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lowregisterhead

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Posts posted by lowregisterhead

  1. [quote name='greyparrot' post='741237' date='Feb 10 2010, 05:40 PM']OK.
    Where did you get it then? and how much for? how many have been made? I had a stunning spector redwood that was 4k only 24 ever made. Was a nightmare to sell.[/quote]

    Do I detect a hint of sarcasm? Ok then... (1) America (2) More than my missus was happy with (3) About 50.

    As fabulous a bass as a Spector is, I'm not sure it's quite as iconic as the Steinberger, but probably more generally acceptable. I've called all the Steinbergers I've owned (and I've had 5 of them over the years) my Marmite basses... you either love 'em, or you hate 'em.

    And some people REALLY hate 'em! A mate who is a real vintage nut came over to have a look at one of my first Steinbergers because he'd never seen one in the flesh. I asked him what he thought. "Shouldn't be allowed" he said, slightly tongue in cheek, but added that if he turned up to do a gig with a Steinberger for any of the bands he worked with, he'd be told in no uncertain terms to f*ck off and come back with a real bass. That must be the liberal, open-minded, creative demeanour that we've all come to know and love in the music industry at work, then.

  2. [quote name='bassaussie' post='740699' date='Feb 10 2010, 10:16 AM']I've got an L2 as well, and feel much the same. It's a classic.

    LRH - you seem confused about why there's no response, but it's been pointed out to you. Steinbergers are collectible, but like any collectible, there's a threshold to their value. I realise you feel very strongly about how nice your bass is, but just because you feel that way doesn't mean everyone else does, and regardless of some of the prices we see attached to vintage instruments these days, anyone buying a piece like this wants to believe they're paying around the market value.

    I'm really curious as to how you arrived at your valuation. I believe you originally wanted £6000, you've now lowered that by 25% to £4500. Were you advised to price the bass this way, or did you come to these values yourself?

    I don't mean this as a criticism, it's just that you obviously want to sell the bass, yet you're confused by something that I think appears fairly obvious to everyone else.[/quote]

    Thanks for your thoughts, but I'm not at all confused about there being no offers, as it's a very niche instrument, and will appeal only to a small percentage of players. I did receive a fairly respectable offer the last time I posted, but I decided to turn it down. What I had expected was a bit more reaction, comment and conversation about the nature of the beast itself, where it came from, even what it cost me. It's an unusual thing, after all.

    The first figure I put it up for was, you could say, speculative. Being as rare as it is, I had thought that perhaps the very fact one of these had turned up for sale would spark some serious interest, even if it was only within a small group of enthusiasts, who I know exist. The price was based on what I feel it's worth to me, although that's not to say I wouldn't consider a lower offer, but unless it was a figure I was completely happy with, I will simply keep the bass, and perhaps offer it for sale in a year or two when the economic situation improves. Thanks for your interest - y'see... this is what I meant! :-)

  3. Sorry - all the talk about how great these basses are has made me reconsider, and I've decided to withdraw it. Thanks for all the positive comments!
    ------------------------------------------------------------
    WITHDRAWN

    Offered for sale is one of the original carbon graphite composite Steinbergers - an exceptionally rare XL-5W ('wide 5') bass. As many of you will know, you just don't see these for sale, as they only made about 50 of them. There are some 5-string versions of the X-2 and XL-2 out there, which were basically standard width 4-string necks with head and bridge conversions to somehow cram the 5th string on, resulting in a very narrow string spacing, but the XL-5W was built as a 5-string, and therefore has a very comfortable 17mm spacing.

    The previous owner rescued it from a shop in the States, and had work done at the Peekamoose workshops in New York to make it beautifully playable. Cosmetically, it's in good condition, but not immaculate, and as such could be said to be primarily a player's instrument, although still extremely collectable.

    Included in the sale is another completely unused bridge and tuner block, the original pickups and circuitry (a more recent EMG preamp and pickups are currently fitted), brass and aluminium string adapters for non-double ball end strings, a Packhorse flight case, a Ritter gig bag, and several sets of assorted double ball end strings. It's fitted with the NS Boomerang strap system, and the original pivoting strap plate is also included.

    Price: £4,500. May p/x for a Wal 5 string.

  4. [quote name='dood' post='732773' date='Feb 2 2010, 12:09 PM']Yes very true - I happened to see the advert over on TalkBass as well, who also have similar T&Cs with reference to auction-esque adverts.[/quote]


    Yes, I posted there too, and was told in no uncertain terms that I had to post a fixed price or the thread would be deleted. That was after being relieved of 20 bucks for 'Supporting Membership' before I could post in that section in the first place. This was closely followed by tasteless comments from others regarding how 'it must be a British thing' and how the only thing rarer than my bass was someone who would pay the price I was asking, and so on.

    Thank you for your patience. It's nice to see that UK forums are so much more polite! :-)

  5. Hi all

    Offered for sale is my carbon graphite composite Steinberger XL-5W ('wide 5') bass. As many of you will know, these are incredibly rare, as they only made about 50 of them. There are some 5-string versions of the X-2 and XL-2 out there, which were basically standard width 4-string necks with head and bridge conversions to somehow cram the 5th string on, resulting in a very narrow string spacing, but the XL-5W was built as a 5-string, and therefore has a very comfortable 17mm spacing.

    The previous owner rescued it from a shop in the States, and had work done at Peekamoose in New York to make it beautifully playable. Cosmetically, it's in good condition, but not immaculate, and as such could be said to be primarily a player's instrument, although still extremely collectable.

    Included in the sale is a second unused bridge, the original pickups and circuitry (a more recent EMG preamp and pickups are currently fitted), brass and aluminium string adapters for non-double ball end strings, a fitted flight case, a Ritter gig bag, and the original pivoting strap plate. It currently has an adapted NS Steinberger Boomerang strap system fitted, but this can be removed with an allen key, and the original plate refitted in seconds.

    Additional info and more detailed pictures available on request to genuinely interested parties. Offers invited in excess of £6,000.

  6. Beautiful, rare, big-bottomed bass, made mid-90's, in storage for last 8 years, bought from original owner last year (serial 24xx), no fret wear, excellent condition apart from 2 small chips and a scratch - see pics. Complete with lightweight case, original warranty docs and 2 scratchplates (mint green and tortoiseshell) in case you fancy a change of look... Incredibly light at a mere 8.5 lbs. Controls are volume, pan, treble boost, bass boost, with preamp in/out on a push/pull on the bass pot. Impending house move forces sale. Bummer. £1850, no offers please, buyer collects from Woking, Surrey or pays fully insured carriage.

  7. :) Hello there! I'm astonished to find such a large gathering of bass players in one place. The SPG used to be called in to deal with this sort of thing.

    But now that I'm here, I suppose it's only polite to introduce myself - I'm Ming, and although I'm still fairly fresh-faced, windswept and interesting, it feels like I've been playing forever. I've done a few bits and pieces over the years, but I'll try and avoid any shameless name dropping until I know you a bit better.

    Gear wise, I'm a long-time Musicman user. A Stingray 5 fretted, a Stingray 5 fretless, and a custom built '51 precision active 5-string... odd but lovely, but doubtless an act of heresy to purists. All run through an EBS HD650, EBS Evolution 4x10 and 1x15, with a back-up Markbass Little Mark head, and an SWR Workingman's 10 for fiddling about in the house.

    So what do you get up to here??

    Ming
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