tobiewharton
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Posts posted by tobiewharton
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I think it's important to recognise the distinction between different content creators. Some play so you can watch; others play so you can watch and learn. Some show and review gear and others primarily talk about gear.
Then there are the teachers - music teachers, bass teachers, and those that do both.
The rarest breed are the teachers who are great players/players who are great teachers; I'm not talking, in the immortal words of Flea, 'all flash and no smash', but the rounded players who also have a gift for teaching.
The two that I really admire are Richie Blake and Dan Hawkins.
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3 hours ago, rushbo said:
Another vote for Constantine Isslamow
He looks like he's having such fun!
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Very cool, and a YOB bass for me...
Glwts
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Don't do it Paddy! Mine's bumped everything off my main board.
Glwts
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Not the BSF - I'll never be without one!
Glwts
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Serious bargain for someone!
Glwts
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IME comps are almost as subjective as drives; people hear, 'feel' and prefer different aspects of the what they do to our signals, if we really 'hear' it at all(!). In this respect, they're more subtle than many other effects, like octavers for example, which are either analog/digital, up/down, track well/don't. Perhaps this is why the Emperor's New Clothes syndrome affects comps and drives so often, dividing opinion and ultimately having us move them around like hot cakes? Studio work is a different kettle of fish but then engineers' bewildering array of rack units - that I can't begin to understand - have always done those jobs for me.
I've been caught in the buying and selling cycle many times and sure enough, the new 'high-end' (invariably pricey) comp fails to excite and is first on the chopping block when the next sparkly box drops. That said, I have a visceral desire for the new Cali in blue 🤣
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I'm staggered that this hasn't sold yet. Do people realise what they're missing here, for the price of a pedal?!
I'll never understand why brands like Aria and Cort don't garner the respect and interest they deserve. Once again, fashion is a cruel mistress.
Glwts
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Well, I thoroughly enjoyed reading that - thanks for taking the time to share. I've lusted after one of these unconventional beasts for a long time. I've owned Warwicks and we've never really hit it off but the design of the Dolphin is just mesmerising. The inlays are the icing on the cake. I'm a zoologist by day and have a sperm whale inlay at the 12th on my Shuker.
Continue to treasure and enjoy this beauty!
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Very little money for a very good compressor.
Glwts
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I use one for my big board - it's excellent.
Glwts
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Absolutely brilliant combo and a total bargain!
Glwts
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TC Plethora sold.
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I have the following pedals for sale. I'm out of the UK until Saturday 11th so photos to follow. However, all are in mint condition with original box, unless otherwise stated. All pedals have quality dual-lock/velcro on base.
Feel free to reserve/ask any questions by PM.
Prices are firm (by PayPal F&F or BACS please) and include standard postage - knock off a fiver if you want to collect (I'm in Swinton, Manchester).
No trades thanks, unless you're moving on a Trickfish VCA comp or an Earthquaker Blumes.
Many thanks,
Tobie
Cali 76 CB comp - £200
Keeley Bassist comp - £120
Mesa Subway preamp/DI - £230
Walrus Badwater preamp/DI - £200
Two Notes Revolt tube preamp/DI - £220
TC Electronic Plethora X3 - £220 (rubber feet removed but included) *SOLD*
MXR M82 envelope filter - £100
Valeton OC10 octaver - £55 (good condition)
Boss SY1 synth - £120
Walrus Jupiter V2 fuzz - £100 (no box)
Crazy Tubes Locomotive tube drive - £175
Way Huge Pork and Pickle od and fuzz - £130 (good condition, non-original Way Huge box)
Fulltone Fat Boost FB-3 - £80 (good condition, no box)
Harley Benton Spaceship 50C pedalboard and gigbag - £25
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8 hours ago, Supernaut said:
Ibanez/Yamaha/Cort/G&L.
There are currently some incredible value fivers in the classifieds here...
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What a bargain! If you're after a fiver, this and a few others currently in the classifieds are outrageously good value.
Glwts
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Check out Scott Whitley's online content - he's a big exponent of short scales.
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55 minutes ago, ordep said:
Here is something I never thought I will do, but offered something I was after for a long time so needs must. Will retract if the other deal falls through.
in good condition, scratches and marks from use. original owner made the pen marks, and to be honest I didnt try to remove it as it is where I tend to set the knobs anyway. I dont have the original box but will pack securely.
£950 located on Aylesbury. Can post.
This is a beautiful board! Very satisfying indeed.
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16 hours ago, itu said:
You have a P with 34" scale and 19 mm string spacing. You say you want a 35" scale and probably get something with 17 mm string spacing?
A small bodied 5 string, well your equation is not the easiest with your current budget.
Similar ergonomics here would help you with the change. Do trials based on the ergonomics rather than pickups, or eq.
Good advice.
In electric bass terms, 4-string P to 5-string modern super-long scale is a bit of a jump. The transition can be helped by opting for tighter string spacing. Equally, don't dismiss shorter scale lengths - in my experience, a consistent or 'tight' B string is not limited to 35" or above. A brass nut or zero fret will help with consistent clarity too. Most extended range basses will have shallower necks anyway and asymmetrical neck carves are also common. Expect at least 45mm at the nut. As a result of this, ergonomics are very different and really necessitate certain techniques (no thumb wrapped around the fretboard unless you have enormous hands!).
Sound-wise, you can't go wrong with soapbars and MMs will be fine too. Modern voiced single coils if you want less welly. Be wary of option paralysis with complex onboard preamps; a simple 2-band eq (even boost only) is plenty as the kinds of pickups in these basses are naturally 'scooped' in the mids. This is generally great in a gospel context where there is much more sonic space for bass guitar; relative lack of chord-heavy and distorted guitar parts really help with this.
Modern, clean amps are the way to go with this; think Class D and 10s or 12s. A lot of prominent American players use GK.
The role of bass in contemporary gospel means a good grasp of music theory is a big advantage and ear-training is a necessity. Band MDs (often keys players) will call changes; songs are often started by vocalists in their chosen key; music starts and stops at different times, often with very short notice; spontaneous key changes are common. The Nashville Numbers System will be your best friend!
A final thought - listen to lots of music!
Some artists:
Fred Hammond
William McDowell
Tamela Mann
Yolanda Adams
Donnie McClurkin
Marvin Sapp
Kurt Carr
Tye Tribbett
Mary Mary
Israel Houghton
Kirk Franklin
Darwin Hobbs
Donald Lawrence
Hezekiah Walker
Anthony Evans
Some bass players:
Justin Raines
Andrew Gouche
Sharay Reed
Fred Hammond
Lots of great online content too.
I hope some of this helps and enjoy the journey!
Tobie
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9 hours ago, JohnFitzgerald said:
No love for the 41 year old Ibanez ?
Lots of love but no room at the inn!
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Hi there,
Can I ask why it's not for you? Considering maybe trying one.
Cheers,
Tobie
Vigier Excess 4 - £1700
in Basses For Sale
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Want! Can't have, sadly.
Glwts