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petebassist

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  1. Result - I went for the Gotoh GB350s, and even the hole for the screw lines up exactly.
  2. The US Gollihur website is a good resource for this type of thing. Then you might be able to source some locally. Exactly the he same thing happened to my Ibanez SRH500F a couple of weeks back so I ordered some GOTOH replacements from Thomann.
  3. I have a Roland arriving next week, and I plan to use it for band demos as well so hopefully the extras will be useful.
  4. Anyone had to replace these - one of the machine heads snapped on mine - I read on TalkBass that someone used Gotoh GB707s on a SR500 or Gotoh GB350 2L/2R B Bass Tuners. Any others that would fit, and be better than the stock die-cast ones? Thanks
  5. I found a couple of used ones on eBay, but I think the new version is https://www.roland.com/us/products/gomixer_pro-x/. A bit more expensive but I'm thinking about new version - as well as the IG stuff, it would be great for creating live performance promo clips for a couple of bands that I'm involved in.
  6. That's quite a story, and a great song. U2 seem to get a lot of stick these days, but in the 80s they were really revered by young people, at least in my experience.
  7. Hi @mattpbass, that looks exactly like what I need, I'm gonna look into it. I'm pretty handy with Garage Band and I have an audio interface, but as you say the stitching is a faff. Many thanks
  8. Anyone got tips about getting a decent sound when playing along to songs? I put my double bass & electric bass clips on my Instagram channel, but I record video on my iPhone with the song playing through a speaker and my bass playing through an amp, so I pick up extra fretboard and string noise (I know this is less than perfect technique causing extra noise). I've got an iMac and GarageBand, but I don't know how to get a clean digital sound through that to mix with the backing song and the video footage. Would I have to use iMovie to put the three things together? Thanks
  9. I guess it depends on your studio costs and what your budget is. If you're good with technology you can do the publishing yourself for free.
  10. I really rate CDBaby to easily & cheaply get music out onto multiple streaming sites, the website's great. I use this for promotion, not for an income stream - I'm not a commercial artist. Not tried Distrokid but I imagine these services are all pretty similar, and the more you pay the less you have to do yourself. Do you put a lot of music out?
  11. Didn't see it all first time - started watching it in a pub in Ambleside in Cumbria, then hitched back to Co Durham and caught the end at home. Those were the days... Watched bits of the replay at the weekend. Musically, I enjoyed Simple Minds, Sting, and Dire Straits with Sting on BVs - brilliant. Queen obviously. Funny to see the mic-lead minders who had to crouch at the front of the stage to stop people tripping - at one stage a bloke ran on stage and had to loop one right over Adam Clayton's head, though I don't suppose anyone now wd've minded if Bono tripped - what a palaver over giving someone in the crowd a kiss. I might give that a try at my gigs this weekend 😉
  12. I don't think you could go wrong with this bass, as long as you don't plan to jump up and down on it mid-song like Lee Rocker. These are fully carved I think, so if you want to use it for jazz & other non-slap styles as well as rockabilly, you'd have the tone you need with the right mic or pickup. I used to have a Stentor 1950, ply back n sides, which was small bodied and light, perfect for tight gigs.
  13. That's useful to know - when I tried one it was on a tripod and yes when I used arm weight to stop the strings the bass did spring back a little bit. I've seen on the US talkbass site that some users play seated with the tripod set low so they can rest the top of the neck on their shoulder to stop the neck springing back, but I wouldn't like to sit all night. I don't think the end pin stand helps either.
  14. I think you're right mate about not being intended to be replacements, but I'd probably only play one as a rehearsal replacement for my acoustic upright, or if I wanted a double bass sound but couldn't or wouldn't take a big bass to a gig. I hear that a lot of country/roots/bluegrass players in the US even get away with using NS Designs when they tour.
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