wombatboter

Great cd, actually had this cd (my first one) before I owned a cd-player !

Whàt a relief, I'm looking at the pictures every day :-)

This is soooo tempting :-) I had underestimated the pound versus the euro though :-)
Looks like a great instrument and that neck is so inviting...

Where are the dots situated along the neck ?

Once they told me to listen to that "essential" Voodoo -album with Pino Palladino..listened to it three times and then I gave up, totally not my thing, tastes differ how much I love Pino.
If it's more like that, I'd rather pass

Great to hear ...never liked Joe English, the drummer at that time who played on the Wings over America-tour.
His style of playing just didn't blend with Paul's bass lines or the music as a whole...always thought Chris Whitten (if I spell it correctly) was the "best" drummer Wings ever had (I regret to say but even Laboriel doesn't convince me either)

We had jam-sessions with some of the best hornplayers in Belgium and they all ended in this sort of "On the one" P-funk which went on for ages.
I sometimes got the feeling all I was allowed to play was every cliché in the house or D on the one with an octaver beneath it...
I know it's supposed to be dance music but I'm just looking for something else, perhaps a song ...I just feel uncomfortable when it comes out too "easily" when you perform. I miss a certain kind of depth in P-funk, perhaps it's too much "fun" for me. Listening to something like "Fantasy" by EWF gave me a lot more an urge to dance...

Watched the documentary and really liked the start of funk with people like James Brown but after a while I had the impression every song sounded the same and that it was more about groove than songwriting...The more I saw the more I started to associate it with a certain laziness, take a catchy beat, shout "funky" a couple of times while staying on the same rootnote for hours, I found it boring. I did a couple of P funk gigs and strangely enough I didn't feel free at all as a bass player. Holding down the groove turned out to be playing "the one" for hours and hours until every freedom was gone. As soon as you wanted to develop something you weren't "funky" anymore and "didn't get "it"'.
I thought it was a blessing when disco showed up : harmonically far more intresting and better compositions. That it developped again in hiphop was unfortunate for me : again that priority to a groove instead of a song.
I've always been a fan of songs and compositions, that's why I was never fond of that Parliament, Funkadelic stuff. I prefer Chic, EWF, Stevie Wonder.
If I have to choose between "The things we do for love" by 10CC or "Funk my brain and dance" (I just made that up but it's probably in E and goes on for fifteen minutes) I know what I like

Living for the city-Stevie Wonder

Bought a Sterling bass..thanks for everything !

Years ago Pino Palladino played four nights in a row at clubs around here in Belgium and I went to see him play every night
The last night after the gig he sat next to me and said "you must be a bassplayer..." Talked to him for half an hour, great guy

I thought you really liked it when I sold it to you a couple of weeks ago :-)

[quote name='DaytonaRik' timestamp='1413908741' post='2583481']
I'm guessing this has sold?
[/quote]

Yes, to me.....

Again 'm not expecting an Edwards clone but I missed the spirit and his groove regardless if it's Barnes or not....saw some gigs and his timing was sloppy and too much treble in his sound....didn't sound as smooth to my ears. Put someone like Paul Turner in that chair for instance, also not Edwards but more in the spirit.

Sorry but never liked Barnes..I'm not expecting an Edwards clone but all the class those bass lines used to have is now hard to find.
Stereotype fills with a way too aggressive bass sound, his timing too sloppy every now and then, very cliché slapstyle and he asks for too much attention.
Edwards remains in a totally different league...

The body language of Tony Banks was very clear :-)

Great playing but as time goes by I have learned to appreciate that one note in the "perfect" place a bit more..."why didn't I come up with that ??" (like Pino can for instance)

Got this one in exchange for a Ken Smith and really pleased with it...yew and from 88 if I'm correct.

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Thx for the info !

So far no one said anything about Giblin : fretless or not ? Which gear, just a bit curious.....

True, but it wouldn't hurt if you could find some kind of compromise.... but all due respect to her for being a true artist with her own choices.

Perhaps she got tired of playing the old songs live....

Here it's not only Satisfaction, it's also Jumpin Jack Flash, Sympathy for the Devil, Brown Sugar, etc.... just a bunch of songs which I find rather obscure but as you say : she has a right to play them but I can understand people who are disappointed, there is nothing wrong with a popular song

I've tried listening to Aerial etc but I found it very boring and nowhere near the quality of the "hitsingles"....I can understand those fans who are disappointed when they didn't hear those songs....
Would have loved to have seen the show but when I see that setlist, euhm..no, thank you

Mixed review here by a journalist in Belgium...according to him amazing show but with information the public couldn't really grasp in the end, the standing ovations after every song got shorter and shorter and the sonic paintings which she created didn't grab everyone's attention...Though being a huge fan he left the hall a bit frustrated.
Setlist shows not a lot of hits...Choice of the artist
set : Lily Hounds of Love Joanni Top of the City Running Up That Hill King of the Mountain And Dream of Sheep Under Ice Waking the Witch Watching You Without Me Jig of Life Hello Earth The Morning Fog Prelude Prologue An Architect The Painter Sunset Aerial Tal Somewhere in Between Nocturn Aerial Among Angels Cloudbusting




http://www.youtube.com/watch?v=B5MORze6czo