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PaulWarning

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Posts posted by PaulWarning

  1. 7 minutes ago, PigBass said:

    Noel Gallagher (who he?) makes an interesting point here even though he rants off a bit, but the point he made was about control, it's easier for "music management" to control a single artist than it is to control a band who may internally discuss and then resist the "do this do that" pressure that is applied to them. As many have said here, there are some great bands around but just in the mainstream media view. 

     

     

    Noel is usually good value in interviews

  2. some obscure stuff isn't on Spotify but it's usually to be found on Youtube, would I prefer people to buy my bands music in a physical format? absolutely, but unfortunately most people stream there music these days, the Genie is out of the bottle, and it's making recording new music uneconomic for small bands like us

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  3. It does depend on the driver, the one that usually delivers to my house is very reliable and friendly, I've sent stuff via EVRi as well as the the drop off shop is just round the corner from me, never had any problems

  4. 1 hour ago, Leonard Smalls said:

    In terms of producing stereo from a mono input, you fake it! 

    Basically, you put the mono signal onto tracks 1&2, then phase some (or all of the frequencies slightly differently (i.e add a microdelay). But luckily, there's many plug-ins that'll do this for you so it sounds reasonably realistic - frinstance, I usually use Imager in Ozone 9. It does the microdelay-at-frequencies thing, and allows you to "stereoise" further. It does this by using the concept of "M&S" (not Marks and Sparks, but Middle and Side or even Mittel und Seite as if was invented in Germany!).

    In this, M= track 1 + 2, S = track 1 - 2 so S is the difference between the 2 tracks. In that way you can make something more stereo by boosting S, then recombining to make tracks 1 and 2 (i.e. (M+S)-(M-S)= 2M+2S).

    As for "point stereo" in-ears, they may work using "binaural" rather than straight stereo.

    In ordinary stereo, you record with a pair of crossed mics, i.e both in the same position but ends about 1-2" apart. In binaural, mics are placed the width of a human head apart - the idea being that it gave a more natural reproduction of space, especially with headphones and was popular in the 60s and 70s...

    I sort of get all that, my point being is there any point in faffing around with stereo for IEM, a lot of effort, and money, for negligible improvement, as long as you can hear yourself and what's going on with the rest of the band, it's job done

  5. depends if that's all a band does, rather like a 'tribute' naming themselves so it leaves in no doubt who you are a tribute too, in this case, if all the band does is slow blues with long guitar solos then yes, keep blues in the title, if not, drop blues from the name.

    Reminds me of a conversation I had with a fellow bass player many years ago, "What's your band called then?" I asked, "ZZ Birmingham he replied", "ZZ Top covers band then?" I asked, "No, we don't do any ZZ Top songs" :facepalm:

    Another band I knew called themselves Two Guitar Clash, after a Stiff Little fingers obscure B side because they did a lot of SLF songs, of course your average punter thought they did Clash covers

  6. I don't think I've ever got through a gig without at least couple of mistakes, it's usually lack of concentration, normally I don't think anybody notices but the last gig we decided to do the Specials Rat Race for the first time in ages, I got completely lost and couldn't get it back until the second chorus, even the drummer said it was messy :facepalm:🤣

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