cocco

Shed "hot n dangerous" (cocco specials) with standard Jazz passive electronics give me all the bite and balls I need. Sans amp BDDI provides extra drive and 8 10s create the wall of noise I like to refer to as "the delicate sound of thunder". I like its plug and play simplicity. I dont think this will ever change from my recording tone. Depending on my mood my Trace Elliot T-bass or my 2eq 'ray might take the place of my Jazz. I have too many basses....

Thats a really early SB too if im not mistaken? it doesnt have the scrolling on the headstock

I really like your S2 OTPJ.

When did the bigger bridge get axed?

question, was birdseye maple an option or was it the standard for a certain era of stingrays?

There was a 4 string overwater original in black in speed music in cardiff when it was still open. It was marked up for £350 and was the first overwater Id ever seen. I wanted it but alas I could not afford it . the one that got away? I think so

I have a wallet and a strat shaped belt buckle

I feel the GAS setting in, I just dont have the readdies

Im glad they put a chrome cover back on the battery compartment too.

Jesus they are nice. Whats the price on these? im taking it they're more than a standard 2eq?

is there a 'ray 4 in this series too? I hope so

hopefully Ill have an adition to this thread by the end of the week. A black, black, (birdseye) maple 2 eq

does my T-bass count?

From one bearded T-40 player to another. I really hope this goes to a good home, its a f***ing beauty

going on the features it doesn't have a great deal in common with either. IMO a P or a J bass is defined by its pickup configuration, body shape and neck profile, (obviously these all contribute to its tone), this has none of the features of either by the looks of it. That isnt to say that you couldnt get a P or a J tone (or at least something simular out of it) using its onboard electronics but I wouldn't say it falls under either category.

I really like this too, I always had a soft spot for the old one but could never bring myself to buy one.

I have a B 4x10 HLF which my SVT classic killed in less than a year.

Very professional and easy to deal with. I love my new T-bass.
always replies to messages within a day, all in all a pleasure to do business with.

Thanks Gareth

Ouuuuuch I love that Ric

[quote name='OutToPlayJazz' post='669550' date='Nov 29 2009, 10:14 PM']I'm waiting for someone to turn up on here with a "Rail." Fred.T.Baker had one when I had a couple of lessons with him in the late 80's. Seriously cool thing!

[/quote]

I was hoping the same, there is one on e-bay in red at the moment, if it wasnt in austraila i might be tempted

[quote name='basshead56' post='668128' date='Nov 28 2009, 11:30 AM']Think I recognise this. Did it come from County Cork, Ireland, by any chance?[/quote]

yeah it certainly did man. You know the previous owner?

Basses BY the settee in my case, L-R Gibson Grabber 1970's (all original), Fender P-bass (US/MEX Modded, Delano Pup, Switchcraft under mounted jack, Paint job, Hipshot hardware, for sale) Fender Jazz (CIJ 66 reissue, Modded, Badass II bridge, Shed Hot n Dangerous pickups, sanded neck) Aria Pro II SB Elite II 1983 (for sale), Peavey T-40 1979 (maybe for sale)

Duuude I wanted this when you put it on SWM. What's changed your mind about the sale? Colour me interested.

Im shopping for new pots for my P-bass which currently doesn't have any onboard controls and I have a few questions which need answering. If anyone can help I'd be very appreciative.

1, What are the standard pot resistance values in a P-bass?

2, How is is Mark Hoppus P-bass wired? as i am thinking of possibly going volume only.

3, What make of pots should I go for?

Ooooh that is pretty sexy. I have recently acquired a white n gold SB Elite II which i am currently loving. I'm taking it this used to be a single pick-up?