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A.G.E.N.T.E.

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Posts posted by A.G.E.N.T.E.

  1. On 26/09/2018 at 20:09, BreadBin said:

    Exactly! They all look the same so why pay more?

    Because different pads can actually make your headphones sound different. Increasing or decreasing the distance between the drivers and hears, can make a significant diference. Not to mention confort and durability.Take this in considereation, specially if you use your headphones  for mixing.

  2. Good closed back headphones usually have bether bass response, the downside beeing  they get warmer and sound a bit less natural.  For practise, recording, and critical listening the Audio techica M40X or 50X will do a great job. 

    I use the M40x  and they do soud great, feel good but i also have a pair of AKG 720 that sound and feel awesome. These days i tend to prefer the AKG for quiet practise environment . Super light a comfy.

    Take a look at the site above, they did a really nice work

    https://www.rtings.com/headphones/reviews/best

    • Like 1
  3. 11 hours ago, Grangur said:

    I do up basses. One I had was a Warwick with a wenge fingerboard. The frets were worn out and the strings had been well ground into the wood of the neck. I guess this is what would happen to your fretless.

    Why not remove the fingerboard and fit a new ebony board? This would also give you the opportunity to put the side dots in the right place: in the fret-wire positions.

    Well that´s an interesting idea! Never thought about that.  I was thinking about doing it my self  and changing the fingerboard  is a bit out of my league 😅

  4. Dear bass fellas,  since i have a japanese ibanez laying in it´s case for.. lets see...too long . I was thinking in converting it to fretless.

    The thing is, it´s a wenge fretboard and  I don´t remeber seeing many fretless basses with wenge fingerboards (maybe i just have bad memory). Any particular reason for this? Is it because wenge gets splintered easily or something else?

    Thanks in advance

  5. 9 hours ago, fretmeister said:

    I think that's just the over tones from his usual drive sound. that bass is very grindy.

     

    He's using a Helix these days - Line 6 modelled Billy's own Pearce Preamp to get the helix model dead right.

    Thanks for you input fretmeister. There´s  some sort of  a "auauaua" going on.  😅 I lack better words to descrive it. Is that what you mean by overtones?

  6. On 13/05/2018 at 01:12, Count Bassy said:

    I generally brace the body between my knees and pull the head back, thus taking the strain off the truss rod/nut, make the adjustment and let go of the head. The bass goes pretty well back into tune though obviously needs minor tweaks.

    Never (yet) had a problem doing it this way.

     

    I've been doing this for years too. Zero problems so far. Just creates some relief over the Rod allowing smooth rotation. 

  7. Never used the RV-3, but IMO, to much low end using reverb wont work very well as the bass will get easily out of control. A reverb with high pass filter is a very usefull tool. That will allow you to take the excess of bass affected by the reverb. 

  8. Been doing that for years. I only play on a originals band nowadays, but by the time the band was put together, i was also playing on a black sabbath tribute band and i tuned  half step down. So, i started composing all musics and bass lines this way. And yes, the guitar is standard ...7 string

  9. 22 hours ago, Higgie said:

    My Dargie Delight Stingray 5 Fretless. Since the pictures were taken I've swapped out the original pickup and preamp for a Nordstrand MM5.3 and John East 3 Band 4 Knob Preamp. Sounds great!

     

     

    uBfsMj6.jpg

    You can hear it here: 

     

    Nice bass, but that string spacing... :crazy:

     

  10. The Marshall reflector is also a nice budget option. It can be used mono or stereo,  controled with a expression pedal, and When you turn it off it still let the reverb fading (Spill Over).

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