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TheDaivisch

⭐Supporting Member⭐
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Everything posted by TheDaivisch

  1. Happy to meet in London as I travel down regularly.
  2. Happy to meet people in London as I travel down.
  3. 1200 watt powerhouse with trademark crystal clear Vanderkley tone across the whole frequency spectrum. Immaculate condition. Almost never gigged. Not getting the use it deserves ! Comes with cover (Eich sticker will be removed. Model: 410LNT neolite Configuration: 4×10” Neodymium drivers + tweeter Power: 1200 Watts continuous power handling Impedance: 8 Ohm Freq. response: 40 Hz – 16 kHz Sensitivity: 103 dB 1W @ 1m Dimensions: H x W x D, 59 x 59 x 41 cm Weight: 24 Kg / 52 lbs
  4. 12v Vs 9v power supply. No DI on the old version.
  5. Crystal clear, stunningly articulate tone and bags of power. With Eich gig bag. Immaculate condition and with original box. Can post at cost. Features Extremely lightweight Ultra compact Switching power supply Class-D Poweramp 2x Super silent digitally controlled fan with Airflow-Channel Magnet Fix pins (not available in the US) »Taste«-Filter 4-band EQ pre/post »DI out« Transformer balanced »DI out« Ground Lift switch 115 / 230V switch Preamp: solid state preamp with gain, taste, lo, lomid, himid, hi, master controls, switchable mute, DI pre/post, XLR transformer balanced DI out with Ground Lift Switch, parallel effects loop, tuner out, line out, line in Output RMS: 900 w (4 ohms), 600 w (8 ohms) Power Amp: Class D Power Consumption: 1000 W Output: Speakon® combo connectors with ¼“ jack DI Out: transformer balanced, pre/post, ground lift switchable Dimensions: (W x H x D) 27 cm x 4,5 cm x 21 cm / 10.7" x 1.6" x 8.3" WEIGHT: 1,70kg / 3,75 lbs
  6. Fantastic bit of kit. Lovely tone stack passive EQ. Super musical. Can get angry and gritty or wooly and old school. In perfect working order and fantastic condition. Only selling as I rarely play. ***Happy to post*** Comes with a 12v power supply. This is the older version. Preserve the low range Suitable for live and studio use Analog Signal Processing Use as preamp or overdrive pedal Vintage or modern tube sound 60 dB Ultra High Gain Distortion -10 dB Pad. Classic style passive filters control Volume, Treble, Middle, Bass & Gain. Class A tube overdrive pedal. All musical high-grade tube design. Designed for best bass response. True bypass.
  7. Awesome, loud little amp. Effects are all very musical and very usable. Excellent condition. Rated Power Output 100 W Nominal Input Level (1 kHz) Input: -10 dBu / 1 M ohms Speaker 30 cm + Tweeter (Coaxial, 2-way) Controls Power Switch, Input: Pad Switch, Compression: Compression Knob, COSM Amplifier: Shape Switch, Type Knob (Super Flat, Flip Top, B Man, T.E, Bass360, Session, Concert810, Octave Bass), Gain Knob, Volume Knob, Equalizer: Bass Knob, Low-Mid Knob, High-Mid Knob, Treble Knob, EFX: EFX Knob (Chorus, Flanger, T-Wah), Delay/Reverb: Delay/Reverb Knob, Balanced Out: Select Switch (Pre, Post), Gnd Lift Switch (On, Off) Indicators POWER, PEAK, COMPRESSION, EFX, DELAY/REVERB Connectors INPUT Jack (1/4" phone type) RECORDING OUT/PHONES Jack (Stereo 1/4" phone type) FOOT SW Jack (EFX, DELAY/REVERB) (1/4" phone type) EXT SPEAKER Jack (1/4" phone type) LINE OUT Jack (1/4" phone type) TUNER OUT Jack (1/4" phone type) BALANCED OUT Jack (XLR type) Power Supply AC 117 V, AC 230 V, AC 240 V (50/60 Hz) AC 220 V (60 Hz) Power Consumption 28 W
  8. Bought a Spector EuroBolt from Matt. Proper diamond geezer. Great comms, friendly and helpful and drove all the way to meet me half way between London and South Wales to deliver the bass. An absolute gent. Gorgeous immaculate bass too! 🤟🤟
  9. This is an absolutely immaculate Euro Spector in stunning metallic blue. Gorgeous silky smooth roasted maple neck and plays like a dream. Punchy tight Spector growl from the Aguilar hum free pickups enhanced further by a TonePump (with gain trim pot - not the Jnr) preamp upgrade. Comes with the original Spector gigbag and tools. This is a really classy, stunning looking bass which has to be seen in person to be appreciated. Metallic Blue finish looks fab in person. I prefer it to some of Spector's more fussy finishes! The roasted neck also needs to be seen and felt to appreciated. The TonePump is a very satisfying musical unit that only adds to the character. This is also a very light bass. Probably the lightest I've owned and right up there with my Sadowsky for lightness. Super comfortable bass. I bought this on a punt without being able to try it first. It ticks all of my boxes, but unfortunately due to having small hands and being used to a jazz neck, I couldn't get on with the more substantial Precision like neck width (1.64"). Otherwise it'd be a keeper. From Spector: The EuroBolt model adds a new dimension to the classic Spector sound. Crafted using bolt-on construction, the EuroBolt features a 3-piece maple neck & fingerboard that is roasted to perfection. The roasting process improves strength and stability while preserving the clear, present tones that is characteristic of North American Maple. The classic NS body is carved from Alder, a classic tonewood that’s revered for it’s lightweight and balanced sound. EuroBolt models also feature hum-cancelling Aguilar P/J pickups and an Aguilar OBP-2 active tone circuit. This combination of professional-grade electronics provides a wide palette of tones that perfectly complements the natural tones of the EuroBolt. ROASTED MAPLE NECK The EuroBolt features a three-piece Roasted Maple neck for improved stability and resonance. AGUILAR ELECTRONICS All EuroBolt models feature pickups & electronics from Aguilar. The combination of their passive pickups and active pre-amp results in a versatile and powerful array of tones. PROFESSIONAL GRADE HARDWARE Each EuroBolt is outfitted with Spector's locking bridge for solid intonation and reliable performance. EURO SERIES EUROBOLT 4 SPECIFICATIONS BODY & CONSTRUCTION BODY WOOD European Alder NECK NECK WOOD 3-Piece Roasted Maple FRETBOARD Roasted Maple NUMBER OF FRETS 24 INLAYS Mother of Pearl Crown NUTGraphite NUT WIDTH 1.64" SCALE34" PICKUPS & ELECTRONICS CONTROLSNeck Volume, Bridge Volume, Bass Cut/Boost, Treble Cut/Boost PICKUPSAG 4P/J-HC PICKUP CONFIGURATION P/J PREAMP SYSTEMAguilar OBP-2 HARDWARE HARDWAREBlack BRIDGEAluminum LockingTUNERS Sealed Die-Cast OTHER FINISH Metallic Blue high gloss CASE GIG BAG ADDITIONAL INFO String Spacing - .75"; 16" Radius
  10. It's still MIIINE. And still loving it. As another poster says, it ticks many boxes tone wise so not craving another bass right now
  11. It's different. I like it. Can't help weight though.. it weighs a ton on its own
  12. I like it! And definitely can't be bad for tone and sustain....I get it might be a bit marmite and weighs a bit !
  13. I thought I'd share my experience taking an Ibanez ATK810E and heavily modifying it. My wife nearly divorced me over it (or at least made me move into the shed) so thought I'd share it with some people who might appreciate my efforts! I refinished it with a hand applied/hand rubbed Cyanoacrylate finishing glue and replaced all of the electrics. Why? Because the ATK800 series is a combo of great build quality, lovely wood, perfect pickup combo and neck, but suffering from a finish too easily damaged which is a little too "flat"/matte for my taste and average electrics that didn't fully realise the potential of the wood. Also I'm a glutton for punishment/Like a challenge/subconsciously enjoy p*ssing my wife off. Having tried TruOil (lovely finish and great to work with, but not tough enough) wipe on Poly (too soft, drying time too long) Polyurethane glue (surprisingly nice to work with, nice finish, not quite tough enough) on previous attempts, I settled on superglue (CA) having seen people do it on YouTube successfully. It provides a very quick to apply very hard and very easily polished finish. After trying a bunch of CA brands, I found Starbond Semi-flexible Thin Adhesive SBEM0250 to be the best. It was hand applied using kitchen roll applying in straight lines with the grain, using accelerator. I then used 600 grit wet and dry on rough/uneven spots with a polishing block on flat areas, then 1200 grit wet/dry followed by 4000 grade Micromesh for final finish. The finish is effectively a thin top coat on the existing poly, as I found stripping off the existing thin poly coat on the ATK800 to be unnecessary work having also tried that previously. On other thicker coats, that will likely be a different story. The finish isn't full on mirror gloss (I didn't want that) has a very slight organic grained texture to it and retains the open non-filled grain of the previous finish, which to me is perfect compromise and I now have a finish I can relatively easily repair. In the pics you can see the difference in the finish, from matt to gloss. For the electrics I removed the entire wiring loom and electrics and replaced everything. I replaced the pickups with a Nordstrand MM4.4 and Nordstrand NJ4SV for completely hum free operation in all coil combos. It's a traditional vol-vol arrangement on the passive side with a *bridge coil*-*both in parallel*-*neck coil* switch setup for the humbucker (the same switching as the original bar the treble filter on the neck coil of the bucker). The switch is a Dimarzio EP1111. The pots are CTS; 500k for the big buck and 250k for the Jazz, wired in parallel. This is all screwed into a lovely John East SPM-02 preamp. John is an absolute gent providing outstanding very personal customer service (dunno how he does it..) Selectable frequency points on the pre mean I can get then exactly right for the pickups and bass. I also added extra shielding, including by running a copper foil covered drinking straw run through the routing for the neck pickup wiring into the control cavity. The bass had been well gigged and the poly on the fretboard noticeably a little worn, so I stripped it (Stanley blades, nail files and wire wool) and refinished it in buffed TruOil. The scratchplate is custom made by Jacks Instrument Services. Lots of trial and error on previous basses, stress, arguments, late nights in the shed and learning from forums and YouTube but I'm proud of this and it sounds absolutely fantastic. Real powerful organic rich bass tone with excellent impressions of Stingray, active Jazz and some unique tones all of its own.
  14. Aero71 bought an Ibanez ATK810 off of me. Great communication, quick payment, sorts his own courier (quickly and effectively) and does what he says he's going to. . Top bloke, would do business with him again! Cheers bud!
  15. Hi. It looks like 8.8lbs according to my scales D
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