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Posts posted by Bassassin
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Looks really tidy. If it was local to me, I'd be half-tempted to make a cheeky lowball offer just out of curiosity.
Although I did play one of these in a shop when they were new (first headless I ever touched, in fact) and my initial impression was that it was rubbish. IIRC the guy in the shop apologised & said it "wasn't exactly a Steinberger".
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Would make several hundred times more sense with proper headless bridge/tuners
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7 hours ago, Bass Wielder said:
Looks like an ABM.
German if so. Good quality!
Good luck with the sale!
That's exactly what it is. Bargain!
http://www.luthimate.fr/en/bridges/1573-chevalet-basse-abm-3d-4-cordes-chrome.html
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1 hour ago, eubassix said:
Thanks bassassin - that's really great & helpful info ! .... nice to see the actual / complete intrument. The neck's very different to the one I received, but good to see that all the body parts/fittings are correct.
If you dig (like what I do) there are versions of this with maple/black block necks as well. Mostly in the EU & branded 'Leyanda' (which seems to be related to Hohner), they don't have the string through bridge & some have 'proper' Fender shaped heads. There are probably other variants with different names too.
https://reverb.com/uk/item/67039741-hohner-leyanda-bass-1970-sunburst-1970-sunburst
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Total bargain! GLWTS!
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37 minutes ago, Skybone said:
Stunning bass. GLWTS.
Think it's the Elite II, as there was a single pickup version as well, the Elite I. I'm sure @Bassassin could clarify.
The black Elite II was one of my dream basses back in the day.
It is an SB-ELT/RSZ, like @mihangle says. It is broadly similar to the SB-Elite II and the SB-R80, but the ELTs are post-Matsumoku basses & were around from about 1989 - 1992. I've done a fair bit of research, as I have one myself. They're incredibly good basses & easily up to the standard of the earlier instruments.
There's been debate in the online Aria/SB basses communities for years about where these were from, & it's good to finally see one with a country of manufacture sticker - most of them have no markings whatsoever, so with no region or serial they're quite hard to pin down. We know model numbers & rough dates from old catalogues but that's been all up until now.
Anyway, gorgeous bass (mine is black, so much more dull!) & GLWTS!
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80s (maybe early 90s) MIK Hohner, possibly Arbor or Rockwood, not too sure. Always thought these were pretty cool, if I had a spare J neck knocking about I might ignore my complete lack of space & necessity & have a punt!
These were probably made by Cort, as that's where Hohner production went when it moved from Japan in the early 80s. Stuff like the round-end pickups & bogseat string-through bridge appear on MIJ & MIK instruments, so these were probably made under license in Korea.
GLWTS!
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9 hours ago, BigRedX said:
Probably series/parallel wiring of the pickup.
That's exactly what it is. Pickup's a DiMarzio Model P.
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Looking at the damage, the black's original. I'd put cream covers on it for that pukka 70s look.
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Late 70s (hooky headstock shape says 1976 or later), made by Matsumoku. The pickups (or those red covers at least) & the BA2 aren't original, and it may have been refinished - 9 times out of 10 MIJ Jazz copies will be sunburst or natural.
For the most part the serials Matsumoku used on 'Steel Adjustable' neckplates are random & can't be dated. They used several different formats but weren't consistently dateable until probably around 1980.
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Gorgeous! That's an MC2924, which was the last incarnation of the Ibby Musician & the first appearance (I think) of what became the Soundgear body shape. You hardly ever see these, and I don't think I've ever seen that transparent red finish before. This is almost like buses turning up - we had a fretless version just last month:
Yet again I wish I could afford/justify it, but sadly I'll just have to make do with the pics. GLWTS!
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On 22/02/2024 at 10:55, bubinga5 said:
They have a poplar body roasted maple neck. Bone nut, etc. The guy that designed them is from Lithuania i believe and they are made in China. Im leaning toward the Sunburst. Does anyone own one/ played one.?
What - Leo Fender was from Lithuania?
Fwiw they do look nice & if the Shoreline Gold had a maple neck I'd be getting twitchy.
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The Corts are nice but (fortunately for my GAS) there doesn't seem to be a 4, at least not yet.
That's also about twice the price of a Squeee - or would be if you could buy one anywhere1
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Missed it. What was it - a Super Headless through-neck (The Gallery currently has one at £600) or a Quantum/Rail?
Wouldn't pay £650 for either of those but I'm dribbling a little at The Gallery's pics.
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I think in the Real World, I'd struggle to spend that across a range of instruments/recording gear at the moment, never mind just the one bass. I've had terrible GAS in the past & have ended up with all of my musical needs over-carered for - although in fairness (to myself) my tastes aren't particularly expensive so I have an embarrassment of (mostly) cheap-but-decent gear.
In the not-so-real world, & if it had to go on just the one bass, I think it'd be time visit a few luthiers & see if my vision of a headless, lightweight, double-neck through neck(s) fretted 4/fretless 5 prog nightmare bass is actually achievable. I have drawings & everything...
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Even says 'Fresher' on the headstock. Midrange mid 70s MIJ copy made by Chushin Gakki, nice enough. Decent fixer-upper for £50, particularly if you could beat them down to £40.
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Cream. Needs a black scratchplate really but it just yells '70s Rock Machine'!
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I used a Session 4x10 bass combo from the mid 80s to the end of the 90s. Poor man's Trace Elliots, those were. Very bright & directional, & needed an extension cab if you wanted any appreciable bottom end. In fairness it made a better guitar amp than bass amp.
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5 hours ago, TheGreek said:
A cynic might say that he is trying to take advantage of John's recent passing.
One or two cynics on FB saying exactly that!
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And only £3k over list price.
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41 minutes ago, Supernaut said:
Mastodon went downhill after Crack The Skye. Nothing good since then.
100% agree - that was the album where it sounded like everything they were trying to do came together, & they've not come close since. I still listen out of hope/curiosity but I don't think I even made it halfway through their last album.
Metallica - watched SKOM when it was more current & the mess of a 'band' they were at the time helped explain the mess of an album St Anger was. By then I was only really vaguely interested - Justice had been the album that brought me back to metal at the end of the 80s but I gradually lost interest as they moved towards Black Album-era corporate rock bloat & became more bland. Summed up by a mate who'd been a fan since Kill 'Em All, after seeing them touring Load - "They should change their name to 'Licker' - because they're not f*ckin' metal any more!"
They've had a couple of moments since, I quite liked Death Magnetic as a near-sequel to Justice, with a few moments of proper hostility & inventiveness (almost like they were trying to make up for St Anger!), but subsequently it's hard not to conclude their hearts really haven't been in it for a long time.
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20 minutes ago, W1_Pro said:
Excellent! What does the selector swith do in the middle?
Top neck/bottom neck. I think the middle position mutes both but I can't remember - it hasn't been out of its case in years!
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Grubby looking Kramer Duke / Hondo Alien / something
in eBay - Weird and Wonderful
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Back when these came out, I had no idea the Duke existed, never mind that the Alien was a knockoff - I just assumed it was a cheap, low-effort way of making a headless bass.
To be fair, I 'borrowed' that concept with my first guitar (originally a Columbus SG copy) after it had a minor accident...