musicbassman

9 minutes ago, drTStingray said:

What's more to the point, what has happened to @Happy Jack 's avatar - I rather liked the twirly, spanky one 😂👍

Yes, the....errrrrr...the .twirly, spanky one.... *gulp*    😲

I could never concentrate on the content of the thread with that image floating around at the side.

Maybe that's why he ditched it.

16 hours ago, mike f said:

Also if anyone can enlighten me as to what's going on with the bass on Eat It Up Worms Hero (at 0:58) I'd be eternally grateful. It just sounds so good. 

Ah, that's easy Mike, it's the sound of the very structures of musical cohesion being torn apart , limb by limb. Possibly by an alien being from another dimension.

(I have absolutely no idea what's going on, only Tim knows, and he might explain this to his followers in the afterlife)

I'm a big fan of AAL but I couldn't imagine where a bass could possibly fit into their sound -  Javier Reyes has it all sewn up. He's covering both guitar and bass and is just as much a monster player as Tosin Abasi.

I personally have no desire to play that sort of music, but I find it fascinating and a bit mind boggling to listen to.  Djent is the 21st century version of prog rock. - Can you imagine going back in time and playing some AAL material to a prog rock band in the 70's ? - they'd think they were listening to rock music from another planet.   😲

2 minutes ago, Grangur said:

In fact, can anyone name 1?  (Genuinely would like to know them all)

David Bowie !

19 hours ago, S.F.Sorrow said:

My favorite amps are Hiwatt DR201, Carlsbro 100TC, Marshall Super Bass and my absolute favorite amp for recording: the 50w Selmer Treble'n'Bass MkI (the croc skin version with a tube rectifier).

Jeez, I've used all of those at some point in my lengthy playing career!

Welcome to the forum, where you'll meet some of the most polite and friendly people that ever were.

20 hours ago, S.F.Sorrow said:

I own far too many basses and amps. I get embarrassed just thinking about it.... Lets just say my favorites are passive P-basses and quirky vintage short scale basses. But I own all kinds of basses.

Don't begin to imagine that you'll end up with less gear after being on this forum, it just won't happen  

By the way, whereabouts are you based?

Deliciously bonkers, and mad skills !    😉

Dear BC'ers,

I've been offered an afternoon dep gig (outdoors) on 19th Sept which I can't do.

Don't get overexcited, it's for charity (ie no fee) and is at a retirement village in Aldershot.

Music is 40's/50's.  The 40's stuff is mostly standards with walking bass lines, 50's is mostly period RnR.

PM me if you're interested, I've told the BL I would try and find someone to cover this.

Please only PM if you're sure you can confidently play this sort of thing straight off - there won't be any rehearsals !

You will certainly get the set list with keys well beforehand though.

Ta, stay safe.

In 1981 I picked up a gig with a top drawer functions trio, doing West End hotels and the like. It was very good money for the time, I was earning £80 - £100 a gig. Mind you, it could be very long hours, we often had to be set up by 6 or 7pm and didn't start playing until 11, and I would eventually get to bed around 3 or 4am, - and I was living in Central London!

Using Nail Soup's Bank of England calculator, that gig money would be equivalent to around £350 per person now.

But I bet that these gigs are still only worth £80 - £100 now, 40 years later....    😯

1 hour ago, BigRedX said:

The predominant colours were stinky poo brown and a horrible semi-transparent white (which looked like a mistake with the spraying rather than a deliberate finish). All the 3-bolt necks were mis-aligned - some to the extent where one of the outer strings was no longer over the fingerboard at the top end of the neck and most of the others had some sort of QC problem.

I witnessed this QC problem for myself in 1977.

I was playing in the resident band at Harlow Mecca ( yes, this was just before 'resident bands' were consigned to the history books for Mecca venues)  The guitarist, who certainly had more money than sense, rather fancied playing a Telecaster. So, instead of buying something sensible, he appeared at the next gig waving a BRAND NEW Tele he'd picked up (or, rather, he'd been sold) from a music shop in Ilford.

Enthused by the substantial discount off the list price he'd been given he didn't seem to have considered what it played like, or even how well it had been banged together. It really was shameful - the neck was appallingly misaligned and was twisted also, and it had massive feedback problems for some reason right from the start. He tried to return it, but the shop had clearly written 'Sold as Seen' on the invoice and apparently didn't want to know..... 

Did a dep gig with a 40's/50's band at a retirement village in Surrey on Saturday afternoon. First gig since lockdown.

It should have been a dead easy gig, but when i arrived I found out only the guitarist and sax player were from the band's regular line up and myself, the drummer and the girl singer were all deps! Still, it all went OK and the elderly punters loved it.   😊

The girl singer took this pic.

Sunshine of Your Love - Cream

1968 - my first band. We "rehearsed" at the drummer's parents incredibly scruffy and smelly house in Paignton, Devon.  All the curtains seemed to be permanently drawn so it was pretty dark, and it always smelt of wee.

Amplifiers?  - there was one, a Vox AC 30, which had been borrowed. It had six inputs, so there were two guitars, a bass and three mikes plugged in. Brilliant!

The mike stands were broomsticks which were propped upright by bricks. Then the tape recorder style mikes were sellotaped onto the tops of these.  Result!

Actually the 'band' knew two numbers, the other one was 'Walking on Sunset' by John Mayall.  One of the guitarists assured us that John Mayall was playing a "mouth organ" on this song, but he couldn't afford to buy one, let alone play it, so he used a kazoo instead....

Fantastic !      

8 hours ago, Dan Dare said:

Too many to list. A search of YouTube for "terrible music videos" turns up some gems. This is one of the more amusing collections:

https://www.youtube.com/watch?v=QajzKbTBeGg

 

Thanks Dan, this is beyond appalling, what were they thinking?

Shows girls can be as delusional about their talents as boys.

6.17  - it's just very unkind to encourage someone with special needs to think he's a singer - really, and I'm not being sarcastic.

7.49 - My lyric of the week - "I have big tits and I like politics"    Oh please....  😟

Wow - the Venom video is pure Spinal Tap

And as for the Ancient video, every metal cliche is there, including the goat.

Anyway, here's something fabulously groovy - it's the Beach Boys from 1963

Mike Love certainly has some unfortunate mannerisms (2nd from right) which make you wonder where his carers are.

And their Mums come along for some groovy dancing at 1.40 !   Fab!

You'll have to click on this as it can't be embedded. but it's worth it.

https://www.youtube.com/watch?v=2s4slliAtQU

I've only just found out that Cardiacs frontman Tim Smith has died after a long illness. He was the guiding light behind the band and a ridiculously talented and creative individual. For those of you who have no great knowledge about Cardiacs and about just how many other mainstream bands were heavily influenced by them, then maybe spare just a few minutes to watch this intelligent and carefully crafted video from Tantacrul, who also explains some of the musical theory behind their tunes.

Some may find this interesting/informative.

If only Youtube had been around when I'd first started playing! -this one tutorial alone would have saved me a lot of time. 

Why it's 'Squier' and not 'Squire'

40 minutes ago, lowdown said:

But probably the biggest factor for me is: I have very good relevant pitch. I can hear/recognise chords and intervals easily/quickly.

This absolutely.

Once you can 'hear' intervals then you'll soon learn to recognise chords - majors, minors 6ths, maj7ths, sus chords etc......

I remember the sheer delight I felt soon after I started playing (1968/9) when I learnt to reliably recognise a 5th !  It all seems so obvious now.

And this is the bassline I memorised the sound of it from:

I am embarrassed to say that out of the thousands of gigs I've done, I've only ever once turned up to a gig without my bass.....

Long story, but basically the band wasn't in it's usual travelling arrangement, so I hadn't realised it hadn't been loaded.

I played the entire gig on a Strat copy which a punter in the crowd had rushed back to his house to fetch for me, bless him......

No, it didn't sound good.    😧

Commiserations, and big hugs from everybody.

You are clearly a stoical and considerate man.  Much respect to you.

Yep, and just because it's old and is on a collector's wish list doesn't mean it will be a good instrument to play - two old but similar vintage Fenders can be alike as chalk and cheese.

I had a '62 Jazz back in the day, first of the 3 control type, five figure serial number.

It looked great, but it was really pretty worn out and I really don't think played any better than a modern Squier Jazz would.

Shame that old basses don't have a mileometer like a car. Not quite sure what you'd measure though - No of owners? No of gigs? ..........................Number of notes played ????  

I particularly like the perfectly reasonable $25 fine for the DB player who actually plays audibly !

Lots of clever here. The intro kids you into thinking it's some standard funk riff in Dm with the C - D bass line.

Then, guitar line starts and sounds a bit off, but wait - then chords come in... - and hey, it's in Cm !   😯

Great tension and release in the bass line created by use of the supertonic D  (2nd) - unusual -  resolving to the tonic.

And of course, the feel is perfect.

There's always something to learn by listening to great simple bass lines  😊

On 09/07/2020 at 07:18, JJTee said:

Well I think Dom and Steve will have their work cut out in fabricating a replacement audible bassline for an entire album: ....And Justice For All.

Not being familiar with this album, apparently by the popular beat combo Metallica, I had a listen, and ..............

1. Maybe this is just a collection of some of those bass playalong tracks where the original bass has been removed ?

2. Did they actually have a bass player in attendance whilst making the album???

3. If they did, then the poor guy must have realised he was being given a very, very clear message from the rest of the band when it   was mixed.  😨

33 minutes ago, BobVbass said:

I do loads of public speaking these days so I was wondering whether that was having an effect as well -

I think you might have the answer there, Bobbi, your public speaking role has replaced your need to 'express yourself' through your playing. Just follow your heart - and maybe you'll look back on your years of gigging as just an interesting previous chapter in your life.

Best of luck!