Cairobill

6 minutes ago, Al Krow said:

Those Yamaha boys and girls sure know how to make a mighty fine bass! 

Yeah - this TRB6P is INCREDIBLY well made. Unusual colour as well - it's what I would call a 'Tequila Sunrise' burst. Not the usual orange or cherry/redburst.

My TRB-6P arrived safe and sound. I say, I say. Well, well, well... this bass is gawjus.
 

1 hour ago, DiMarco said:

Loving my jp1 as well @Cairobill. Think I know which bass you bought. It was up on this forum, right?

Nope, a different one but the same model. The JP1 is terrific and I miss my old one. I’m curious as to how the neck-through 6P compares. 

Price drop Bump - and also poss part ex for a TH or an AG?

Ha - funny to see this. I've had a few six strings in my life; an ACG, the spalted Zon that's on the board at the moment and a very, very nice Yam TRB-JP1.

Anyway, after foolishly selling the Yamaha a few years ago and being six string free for a while, I'm jumping back in. I currently have a 30yr-old TRB-6P heading my way this morning on a UPS truck. Hope it gets here in one piece!

I've been on four strings for a while now but I just love the Yamaha Sixers. Ebony, aircraft-carrier fingerboards make my day

It’s all about context for me but I am certainly not averse to extreme Muso-Dom...I’m pretty easygoing. 
 

But I think it’s pretty obvious that extreme chops are not what musicianship is about in the real world e.g Guy Pratt gets bigger gigs than Henrik Linder for a very clear set of reasons. 😁

I'm pretty much with you on being slap-averse except when the slapping is like this...in which case I think it's the best...

Bump! Fs or trade for your TH500 or AG700 with cash your way

My old bass

Ramp from Martin at the bass gallery

Bump for this LMii

Also, happy to part ex for an Aguilar TH500 or AG700 

Indeed, Bryants are lovely - was just down in Hastings this afternoon and recalled my visit to Paul's old house to pick up my Solo bass. I miss it!

On this tip, the legendary Brown Mark (of the Revolution...one of my favourite bassists) is now doing YouTube tutorials on the 'Prince Style'. Being a lot younger than Prince, he was very much a protege and Prince used to teach him the lines to the songs. So these YouTube lessons are a bit like having a bass lesson with Prince. Gold Dust for those of us who loved the sound of the Revolution
 

These are amazing basses - I have an identical bass from '89 and it's Ray perfection. The necks are the best - just right IMHO

GLWTS!

Seeing this really, really has me missing my JP1.

These early Yamaha six-strings are the best... GLWTS!

On 29/03/2021 at 14:39, Kazan said:

I've owned way too many genuine vintage Fenders and think the Bravewoods get much closer to the 'vibe' of the real ones than the Nashs and the aging looks far more authentic. Also Bravewood scratch builds his necks and bodies where, so far as I'm aware, Nash has been off the shelf parts - like Allparts, etc - and then finishes and assembles.

Yup - I've had a couple of Nash instruments (a JB and a tele) and Bravewoods (again, JB and a tele). I don't want to be mean about Nash guitars, but Bravewoods are in a different league. 

Yep - as a kid in the mid 80s I would 'work the racks' at the Wapping Bass Centre and play the latest offerings from Pangbourne, Wal, Wilkes, Jaydee etc one after the other

I used to enjoy the Wilkes 'slap plate' fretless. Feelwise, the Wal wouldn't have screamed 'I'm worth 20X what the Wilkes is' back in the day...which is quite amusing. 

I'm Mac based and have been using logic since the EMagic days (it's great but obvs not for PC) but have migrated to Ableton Live over the last 5 yrs. It's amazing but does demand a bit of a reset in how one approaches composition to get the most out of it. It also leans heavily towards electronic music but I've been using it very happily indeed for more guitar/bass/drums stuff as well. 

Ableton has been absorbing the best things about Logic (take lanes for example) while Logic seemed a bit weird the last time I used it so I can't see myself going back.

So, thumbs up from me for Ableton Live if a) you have the time and b) interest in an absorbing learning curve.

Not sure if anyone has shared this yet.

Brownmark (legendary Revolution bassist) gets into the Minneapolis style on a great vid here. Start of a series I think. Loads of good stuff here.

In my humble opinion, if you’re going to hit a bass with your thumb, you could do worse than do it this way. And you might end up drenching your bandmates in purple chicken grease...

13 hours ago, Phil Mann said:

 

Cariobill? That names rings a bell...did you buy a 75Ri Jazz bass off me a long time ago...?

Yes indeed. Lovely bass, but lost to what I have come to describe as the ‘jazz bass churn’. 

On 04/02/2021 at 11:37, SumOne said:

Thanks for the SBL Functional Theory and Sight reading lessons, I keep going back to them when I feel I should be focussing my practice and knowledge rather aimlessly playing riffs and noodling!

Seconded - those drills revolving arp inversions of all the main chord structures along the cycle of 5ths are possibly the best bass exercises I've picked up.
 

They're lovely basses. I had a classic, but I really wanted the update J like this one. Sold it on but if the stars align I'll jump back in on an update if I can find one. 

Cheers all - does seem it works better the more expensive an instrument is...

Wonder if anyone knows the VAT/Duty percentage cost on an import from Ishibashi right now?

Looking at a bass going for 350 quid. Shipping comes to a hefty 160 (estimated on the page)

So if it's 510 for the purchase, what will be whacked on?

Cheers, Nick

Lovely!

Bumpatron