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trtzbass

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Everything posted by trtzbass

  1. [quote name='HowieBass' timestamp='1406629841' post='2513131'] Ah I suppose you'd say I'm a bit of a trained observer (I did degrees in astronomy and then visual art LOL) [/quote] haha then it makes perfect sense!
  2. [quote name='HowieBass' timestamp='1406584474' post='2512835'] Double octave neck with the split P pickup further back than a standard Fender? [/quote] You, dear sir, know your stuff!
  3. Hello Eude I'm with you there - new Fenders are "only" nice, expecially considering the price tag. Old ones are amazing, but then you are buying an instrument that existed for more than you did, probably. A lot of sweat, energy, vibrations, feelings went into it and made it larger than the sum of its parts. It'd be interesting to be around in twenty years from now when, say, soundgears will be prized vintage instrtuments!
  4. Hey MoonBassAlpha, thanks for reading! Stay tuned, you'll see how this instruments differs from a standard P - bass. I don't want to give it away too soon, tho! I also believe that having a loving craftsman building a one off instrument imparts a certain energy to it. I think it'll feel different from a factory made bass; almost like eating a chocolate muffin versus eating a chocolate muffin a friend baked for you, if I'm making any sense.
  5. [b] [size=4]Rufini Vintage Custom Series build diary pt.2[/size][/b] July 27, 2014 The baby is starting to take shape. Matteo selected a lovely piece of Alder which will be the tonewood of choice for the body. When we spoke about the neck/ body wood combination, he was very clear about the fact that an Alder body was the best choice to complement a maple neck / fretboard. We want to build an instrument that can deliver a warm, vintage tone as well as some modern rock grind. If we went for a harder body wood, say ash, the instrument response would have been too bright / snappy which is great if you’re playing in a rock band or funkying it up, but probably too much of a one trick pony. Of course I am sure there’s a million great instruments out there that are made of denser / harder woods and can deliver warm round tones, but building a bass from scratch is a one bullet operation and we did not want to take chances. Once it’s built it’s built and you have to deal with its inherent voice. In a nutshell the concept would be: maple neck and fretboard to give the sound brilliance, attack and percussiveness and alder body to mellow it out and give it sustain and roundness. Of course the woods are selected to maximize grain coherence and wood coupling once the parts are screwed together. Maestro Rufini then proceeded to hand carve the body to a familiar shape we all know and hopefully love. I had many a conversation with my colleagues about body shape and assumptions. It’s not a mystery that when you walk into a studio or onstage with an instrument that sports a less familiar body shape you can meet suspicion or the people you are working with / for might have a bias towards lesser familiar shapes and curves. I find this particularly true in the UK where Rock and Roll is becoming part of a tradition and MDs and musos have a more positive perception of the classic vintage vibe. Owning an instrument with a quintessential shape gives me more peace of mind that I won’t have to fight producers who want me to “put that away and use my Fender, thanks”. On a different note it’s also true that different instruments give the musician a different mindset, or at least that’s what happens to me. I believe that us electric string players have an almost pagan approach to playing music through our instrument. We need symbols and ‘mojo’. I find myself in a completely different mindset depending on the kind of instrument I got in my hands. Multi – laminate five string oddly shaped active basses scream “TWO HANDED TAP SLAP FUSIONY STUFF” to my subconscious, while classic instruments put me in a more pacate, song oriented mindset. This instrument will be a tradition – inspired beast with hints of modernism; it’ll basically say “groove first, idiot, but sneak in that double thumb lick if you can”. Again, thanks for reading and have a nice one!
  6. [b] Rufini Vintage Custom Series build diary pt.1[/b] July 23, 2014 During the past few years I gathered quite a small collection of nice instruments that serve me well when I have a studio session or a live gig. Being active on the London scene means being able to play a sweaty indie rock gig, a posh dinner jazz set, an intense New Orleans blues jam. On the same day. I started daydreaming about a bass that could be my go – to instrument when I need versatility for a studio session or during a function gig when I need to switch from Motown thump to Daft Punk zing to Summer of 69 grind at the drop of a hat. I feel I’m at a stage in my life and career in which I start to understand what I really need from an instrument. A bazillion hours spent on stage around Europe and the US plus all the studio time taught me a thing or two about me and my ideal instrument. In my head the guy should: [b]1) Have a simple and straight pick up layout and no more than the basic tone controls.[/b] Last time I touched an onboard eq pot was three years ago and I did boost it of a 20%. For two songs. No onboard preamp for me, but the good old Fender tone cut pot which I’ve been missing so much. Besides I always run in my head the catastrophe scenario that your battery runs dry during a set / your preamp fries out of commission. I go to gigs prepared (extra bass, extra battery, extra screwdriver)and service my basses regularly, but it’s a nagging afterthought that never goes away. I think that borders on OCD now I think about it. [b]2) It needs to be versatile and sound outstanding.[/b] I play swing and metal and everything in between. I need an instrument that delivers great tone and playability. One of the best days of my working life was when an engineer I recorded for took time to write me an email complimenting me for my sound. I want every single one of my studio sessions ending with a big grin on the client’s and the engineer’s face. There is no compromising on that! [b]3) It needs to look awesome[/b] While some of you might not agree, the looks of an instrument are a huge part of the whole deal. You need to be able to look at it and be inspired to give the best performance you can. On top of that, the way you look onstage or in a music video is part of who you are as a pro. You need to deliver a consistent performance AND look amazing in the process. I found that sometimes showing up with an instrument that’s not coherent with the vibe of the night can be a buzz killer. Picture BB King’s rhythm guitar player showing up onstage with a Jackson King V in metallic silver and you’ll get exactly what I mean. Now, I only needed somebody to make all this real. Enter [b]Rufini instruments[/b]. Let me start by saying that Matteo Rufini, who runs a one man business in the heart of sunny Italy is an artist and a man with a big heart who lives for his craft. I saw one of his instruments on his Facebook page (dude is revamping his website as we speak) and was captivated by the sheer beauty and perfection of his craftsmanship. It was not my kind of bass, but it radiated that special energy that only those instruments made with love and an obsessive attention for detail have. He was the man to make my dream bass a reality. I got in touch with him and we teamed up. We started throwing around ideas, discussing design and in general having loads of fun. And now he’s working on it, as we speak. I’ll keep you updated on the build, explaining the choices we made and the reasons why. And I’m excited like a kid! Thanks for reading, have a great day everyone
  7. Dude's a legend! Super nice; I was late and he stopped watching the game to patiently wait for me while I was trying one of his cab and we also had a little "bass player" chat. The cab I bought was as stated in the ad and the price was right. Would do business with again in a heartbeat. Cheers
  8. [color=#333333] Good morning![/color][color=#333333] Just to let you know... I'm trying to log in to the website with my FB account and this is what I get:[/color][color=#333333] This web page has a redirect loop The web page at[url="http://basschat.co.uk/interface/facebook/index.php?m=0&key=fdc9cb9ca372b74e476a1257a3d5a5a7&_reg=1&error_code=901&error_message=This+app+is+in+sandbox+mode.++Edit+the+app+configuration+at+http%3A%2F%2Fdevelopers.facebook.com%2Fapps+to+make+the+app+publicly+visible.#_="]http://basschat.co.uk/interface/facebook/index.php?m=0&key=fdc9cb9ca372b74e476a1257a3d5a5a7&_reg=1&error_code=901&error_message=This+app+is+in+sandbox+mode.++Edit+the+app+configuration+at+http%3A%2F%2Fdevelopers.facebook.com%2Fapps+to+make+the+app+publicly+visible.#_=[/url]_ has resulted in too many redirects. Clearing your cookies for this site or allowing third-party cookies may fix the problem. If not, it is possibly a server configuration issue and not a problem with your computer.[/color][color=#333333] Maybe there is something weird going on with FB? Have a good one and keep up the great work![/color]
  9. Price drop to 300£ !
  10. Holy shoe!!! You are totally right! ..now I have to redesign the album art again... Anyway. Glad you like it, Mr (despite the avatar pic) Parsons
  11. ... well, that's the title of my new composition anyway Please enjoy and download for free. And let me know how you like it! [url="http://jordanbrown.bandcamp.com/track/alan-parsons-undercover-mission-to-africa"]http://jordanbrown.b...ssion-to-africa[/url] Have a great day everyone
  12. Hi all. I really, really want to buy a fretless, so this guy's gotta go. Made in 2002 at the Fuji - gen factory in japan. Well balanced, super fast neck and pristine fretwork. Light as a feather but super punchy. A great player, brought along for some sessions and got great praises by every producer as it sits quite nicely in the mix. BIIIIG SOUND. Some buckle rash on the back and the usual thumb and slap wear you always find on natural soundgears. Comes with a soft case. Give me a shout if you want to try it I'm based in Isleworth, London [s]350£[/s] 300£ and you'll own a fine sounding and looking guitar. [attachment=121773:IMG_20121022_142308.jpg] [attachment=121774:IMG_20121022_142349.jpg] [attachment=121775:IMG_20121022_142358.jpg] [attachment=121776:IMG_20121022_142419.jpg] [attachment=121777:IMG_20121022_142434.jpg] [attachment=121778:IMG_20121022_142449.jpg] [attachment=121779:IMG_20121022_142505.jpg]
  13. Hello there. I'd be interested in seeing your cab. Is it still available? Have a great day
  14. PM'd!
  15. Morning everyone. I have this pretty [url="http://beta.musicradar.com/gear/all/amplification/instrument-amps/bass-amp-heads/reidmar-532097/review"]EBS Reidmar head[/url] that sounds really nice, full and louder than you'd think; Bought it the first week of June. But (and here the plot thickens) I'm growing tired of the whole head + cab deal, so I'm seeing if anybody is interested in trading it for their combo amp. Of course, I'm willing to add in some cash as well if that's the case. I might even sell it, looking for 320£ (paid 390£ for it) Comes with box and speakon cable I live in West London, you are more than welcome to come around and try it. I'll make tea. Have a nice one
  16. [color=#000000][font=verdana, geneva, lucida,] Hi all. Just made my first video lesson, you can find it here: [url="http://www.youtube.com/watch?v=aal4q7T38ho"]http://www.youtube.com/watch?v=aal4q7T38ho[/url] Enjoy and let me know what you think of it![/font][/color]
  17. Hi guys. I have a boss rc2, I don't use it at all, because I'm not that kind of bass player I'm looking to expand my pedalboard, better yet, I'm looking to START a pedalboard, so I'm after some basic good quality Fx pedals. Anybody willing to trade? JB www.trtzbass.com
  18. Hi everybody I've been reading this topic with much interest. You see, I'm about to start a quite lengthy (5 months) european tour and my employers want me to have health and gear insurance. I'm fairly new to the UK (been here for a couple of years), so I'd need some pointers about what's the most convenient company, etc... Of course, if you have any additional advice for me, it's much appreciated thanks in advance
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