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Posts posted by SumOne
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Each to their own, but I like the simple side of the theory that the modes are just 'major, but starting on the 2nd, 3rd 'etc. the Greek naming and way it is often presented (like earlier in this thread!) just confuse it for me.
Perhaps I don't know enough anout it and am exposing my ignorance here - but as far as I can tell, learn the major scale shapes across all strings, up and down, starting on different fingers etc. really learn it by heart (I remember some SBL lesson saying this and it stuck with me - suprisingly few bass players can flawlesley play a major scale on one string, or using open strings, or jumping from the E string to D string etc) . And then you have it really, just instead of where you were starting on the '1' of a major scale start/finish on the 2nd, 3rd, 4th etc. and get used to doing the 'shapes' from those starting points.
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The limitation to this is I only know how to play the modes when playing the shapes on the Bass, it'd take a lot of thought for me to translate that to other instruments or written notation.
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Another one on the 'Reggae Fever Oldies, Vol 1' compilation:
Prince George 'Babylon Kingdom Fall'
🔥
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We do a silent test that everyone is going through the mixer/laptop and in ears are working, and individually do a quick loud test of backline things (E.g. just playing a few bass notes at volume). Then we basically go straight into our first song but it is one where instruments gradually start playing one by one and the lead singer stands out front checking the levels via a laptop interface, we go around for a while if he needs to adjust things, then he starts singing and adjusts vocal levels if needed.
The upside is punters don't have to put up with a lot of '1 2 1 2 check check' stuff. Downside is it is a bit a a damp squib of a set starting.
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3 hours ago, Reggaebass said:
What a great tune, that bassline
The Blue Bells (AKA The Black Arks) are new to me but what I've heard is great. Quite a few of their tunes are on a compilation 'Reggae Fever Oldies, vol 1' (which is a lot better than it sounds!)
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Ours has the region's most handsome and talented bass player.
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13 hours ago, tauzero said:
It's not a serious issue. I leave Bluetooth on on my phone as I've got an unfitness tracker which is handy for relaying notifications. If I want to send music to the Neo from a different device, I have to switch Bluetooth off on the phone, then switch the Neo on and then do a connect from the other device (doesn't need to be re-paired, it shows on the paired devices list). It's really nice not having to fight with headphone cables (Katana Go, Nux Mighty Plug).
I had similar problems with the Boss Waza Air, I can't remember exactly what now but it wasn't just automatic if the phone had connected to other devices in the meantime. My Sony headphones almost do the opposite, they automatically turn themselves on - I start a Teams call using my Laptop speakers and it somehow turns on the headphones that are on standby (and not on my head), my JBL bluetooth speakers have their own idiosyncrasies when connecting two of them, my car bluetooth does some very annoying auto play things and seems random about which phone it decids to connect to. So as long as the Bluetooth actually works I give these things a bit of a free pass as it just seems the way it is with Blutooth to have slightly odd ways of connecting to different devices.
These Positive Grid headphones are now on my shopping list, seem to be sold out everywhere though.
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Need one of these:
We're always asking our lead guitarist to turn down (and drummer to slow down.....and I do like a drink!).
It just seems to come with the territory that lead guitarists generally want to be the loudest thing, they need reining in - so giving them control of the mix is probably best avoided.
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It is scientifically proven that purple sparkle adds funk. A real shame the later ones lost some of that funk.
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Snowflake Patrol
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2 hours ago, jd56hawk said:
Second time I heard this problem.
I'll only be recommending the Boss Katana Go from now on.
Bit unfair to quote that though when a subsequent post was.
"Positive Grid responded to me with some suggestions, the last of which was a factory reset. Did a factory reset and was able to pair with the phone. Then had another go at pairing with one tablet, making sure that the phone bluetooth was off, and it succeeded"
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Hopefully the connectivity issues aren't a deal breaker as I had the Waza Air and miss them (although they also has some connection issues) but the Waza were always pricey and only seem to be going up in price. £399 seems the going rate now vs £55 for my Nux mighty plug - £345 extra basically so I can not have a headphone cable is a cost I can't justify to myself. But these positive grid ones at £189 I could just about justify.
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I sold a pedal to Matt, and all was good.
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Pete Bruntnell and the Cousins feat. Robbie Macintosh. They played a small pub, it wasn't a well advertised or particularly well attended, they are great musicians though and I think were playing it due to a local connection and general love of playing.
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On 19/04/2025 at 17:22, Karabass said:
Thanks,
Does everything work properly and on the picture position of the 4 string looks like it is closer to the 3 string? Is that from the picture or there is some purpose for that?
Cheers
Yes. It's all working and as it should be.
Everything is stock: 19mm spacing at bridge, the string spacing/positioning at nut and bridge is how Lakland (and many other manufacturers) do it - the G is slightly closer to the edge of the fretboard than the E is.
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9 hours ago, Quatschmacher said:
I’ve been wanting to try the DCX. Not sure if you’ll get the same tones from the Black Panel though. I love my BP.
Yeah, I have the DCX and briefly had the Black Panel and I don't think they sound the same (although it was >6 months and a different bass between trying them so no sort of direct comparison). Both are good though.
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14 minutes ago, Reggaebass said:
I was going through the backing bands on Roots Archives looking at the Roots Radics , check out how many they backed, it’s amazing, also came across this
Funnily enough, I'm just half way through writing a 'join my band' advert to form a Reggae backing band.
I figured other than Pama International, Upper Cut Band, Friendly Fire Band I'm not aware of other active UK ones - and none on the South coast.
I suppose it is because there isn't the market for it but I like the idea of a Roots Radics style band that supports different vocalists.
It probably is ambitious for the limited Portsmouth/Chichester/Brighton reggae scene though!
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Sone good stuff on this new Dubmatix page, including this Joe Gibbs mix:
https://bassculture.substack.com/p/the-mighty-joe-gibbs-hits-legends
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Excellent retirement gift!
I had an MPC One, and then an MPC Key 67, both were great and I kinda regret selling them. A bit of a learning curve as they have different ways of doing things to DAWs, but is mostly quite straightforward. I never did get any good at finger drumming though!
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Future Impact v4
Good condition, velcro on base, with box.
£190 + £10 postage via special delivery.
This works fine as stand alone, I cannot get the editor/updater to work with my Laptop but I'm pretty sure that's due to something on my Laptop rather than an FI issue though as it sends and receives Midi. I've just given up on trying! See here
Who knows their modes.
in Theory and Technique
Posted
Yes, I have learnt them - but for me so far that has been pointless and I think it's potentially a bit of a barrier for some people, from the outside it looks like it adds technical complexity. People gets scared off when basically modes are relatively simple 'play the major scale notes but starting on the 2nd' etc.
I don't know about others, but I've been in quite a few bands and not once had anyone said anything remotely like 'play the intro as two bars of F Lydian and then two more in D Dorian before vamping on B Locrian'. ...... perhaps that is the done thing for certain types of music though.