Woodinblack

13 minutes ago, prowla said:

I'm thinking about buying one like Chris Childs'.

Whats so special about it?

1. An electric car that doesn't make my wife feel sick

2. A training course so I am not so shit on the chapman stick

3. A group that exactly like my group without the right wing nutters

4. A loft ladder built into the loft

5. win the set for life lottery thing

7 hours ago, cetera said:

Closest I got were the two Dingwall's I bought. An NG3 and a D-Roc.

 

Loved the look of them and the neck/feel was lovely....... but as Chris Childs said at the SE BassBash, they had one great sound and 4 'meh' ones....

Maybe that was my problem with the Dingwall - I never found the great sound!

Then adding the word sold in the title will close of the sale as per usual

25 minutes ago, Gasman said:

Yes indeed, I use a Talman 5-er on flats for the more soothing first set, then a much-up-modded HB PJ Mustang-alike 4-string on rounds for the noisy stuff in set 2

I sold my Talman in the end, I thought it was great for the price but the neck was wide and the headstock was really heavy. Often thought about getting one of the EHBs in short scale though.

15 minutes ago, Owen said:

 There has been an editor update in the meantime and it is doing exactly what I hoped it would in a way that was really easy. Thank you Tonex bods. 

Ooh thanks for the headsup, I will have a look!

32 minutes ago, scrumpymike said:

I wish! No, that's the Unicorn. The Globe's car park is tiny and parking outside the front is a lottery.

Ah yes, my bad, we have only played the unicorn!

I gave up all music for a long time between 96 and the mid 2000s, but came back to it afterwards a lot more full on. I don't gig for the momey, I have a job that pays fine, I do it for the enjoyment of doing it and i will continue all the time the enjoyment is higher than the hassle. I can see a point in the near future where that might be happening, but I think if I get to that point I may just quit my main group and do something different.

14 hours ago, scrumpymike said:

My band played one of our two annual freebie gigs at the Globe in Somerton. We do these in return for them letting us use their functions room whenever we need to rehearse. Last night we were in the main pub area and as usual it got pleasantly crowded. Although all 4 of us are gig-hardened, the band is relatively new and it was good to feel that our improvement trend continues. The steps are small now but still satisfying.

And at least they have a big car park round the back!

Travelled far and wide yesterday (or at least half an hour away which is the furthest we have been in a while). Sports and social club but sadly very empty. Easy setup, even if it is a long jog with the stuff from the car, but we had been there before so I took a trolley. 

Really quite empty but for some reason seemed an OK gig. Still didn't feel great but got through it fine. Same equipment as yesterday, but I guess I was a bit more used to it and I dind't make many mistakes (apart from strangely moondance, just used to the 5) and the sound was a lot better, probably why I enjoyed it more.

So there weren't many people but of the people there were, they danced, and they came up and thanked us, and we got a private party for january, so must have done ok!

I actually did most of the gig with the XS-1 one octave up and 20% on, and it just gives more bite and an edge on the distortion - more a harmonic boost I guess.

13 minutes ago, jd56hawk said:

Call me crazy but I only buy basses I actually like. 🤔

I only buy basses that I think I am going to like, but sometimes it turns out I was wrong!

Well, no pictures (was I even there?) - we played in a local pub last night, it wasn't our gig, it was the drummers other bands gig, but their singer got a cold and she didn't want to sing -  there maybe more to it then that, but not my issue. Anyway we could all do it so we took it over to not leave the pub without a band (and it is the pub we practice at). Easy enough setup, cramped but we have done it before so know our place, would be easier if the rest of the band didn't stand in the way chatting while I was setting up

I thought I would mix things up - so I took the new rickenbacker, which shockingly only has 4 strings (at the moment), the XVive A58 and the XS-1 octave pedal, so testing everything I got recently.

The XVive, perfect, no noise, no having to work around the noise the lekato that I had, absolute winner.

The ric. Well, its ok, it wasn't cutting through that much, and obviously thee is the lack of string thing. I didn't realise how much I relied on the 5th string, so a few mistakes were made, quite a few on one song, but at least with brick in the wall, I played the whole thing an octave up with the XS-1 an octave down and it sounded pretty spot on.

Some of the rest of the gig I played with an octave up, and mix down to give a bit of bite and it worked well.

The second hand I went back to the Maruszczyk and it felt more comfortable and easier to get a good sound, I think maybe because the output is higher everything is set up for that, so the ric wasn't cutting it much. Still, it was nice to play, but I may leave it for the other group, where i can use it as a drop D bass, I think the loss of the 5th string is something that adds a complication gigging. 

Anyway, second half there were more people, more dancing, and everything went more or less ok, so pretty good, and actually ran out of time without realising it.

Not a bad night, and we have another gig tonight, might try the same things, and see if I get the same result - maybe increase the input gain of the pedal.

I think its great, if money was no object I would get one. Maybe they will do a cut down version at some point

Well, the reason I didn't get one was that I almost did from bass direct when it was £1350, but when I contacted them they said it was an old price and it was £1450, which was more than I wanted. Then Thomann had a reduced one for £1300 and I missed it, then finally there was a second hand one for £1100 which I would have gone for, but I had just bough a ric. So yes, I would expect them to be over £1000 second hand. Whether it is a good deal depends on your opinion, not anyone elses, it is a bass, ultimately it isn't going to be that much different to other basses, but if you like it and can afford it its a good deal.

I would certainly get one if I didn't have so many at the moment.

9 minutes ago, ColdFusion said:

Hey guys, has anyone ever tried one the NS Dimensions 5 fan fret basses? I've been eyeing up one and just curious to hear others thoughts on them. 

I have several times and almost bought one several times, but never actually did as wrong price / wrong time. I found them good to play and sound good, but only in shops etc, never in a gig

31 minutes ago, dave_bass5 said:

I had to use my Lekato over the weekend while the Xvive was charging. Just at home. I can't believe how susceptible to interference the Lekato is. Just tapping it while it's plugged in to my EBS Micorbass produced a noise. Maybe it's faulty, although has never actual dropped a signal. 

Mine doesn't drop the signal, and it isn't touch sensitive or anything, it is just very noisy, If I connect the receiver to a normal 5M+ guitar lead via an adapter, it is absolutely fine, but that really isn't the point! Its fine for at home though, so now it is my home device. It was actually ok if you didn't use overdrive or something gigging, as the noise was below the guitarists noise, but put any drive on it and it got very bad.

The quickest way to do it is to go to Support at the top and send a support request, saying you want to change your email, what your email is and what you want it to be, and then it can be done.

On 18/08/2025 at 21:03, tauzero said:

Hercules do make a long arm hanger. However, I don't trust it for anything heavier than an Ashbory.

I have two longer than that that have been up for years. And my walls are made of that grey compressed powder they used after the war because presumably they had thrown all the bricks at the enemy.

Used it tonight in anger, and the warble is not so much of an issue in a band setting. But I used it on battery, and it cut out after about 2 hours!

Remember, don't use it on battery! In contrast the ME-90B runs on 4AA batteries for days.

4 hours ago, Elfrasho said:

worst piece of kit: LEKATO In-Ear Monitor System MS-1

I got the MS-1 and still use them, in place of my xvives. they are flimsy but they have worked really well well.

6 hours ago, dave_bass5 said:

Nice one. Im loving mine still. I like the idea of the battery but not sure ill have them long enough to every try swapping them. 

I am too - I now did a practice with the setup where the lekato would have been noisy and needed a workaround, and the XVive was as quiet as a cable, so very happy with it.

Its 48 hours - the button shows the countdown timer before you can press it

Well mine turned up today, and it is certainly the best pitch shift pedal I have used but obviously not perfect. It is really good from just above low E, but my use case is doing Drop D and lowering it down to either drop B or drop C. The D has a slight delay, where it starts a little higher and comes down - its really subtle but you can tell the difference between playing a real B and a D dropped to a B, because of this initial drop. Maybe it is the bass I am using, I will try another one later, that one has a little knackered string.

Actually i have a practice tomorrow with the group that I do the drop B/C songs with, so I will see how it goes then

1 hour ago, tauzero said:

 

It's also not a standard scratchplate and the routing on the OLP bodies is just massive trenches (shame, a clear scratchplate would be nice otherwise) so the previous owner might just have decided to relocate the controls. Although I would associate a diamond layout more with a two-pickup bass.

I think the OLPs are great for experimenting on, cheap and loads of space to work with.

2 minutes ago, tegs07 said:

I think a culture change is also needed. My kids generation are happy to spend eye watering sums of money to see the bigger artists on their mega tours but have really minimal interest in watching unknown artists. 

Well, when I was young we saw the bigger groups at the Portsmouth Guildhall, but they were very cheap and affordable compared to how much we had, so it was actualy the same price as going to the pub, which obviously we did quite often, because that was cheap. There would often be a band in the pub, or one of the smaller venues. None of those things are that cheap any more.

But then, it was the status of those groups, you see iron maiden /  scorpions / Dio etc, they weren't mega legacy groups at hte time, they were just the normal groups