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Posts posted by Bagman
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Bands I really like from genres I don’t often listen too:
Black Crowes
Stone Temple Pilots
Niki and the Dove
Afghan Whigs
Idles
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Unpopular on a Bass site:
Rush, they really were the sh*ts, the REO Speedwagon of PROG Nonsense
Kiss , pantomime rubbish from deeply unlikeable people
Mudvayne(?) apparently been around for 20 years only heard them a few months back. It’s like they merged the 2 bands listed above😂😂😂
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Hoping to see Idles in November
They are way to heavy for me but I really like the lyrics and general vibe
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OC-2
if if you can’t find one maybe Ashdown Sub Harmonic
I don’t know anything regarding digital octaves
Chorus I quite like Tech21 Bass Boost Chorus
versatility /options aplenty there
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On 13/05/2022 at 03:31, BassAdder27 said:
I’ve been through some good and not so good amps and I must say the ABM600 is proving to be the very best.
At first it takes time learning about the EQ and when to use or not use that famous Shape Button and you soon learn that this amp is a true gigging star.
I think I would be hard pressed to improve on it.Im even liking the ABM cabs too
I very much like the old ABM cabinets. Still going strong. The ABM 1510HX is my favorite.
Once again they are not for everyone and certainly couldn’t be described as “Hi-Fi” but for me they work good.
I had a ABM115 blue speaker (Italy?) as well that was a bit “brighter”
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On 13/05/2022 at 05:04, FinnDave said:
I've had quite a few Ashdown amps, and the only times I've had to use the warranty was with a couple of ABM 600 heads. They were replaced without hesitation.
I have had no issue with Ashdown gear aside from wear and tear / basic maintenance.
Obviously will get a Tubes bill at some point for the CTM-300
When I have contacted them they always reply promptly when given my location they could choose to ignore me😂😂
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On 13/05/2022 at 01:36, Woodinblack said:
It was heavy, harder to move and 'only' 100 watts, and I know is heresy around these parts to try and infer that a valve watt isn't worth at least 50 transistor watts, but if you want loud, the CTM does it. If you want clean and loud, the ABM does it better, and if you want any kind of control over your tone from the amplifier, the ABM does it a hell of a lot better - the CTM tone control is more like a set of hints to the amplifier than control as such. In fact, the knobs really don't do much, the buttons are the real tone control.
Oh and if you play in cramped venues with a single coil pickup, don't stand close to a CTM - it has a lot of transformers
The CTM EQ is somewhat quirky but has become my favorite. Magnificent with Passive Bass /Flatwound strings
I don’t think the CTM is for everyone but for me it’s the bees knees
I still use my 98 ABM Klystrom as well.
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8 hours ago, FinnDave said:
Thanks, Lozz, I might just have to order another set of LaBella strings, I like the tone of them, just fancied trying something different, but I don't think a scooped sound is what I'm after. Main reason for considering the Rotos is that they have in stock at the local PMT, LaBella means a drive to Leamington Spa or mail order.
GHS Precision Flats are IMO closer to LaBella.
( than Rotosound and Daddario Chromes)
I use the 105 E set GHS on a Fretless Jazz and a Tobias. Very smooth strings and great balance across the range.
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Niki and the Dove
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I have all The Bassist UK magazines from the 1990’s - 2000’s
I have found them very useful over the years/decades
Also like the written content was a different flavor to US Bass Player mag
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L2 Steinberger fretted no dead spots. Entire range is balanced
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Yep C# on the G string Fretless Fender Jazz
Fretless MusicMan Stingray is pretty good just need to be mindful of string to string balance EQ
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Random question but what’s the earliest Ashdown ABM anyone here owns?
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Big fan of the Diamond BCP with a Passive, flatwound strung bass
The onboard Peavey Compression I had decades back wasn’t very good
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New track from Afghan Whigs
A great band
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On 13/04/2022 at 23:15, Kevin Dean said:
I popped into Ashdown yesterday to buy a CTM 100 & they repaired my ABM1000 & serviced my LB550 while I waited. They gave me a tour & I can't believe how much time Mark , Dan & the team gave me .They even tried to fix the clutch on my Van .lol. I love this company for loads of reasons , They take great pride in what they do & over the years they actually listen to the customer & act upon it . I think what ever make you use now you should A/B it against an Ashdoown .
Was that the B stock CTM?
I bought the CTM-300 a few years ago and it is my favourite amplifier
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On 05/03/2022 at 07:58, Huw Foster said:
Nikka Costa - 'So Have I For You' [notation / tab]
Original bass: Pino Palladino
Another Patreon request. I hadn't heard this tune before, but as soon as I did I knew I'd have fun transcribing it. It's a Pino Palladino masterclass in gradually building as a track goes on.
I'm almost 100% sure it's in D standard (D-G-C-F), as Pino tended to favour that tuning at the time.
Note: there's some weird stuff going on in the outro section, particularly bars 81-82. I gave it my best shot! 😂
I quite like that album
she did some Prince stuff too
”Everybody Got Their Something” I transcribed for students both reading and plectrum practice.
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Original Stingray shipped with Flats on
I Play a 2EQ Fretless Stingray with Chromes (105 E)
smoother than a baby’s bottom
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Passive Precision 0 Tone
Passive Jazz 0 Tone
Passive Jazz Fretless 30% Tone
L2 Steinberger Active 0 Tone
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Like the scratch plate and controls on the white one
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L2 Steinberger- LaBella double ball are very nice. Really should have done this years back. Very smooth
I have ordered another style of LaBella Flats for my old Jazz
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Unpopular Musical Opinions: What are Yours?
in General Discussion
Posted
Genuinely under-appreciation
The Blue Nile
Kate Bush
The The
Public Enemy
New Order