martthebass

I had a Jetglo 4004cii last year and I tried really hard to love it but through my Barefaced set up couldn't get the sort of Rick sound I was looking for (always too bassy, and a bit of a weird phasing sound when both pups were selected to my ears). Ended up swapping it for a 4003 which has the sound I wanted but is nowhere near as nice to play.
Pretty sure with my new (to me) MB rig I'd get the sound I was looking for now.......pity I didn't know that at the time.

Just the one blue bass.....everything else is black in my camp.

The Missouri to Texas railroad.
I'm old.

Think I'll give this one last crack before the silly season. And because this is the season to be cheerful I'll drop this to £50 including postage. How mad am I?

I'm also on the lookout for a Markbass Super Synth so would be happy to include this in a trade deal.

HK Audio Pro12....we have a pair of these passives, much lighter than the Peavey Hysis 1s that they replaced (and much clearer and more capable too). Can't recommend them highly enough, we tried them against the equivalent cost EV offerings and, for us, the comparison easily favoured the German jobs.

Not owned an HH 25th but have played a Standard HH Ray4 in a shoppe. Daft question, but have you played it just on the bridge pup - I found playing on both pups was a bit muddy for my tastes compared to a single H ray4. Couldn't tell you if I was series, parallel or whatever mind.

Bumpage

Add a NY121 to add mega punch, plus some tweeter hiss if you want it (you can go from zero to full on on the cab)

Can't go wrong with the LM3 - lovely little amp. Enjoy.

I use a LM3 with 2xNY121 and it fills any room I've ever played. If I needed more vol it would be a DI job. Loads of punch and I leave the tweeters on zero.

No Twebble?

Bump

[quote name='Marvin' timestamp='1416163205' post='2607501']


Not really. Most estimates put Clayton's 'net worth' at $150m...which is somewhat behind Marcus Miller who is worth approx $215m. I'll take brilliant musician who is also minted over the slightly less minted hack any day.
[/quote]

I'm not fighting principles over a mere $65M.......

Guess this brings out the old what's best the technically superior player who is the commensurate weekend warrior/bedroom player or the multi multi multi millionaire in a global band who hacks at the bass?

Another weekend, still looking for a Boss Chorus if anyone fancies a trade...

I'd also be interested to know how these compare with the Limelight J's. They look very different from my LL 63J - not sure where the extra £1700 is going though if people are paying RRP.

Pre weekend bumpolo

Looks like a later MIJ Jazz to me with a fake JV neck plate....

Bigging up the little Boss box....

To the top!

TU-3 for me.....built like a tank and bright enough to use of stage easily.

Thanks for the replies, I'll take a look at the Yamaha..

We've got a couple of tiny TC Helicon voice solo FX150 that fit on the mic stands......very versatile for both vocal and instrument input.

http://www.gear4music.com/PA-DJ-and-Lighting/TC-Helicon-VoiceSolo-FX150-Vocal-Processor/WRL?origin=product-ads&gclid=CNOejOCAysECFabLtAodhx0AhA

Used to be when I was a youngster but I grew up and learned to appreciate music in a wider context....I can even see merit in Girls Aloud lol. I do struggle with a lot of chart stuff that relies heavily on loops and tech though....if a song doesn't have some level of interest for me in the lyrics I tend to switch station quickly.

Posting this on behalf of a singist friend who's looking to downsize his current heavyweight CS800/CS1200 gear. I recommended the A&H PA12CP; my current band acquired a used one of these mint for less than £400 and it's pretty damn good with the HK tops and HK active sub set up we use. Unfortunately I think we hit lucky and I haven't seen another one available for a while at this sort of price.
I don't know much about mixer amps beyond the A&H and Dynacord so don't know if the Mackies, Alto and the like are as robust or reliable etc. Any help appreciated.