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Basvarken

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Posts posted by Basvarken

  1. Here's another one. Also named Gibson Les Paul Bass. The body shape is slightly different. It's a prototype.
    4291510_orig.jpg


    And another one. Epi Jack Casady signature (which is actually a Les Paul Signature Bass reissue.
    I mounted a Gibson Les Paul Bass pickup, because I wasn't impressed with the Electar.

    2938651_orig.jpg

    • Like 3
  2. They sound rather different.
    The Gibson Les Paul Bass has the unsurpassed low impedance stacked humbuckers. Dead quiet, very even across the tonal spectrum. From crystal clear highs to super tight and deep lows. They work very well together creating a sort of a subtle and natural compression.

    The Entwistle pickups are good but quite different. They sound more generic and less well defined in the higher frequencies. They do sound deep but just with less definition. When ran together the pickups do not create the subtle compression of the Gibson lo-z humbuckers.
    But all in all it's a well built bass. Haven't played it much yet though...

     

    • Like 1
  3. I love Les Paul Bass guitars.
    My all time favorite is my 1969 Gibson Les Paul Bass. Short scale with Lo-z pickups.
    I love it so much that I built another one myself, but I used Lo-z Gibson Les Paul
    guitar pickups and controls.
    The real Gibson is the lower bass in the pic. The upper bass is the one built.


    3369686_orig.jpg

     

     

    The first Brooks that I built is also inspired on my favorite bass. same shape and scale length. But with different pickups and a maple top.
     

    brooks-1-with-new-pickups1500_orig.jpg
     


    The Gibson Triumph (aka Les Paul Bass) is long gone. I had to sell it when I was in between jobs seven years ago.

    885809_orig.jpg



    The Allen Woody Signature aka Rumblekat was a lovely bass. But didn't feel as substantial as the Gibson Les Paul Bass (to me). Sold it.

    5369936_orig.jpg


    The Magic is an old Dutch bass (1963), built in the town near to where I was born. Bought it for sentimental reasons. But it was practically unplayable. Sold it.

    2828695_orig.jpg



    This Japanese CBS bass was built for the Australian market in the 1970's.
    Found it on Ebay. As rare as hen's teeth. Kept it for about ten years. 
    Sold it three years ago, because I didn't really use it much and i wanted to make room for new bass builds.

    img-3963_orig.jpg

     

    Gibson GFB bass. Long scale monster!
    Also pretty rare.
    Sold it to make room for new bass builds

    img-3946_orig.jpg
     


    Revelation RLB.
    Clever clone of the Gibson Les Paul Bass. But with different wiring. Great quality for not too much money.
    Couldn't resist buying it when it popped up at a second hand website. 

    revelation-les-paul-bass1500_orig.jpg






     

    • Like 5
  4. I made a new video. I wasn't very happy with the recording quality of the first one. It has too much distortion in the low end.
    I didn't have any proper recording equipment to go into the iMac.
    Now at least the the sound quality has improved a bit. 😂

     

     

  5. 7 hours ago, Unknown_User said:

    Beautiful bass and great thread with all the pictures!  Appreciate the effort that's gone into the thread.

    Could I ask a couple of questions?  Firstly what clear coat did you use and how did you apply it?  Secondly did you do any grain filling on the top?

    Thank you.
    I use acrylic lacquer from spray cans that I buy at Action, which is a super cheap supermarket. Per can only € 2.
    But I use a lot of them per instrument. I build up a few layers, then I sand it, spray again, sand it, ad nauseum.
    The final step is sanding it with finer paper 500 > 1000 > 1500 grit.
    Then polish it with polishing compound and a foam pad on my Makita accu-drill.
    Last step is a very soft cloth with some carnauba wax.

    With figured maple you don't need to do any grain filling. The grain is so tight, the paint won't keep sinkin' in, like it does with mahogany.

     

    • Thanks 1
  6. 54 minutes ago, Jus Lukin said:

    Excellent stuff, Basvarken. As a Gibson fan, I've love all the basses you make, and one's you've dealt in the past- do you ever do them in short scale these days?

    Thank you. Haven't built a short scale in years. 
    But it wouldn't be a problem of course. I personally love short scale bass guitars.
    If anyone would ask me to build a short scale bass for him/her, I'd surely love to.

    The first three bass guitars that I built were all short scale:

    Brooks -1 
    The first one I ever built. 
    2009
    brooks-1-with-new-pickups1500_orig.jpg

     

     

    Acoustic Fretless

    My goal was to build an acoustic bass that would be loud enough to compete with an acoustic guitar without amplifying.
    So I gave it a very big body (wide and deep). I used a bass bar and a staple, just like a Cello.

    The experiment failed. The bass is not loud enough.


    2966565_orig.jpg

     

    Les Paul Bass
    This is not a real Gibson bass.
    I built it myself after my personal favorite: the 1969 Les Paul Bass
    I tried to stay as close to the real thing as possible. 
    Except it uses guitar pickups and controls
    958130_orig.jpg

    • Like 4
  7. Taped off the body to do some pore filling on the mahogany
    pores-filled-2_orig.jpg
    pores-filled_3.jpg
    headstock-pores-filled_orig.jpg
     
    Next I stained the top a light brown colour to make the flame pop
    contrast-color_orig.jpg
     
    Sanded it back to get a bit of contrast
    sanded-back_2_orig.jpg
     
    After much deliberation I chose blue (other options were bright red and naturel)
    blue-front_orig.jpg
     
    Stained the back the same colour.
    backside-blue_orig.jpg
    backside-blue2_orig.jpg
     
     
    But oddly enough the colour simply disappeared after several layers of clear coat...
    Looks almost black now.
     
    almost-ready8_orig.jpg
     
    Top after a few coats of clear lacquer
    after-frist-few-coats-of-clear_orig.jpg
    • Like 9
  8. Routed the neck pocket
    routed-neck-pocket-to-the-desired-depth_
    body-with-neck-pocket_orig.jpg
     
    Used the smoked oak veneer too for the headstock (completely invisible in the end result...:()
    headstock-beginning-to-take-shape_orig.j
     
    Test fitting the neck pocket
    fitting-the-neck-2_orig.jpg
     
    And checking the neck angle
    working-on-the-neck-angle-2_orig.jpg
     
    Cut the slot for the nut
    cut-the-slot-for-the-top-nut_orig.jpg
     
    Once the angle was correct, I glued the neck onto the body
    neck-glued-in_orig.jpg
    • Like 2
  9. Used a coarse rasp and a file to shape the contouring
    contouring-the-body_orig.jpg
    contouring-the-body2_orig.jpg
     
    Routed the pickup cavity
    routed-the-pickup-cavity_orig.jpg
    pickup-cavity-2_orig.jpg
     
    Chiseled the corners to make it a clean fit fort the Lace Alumitone
    chiseled-the-corners_orig.jpg
    pickup-fits_1_orig.jpg
     
    Drilled some more holes
    drilled-the-output-hole_orig.jpg
     
    Routed the back for the control cover
    routed-for-control-cavity-cover-2_orig.j
    • Like 1
  10. Glued the fret board onto the rough shape of the neck
    glueing-the-fretboard-on_orig.jpg
     
    Beginning to look like a proper neck
    fretboard-in-position_orig.jpg
     
    Working on the control cavity
    pre-driled-for-control-cavity_orig.jpg
     
    And routed the channel for the pickup wires
    routed-channel-for-pickup-wire_orig.jpg
     
    Next I glued a thin veneer of smoked oak as a contrasting layer in between the mahogany and the maple
    glued-a-thin-veneer-of-smoked-oak_orig.j
     
    Made a template out of MDF for the body shape
    template-for-the-body_orig.jpg
     
    Glued the bookmatched set of flamed maple onto the body
    lots-of-clamps_orig.jpg
     
    Routed the shape of the body
    routed-the-body-shape_orig.jpg
    thin-layer-of-smoked-oak-veneer_orig.jpg
    • Like 1
  11. Found a huge blank of beautifully figured mahogany. Can take at least four bass bodies out if this one.
    huge-blank-for-body_orig.jpg
     
    And found a nice bookmatched set of flamed maple for the top. Plus a pre slotted ebony fretboard
    ebony-fretboard_orig.jpg
     
    Drilled holes for the position markers and glued them in
    glueing-in-position-markers_orig.jpg
     
    Cut a short piece off an aluminium tube for the 12th fret position marker
    gleuing-in-position-markers2_orig.jpg
     
    Sanded it all flush to the right radius
    sanding-the-radius-of-the-fretboard_orig
    position-markers-look-good_orig.jpg
     
    Sawed the fret slots to the right width and depth
    sawing-the-fret-slots-to-the-correct-wid
     
    Filed a tiny angle to the slots to make the frets fit in nicely
    filing-a-tiny-angle_orig.jpg
     
    Cut the frets and hammered them in
    cutting-the-frets_orig.jpg
    frets-ready-to-be-hammered-in_orig.jpg
    fretboard-ready_orig.jpg
    • Like 2
  12. I'll post some pics of the build process.
     
    Starting with a pic of the quarter sawn neck blank that I cut into four pieces on the saw table of a friend of mine.
    mahonie-balk-kwartiers_orig.jpg
     
    Next is three pieces of that neck blank with two strips of American walnut veneer in between that are going to make a five ply
    alle-vijf-delen_orig.jpg
     
    Glueing them together. Lots of clamps
    hals-in-de-lijmklemmen_orig.jpg
     
    Used an old fashioned saw to cut the headstock angle
    cutting-headstock-angle_orig.jpg
     
    Routed the truss rod channel
    trussrod-channel_orig.jpg
     
    And chiseled the shape of the spokewheel
    chiseled-shape-of-the-spokewheel_orig.jp
    • Like 2
  13. I've completed the build of a new bass.
    Unlike other Brooks basses that I've built this does not feature a mix of a classic Gibson bass with another non-Gibson classic.
    The Brooks EB-N is an original design that I came up with in an attempt to give it a bit of a classic vibe without referring to well known designs.
     
     
    BROOKS EB-N
    - One piece mahogany body
    - Smoked oak constrasting veneer in between layer
    - Bookmatched flamed maple top
    - Five ply quartersawn mahogany/American walnut neck
    - Ebony fretboard
    - Mother of Pearl position marker dots. 12th circle inlay
    - Jumbo frets
    - 34" scale
    - Zero fret and buffalo horn nut
    - Babicz FCH4 bridge
    - Spokewheel double action trussrod
    - Lace Alumitone Bass Bar
    - Gotoh GB 707 bass tuners
    - Push-pull volume pot for humbucking or single coil
    - CTS tone pot
     
     
    brooks-eb-n-on-black-paper-1500_orig.jpg
    brooks-eb-n-body-angle-on-black-1500_ori
    brooks-eb-n-babicz-1500_orig.jpg
    brooks-eb-n-truss-rod-cover-1500_orig.jp
    brooks-eb-n-upper-horn-1500_orig.jpg
    brooks-eb-n-jack-output-1500_orig.jpg
    brooks-eb-n-body-in-black-paper-1500_ori
    brooks-eb-n-neck-joint-back-1500_orig.jp
    brooks-eb-n-head-on-black-1500_1_orig.jp
    brooks-eb-n-inlays-1500_orig.jpg
    brooks-eb-n-back-on-black-cloth-1500_ori
    brooks-eb-n-back-neck-1500_orig.jpg
    brooks-eb-n-body-on-white-1500_orig.jpg
    brooks-eb-n-on-white-1500_orig.jpg
    • Like 10
  14. This 1997 Leland Sklar Signature Bass was designed by Mike McGuire and the Gibson Custom Division.
    Sklar only played this bass for a fleeting moment in his career (if at all). Not too sure that Lee Sklar ever took it too serious either, as in interviews he quickly forgot about mentioning it. Which is a bit unusual for a dedicated signature model...

    1997-Lee-Sklar-Signature.jpg

    • Like 2
  15. Here's a close up of a 1982 Gibson G3 in Candy Apple Red finish and bolt on maple neck with ebony fretboard. A rare combination!

    G3-1500-e1516806937802.jpg

     

    I'll post some more cool ones soon

    • Like 2
  16. This eight string LPB-3 Standard was built by the Gibson Custom Shop for T.M. Stevens. Note the plastic saddles on the Warwick bridge and the string through body holes for the octave strings. The bass is signed by T.M. Stevens and it says "I sweat on this bass".

    LP-Standard-8-string1000-e1516807553393.

    • Like 3
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