Having watched this thread unfold over the last week since my return from Frankfurt, I thought maybe it is time I threw in my two penny worth...
Firstly I’d like to say that I gave a great deal of thought to what I was trying to achieve before I entered into this relationship with EMC/Tanglewood Guitars and that my aim from the outset was to form a strategic alliance with this British company that not only has the knowledge and experience in manufacturing and distribution – but also shares my values with regard to quality control, value and design ethic. And, by entering into this alliance, it would enable me to extend what we do at Overwater – not dilute it...
The name on the headstock is there for very good reason - I see the ‘Aspiration Series’ basses as just that... A series of instrument that fit into the Overwater ‘family’ and encompass the all the values I have always aspired to – but at a price that makes us much more accessible and bridges the gap between the ‘boutique’ and more ‘production’ instruments.
What you see in these pre-production prototypes represent over a year’s meticulous hard work – but never the less, they are still very much a ‘work in progress’ – a proving ground to ensure we can indeed transfer successfully into larger production. Yes – I agree; they do still look a bit ‘two dimensional’ and unrefined – but these mostly aesthetic concerns are recognised and will be addressed before we go into full production...
I have been very clear from the outset that this would not be simply a ‘badging’ operation. These basses are not ‘copies’ – but a ‘Series’ of instruments in their own right. I have always believed in design from ‘the inside out’ – not visa versa. My very first consideration from the beginning has been for the sound and playability. These basses where never going to be a selection of bits bolted together and badged with an Overwater logo!
Every part of every instrument has been designed specifically – from the bottom up – or are actual Overwater parts shared with existing Overwater instruments. The timbers we have chosen are included for their acoustic properties and the pick-ups, electronics and hardware are all largely unique to Overwater instruments and have all been designed to match both the performance and expectations associated with the rest of the Overwater range and to integrate fully with our handmade instruments.
Tanglewood/EMC have been the facilitators – not the driving force. I have been given a completely free hand and absolute veto. Our project team includes Haydn Williams (CAD and design specifications), John East (electronics), Alan Entwistle (pick-ups) and of course myself.
We have chosen a small factory with an excellent track record for exceptionally high class work and quality control. American luthier and production engineer Jim Donahue – whose manufacturing experience and long association with Ibanez makes him an ideal choice to facilitate the transition from design to production – and I will be supervising and overseeing the first full production run – on the ground, at the factory...
Yes, of course we are limited by our budget – but I have made every decision based on what would make this a better musical instrument... And yes; by conventional wisdom, I have probably spent a disproportionate percentage of my budget on things that might not be initially obvious. But that has always been primary concern - my mantra has always been ‘sound and set-up’ and never ‘form over function’! Which probably accounts for why Overwater almost certainly has a higher proportion of professional, freelance and session musicians among its client base than any other ‘boutique’ bass builder in Europe?
We have always been ‘player led’ and I absolutely take on board everything that is said both here and elsewhere – Frankfurt was our first outing with this new line of instruments – and I have to say we met with an almost universally positive reaction – but it has also given us the opportunity to re-evaluate and fine tune some aspects of our design before we go into full scale production and I also note with interest comments made within this discussion..
Thanks for your interest,
Chris May