attackbass

Haha! I think I'm going to be pretty strict, and have the bored as a limitation and the hx one there to do any of the delays or pitch shifters I used once in a blue moon. I'm wondering how well the drives are on that too. One weakness I have is I now have artist pricing on Dunlop and MXR so I might get tempted! I had the most success when I had a board of EBS pedals a long time ago, people would comment on the sound to me. Comp, Octabass, Valvedrive and Wah! I'm fact I think you interviewed me about it!

I have sold the QC to a friend for a bit less than I could've if I had wanted to list it in various places. I lent it to him and he loved it so it was an easy sale. I'm not going for an Anagram though. I've decided to go mostly Analog and down the MXR and Dunlop route, and considering eventually maybe a HX One Stomp for those one off pedals I like having more for fun or for an extra bit of drive. This way I'll have a fair bit if cash left over from the QC sale.

It's not necessarily to do with the anagram, I've been feeling this was about the QC for a while but decided to stick it out for a while with the QC. It's great but underused features why. Its almost like I just want less stuff haha The QC is amazing but probably overly complicated for my needs and with some effects I struggle to get the sounds I want or find how some of them interact with my basses I just can't get the sounds I expect from them. Most notably from the filters. It would be to free up some cash and either at some point go with an anagram or actually just buy a few nice pedals and a tuner.. the Anagram would probably make sense due to the range of drives and also the extra effects that I would use sporadically. I've got a whammy, a phaser and an aftershock already sitting in boxes that all do the job. Would maybe opt for a Dunlop Chancellor Wah, MXR vintage bass octave, possibly a comp to add to that but then I love the clean set up of the QC and dislike my OCD with builinf pedalboards. Let's face it I can do pretty much all my gigs with my bass, tuner and sansamp.

Very much considering selling my QC, if I can get the right price. I use a patch with a compressor, drive, delay and a phaser for most live stuff I do and then a patch that I use fro practice. It does seem crazy to me that I'm using so little of its potential. It does sound amazing though but I watched the IMA video and some of the things he mentioned were things I felt about the QC.

Got the standard 45-125 Super Brights on my LT5 now! I love these strings, very much more flexible and respond better to how you're playing to what I was using. They've completely opened up the sound on my Spector. The bass now sings, where it sounded a bit stiff and dead. The B string is so clear and articulate now. Easier on the hands too, which I suppose is from not having to pull the sound out of the bass so much!

Very tempting this Anagram. I use very little of the QC processing and use it mainly for effects but live in the hope that parallax gets ported into it soon The Anagram is perfect for my needs but I have a QC and don't think I cam be bothered with the effort of selling the QC to a guitarist!

I should mention that for a while I have had an issue with my playing my LT5 recently. Both standing up at gigs and sitting down practicing. It was like I was constantly fighting against the bass and could not get comfortable with it... honestly it was exhausting. I think this was probably due to my body and generally being exhausted from being a dad to a toddler and a bass player that has spent twenty plus years in vans and tour busses (it seems since I turned 40 it's all been catching up with me physically) Anyway... I switched the strap around from a Mono padded one with dunlop straplocks to a wide leather Levy one with just rubber strap stoppers. Couldn't believe the difference, don't know if itsbetter weight distribution or if the strap not being on straplocks has slightly shifted they way the bass hands on my body. Played a wedding gig on Saturday. Felt absolutely fine all gig. Only downside was I picked up a bloody virus at it!

Yeah I know that issue of the string being too close to the pickup. It's not that unfortunately but westside distribution are being very accommodating and swapping the sets for me, so all on course to be sorted.

I'm not sure about where Hartke is stocked but they are distributed by Hal Leonard here and it seems they have their own online store which I think might be called musicroom, could be wrong or it could maybe have been part of Samson Tech. I am a Hartke artist and I think my rig came from somewhere within the UK, when I needed a replacement amp they shipped it to me within 24 hours (turned out it was just the valve going)! Great amps and cabs. Really reliable (even with the dodgy tube it still sounded fine). The clarity is incredible, great for live gigs and I never feel the need to engage the tweeter to get the definition.

Yep. Think the string taper is too long on the string. Same across more stingray and alpher but not as obvious on the stingray! Something to so with the taper being too close to the the pickup, so it picks up overtones or something along those lines.. Hopefully I'll get to swap the sets.im If not they'll be used on my warwicks and 4 string basses!