good things about the man. As an alternative, I cut my own plate on a laser cutter over at Fab Lab in Manchester, there's bound to be a facility (sign-writers/vinyl graphics etc.) near you that can do it - all they need is a to scale vector .pdf and you literally send it via the Print menu. The advantages of a laser cut are super precise, super clean curves, but no bevel - although that might be preferable with a clear plate... Some more details on how I cut mine [url="http://wrbl.tumblr.com/post/14084056420/finished"]here[/url]. w./
  17. >Might have a punt on that nothing a little work can't fix. Let us know how you get on. Would you colour-match the front of the head-stock to the body colour..?
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  19. A '62 Jazz: http://www.ebay.co.uk/itm/230865684594 Shame about the obliterated date on the heel... And a Fenton Weill: http://www.ebay.co.uk/itm/Not-Fender-vintage-60s-Bass-Made-London-England-restoration-project-/160899750593 Gah, if it wasn't for that re-drilled headstock...
  20. The blues band I'm in spent a week together in a massive house we rented in a little village called Paul, just outside Mousehole last month. The idea was to try and write some new originals, but after a promising start with getting all the gear set up (on only the second day) it pretty much turned into a good old fashioned piss up. Good times. Here are a couple of vids - one's from a practice at the house and the second is part of an acoustic gig we managed to get ourselves at the local pub. [media]http://www.youtube.com/watch?v=h3eK4KbLRTo&fmt=22[/media] [media]http://www.youtube.com/watch?v=GncWVyQfQz8&fmt=22[/media] [Slightly off topic, but somehow related - we're playing a couple of gigs in Manchester in the not too distant future, [url="http://www.facebook.com/BexleySquare"]check us out on the 'book if you fancy coming along..![/url]] Cheers. w./
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