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foal30

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Posts posted by foal30

  1. if the last giveaway record was Planet earth that was a shocker for the most part.
    the 'recent' Prince album to get is the Rainbow Children
    seriously f***ing good
    I also like the Live DVD from Las Vegas

  2. it's got Bartolini pick up and pre-amp
    especially made apparently

    the fingerboard is wenge(?)
    the body is maple with poplar (?)

    it's lightweight, and very bright
    hence flats and raised action
    very well made, pretty much flawless. if it was headless I'd be potentially sorted for life.

  3. I got a Grendel 5 and it's the bargain of the year
    strung with flats it's become an all purpose #1 gigging anytime groove machine
    if the USA ones are that much better than the Czech
    I'd be more than keen for whirl.

  4. Moondance is great. Bilbo will be along presently to give plenty of advice on this one.

    So What. sometimes people forget 16/8/8. it sounds easy but try and stay on this. half the band a semi-tone away is not always happening, even in Jazz

  5. [quote name='benebass' post='870201' date='Jun 18 2010, 07:28 AM']I'm thinking of trying a 35" five string with flats - apart from the Picatos mentioned in the thread does anyone know any decent ones for a 35" please?

    Cheers,

    B.[/quote]



    I put Sadowsky XL flats on my MTD 2 weeks back
    quite good
    they are made by LaBella

    the B string however was too long for the position of the tuning peg. It's like you need 4x35" scale strings and a 34" scale for the B.

  6. try a Steinberger and see if you like it
    seriously, a challenge anyone to play a proper L2 and not think it's cool

    same with a well set up, flatwound Precision
    they sound good, real.

    if I could only gig with one bass ever again it would be the L2
    get out of jail bass in an number of ways.
    the fact it plays in tune across the board has to be a good thing eh?

  7. often I have to play it to transcribe it
    because my ears are catching up
    so it's not a reading tool per se

    sometimes it's because I like the vibe or pace of the solo
    and I want to figure out 'the flow' which may be more memorable to me than the notes

    generally I am not sure what I do with transcriptions
    it's just something you do
    because deep down it's good for you
    I don't need to know why, it just is.

    also one day I want to be really good at it. I admire very much people with great ears who have proper theory skills.

  8. Bones is a Kiwi Bass playing legend
    he's done a number of both interesting and commercially successful ventures

    I am wearing a Midnight Oil tee-shirt as I type this
    there is a cool gig poster of theirs...
    live in Paris Ballroom etc
    with special support act
    the Red Hot Chilli Peppers

    so yes times change
    their Diesel and Dust album went good in the States
    plus the ex-pats in London just lap up anything antipodean

  9. Dave Gibbons art?
    Martha Washington remains a comic history highlight

    slightly more on topic
    I think the build on the Long horn is better than my'71
    the neck join for one is a million tines better
    in fact the construction of the Banana is very good. High quality.
    without starting a flame war this is not always the case with mass produced instruments I have played/seen.

  10. [url="http://www.talkbass.com/forum/showthread.php?t=612785&highlight=boner"]http://www.talkbass.com/forum/showthread.p...highlight=boner[/url]

    now that should link to a hopefully useful thread
    and true is last post about tone control indent
    not that I ever use it and to check my one had it
    IrvNZ had a boner P with the fine tuner bridge

  11. my boner is fretless
    the extended upper horn greatly improves balance
    this the only Fender I've owned or played without neck dive
    it is relatively heavy bass

    electronics are normal
    but there is the P Plus version
    which also had a dicky bridge (fine tuner)

    they can get some good coin stateside particularly around desirability of color
    the part I don't like on mine is the tuners they are a bit 'slippy' if that is a describing word

    there is one of those Big Ass threads about them on TalkBass

  12. Miles Davis
    John Coltrane
    Charlie Parker
    Dizzy Gillespie
    Thelonius Monk
    Louis Armstrong
    Herbie Hancock


    James Brown
    Stevie Wonder
    Prince


    Pete Townsend
    Kate Bush
    Mark E Smith

    sometimes it's genius to make more of the sum of the parts on hand.
    all of these people could do that as well as having an original voice.
    genius is also making simple things beautiful, the complex both vast and close and making the listener both appreciate the moment and then be inside it. If that music makes me live it now or if I can remember exactly my brain space when I first heard In a Silent Way that is truly genius.

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