[quote name='Chienmortbb' timestamp='1415144089' post='2597289']
[b]Passive treble control, boost/cut.[/b] [i]I believe that the The passive treble control is less noisy than an active one and more musical but perhaps Charlie could comment.[/i][/quote]
This is something I first worked out in one of my tube preamp builds a few years ago, and it's the closest thing to 'secret sauce' in my designs. It comes from some very old tube gear design manuals, and the fact that it's passive is only half the story, because its placement in a different stage than the bass and mid controls keeps it from interacting with those controls in potentially undesirable ways, intermodulation distortion and slew limiting for instance. Moving it back in the signal chain a few stages also keeps the earlier stages from further amplifying treble boost noise and potentially reduces distortion generated in those stages. As always, the devil's in the details though. I spent many hours in LTspice trying to find a workable solution, and was kind of shocked when it turned out to sound pretty good. My intention is that you can turn it all the way up if desired, and it still sounds fine, with very minimal hiss artifacts. When cranked it actually redacts to more or less a classic CD horn EQ in the 4K-12K zone, which works well with my DIY cabs that use pretty much pro audio caliber compression drivers. Here are the frequency response models from treble control full-down to full-up:
By standard marketing speak you might see this spec'ed as a +10dB shelving filter at 25K on the boost side, but as the graph shows, marketing speak often leaves a lot to be desired.
[quote][b]Variable high pass filter, 2nd order fixed + 2nd order variable[/b] - [i]Think of a Thumpinator or FDeck's HPF. Has the dual purpose of controlling excessive cone movement below a cabinet's tuned frequency and also taking the "boom" out of those nasty rooms.[/i][/quote]
Yes, both those purposes are part of the classic design brief. In my design I have also attempted to make the HPF and bass control highly interactive, but hopefully in an intuitive fashion. Here are some compound curves showing bass control boosted 1/8 turn clockwise and left there, then high pass control swept from full up (least cut) to full counterclockwise (most cut):
As you can see, peak bass boost can move between 42Hz and 240Hz, and many other curves are readily obtained as the bass control applies various boosts and cuts. Again, I was a bit surprised that I just did the model on my computer, built the circuit, and it measured and sounded fine right off the bat. I made a bit of a mess with the first circuit board design, but I am still pretty new at that aspect and fortunately I have pretty decent board rework skills learned over the years through a series of day jobs fixing and modding audio gear and other electronic widgets. Hopefully the new boards are glitch free, they seem to be from the little bit of testing I've done on my bench. Having someone else build up some of my designs should be very useful in refining my craft, which is the main point of doing DIY builds in my case.