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nickcarey

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Everything posted by nickcarey

  1. This post cannot be displayed because it is in a forum which requires at least 1 post to view.
  2. [quote name='owen' post='164377' date='Mar 27 2008, 11:29 AM']Nick, Your avatar totally rules![/quote] Thanks dude. I dig your furry bass. ;-)
  3. [quote name='dlloyd' post='164368' date='Mar 27 2008, 11:14 AM']That's a beauty! Looks just like my old one apart from the rosewood fingerboard. Thought it was a one piece body before I saw the edge... they're pretty good at matching grain, aren't they?[/quote] Thanks for your compliment. I'm amazed at the quality of Musicman Basses for the money. They are as good if not better than some expensive exotic makes. I wish I could keep this beauty but it's down to not really needing it. I have been far too sensible and whittled down my collection to two Jazz basses over the last couple of years. I used to have errr quite a few, oooops! I've become a disciplinarian (if there's such as word) and decided to only keep basses and gear I use regularly. Nick
  4. I have now reduced this from[color="#FF0000"] £820[/color] to [color="#FF0000"]£775[/color] Some lucky player is going to get an as new bass for a bargain price! This bass has barely been used as I teach with another bass. Any qs. feel free to ask Nick
  5. [quote name='Quatschmacher' post='162836' date='Mar 24 2008, 09:04 PM']Sorry to hijack - are those EB flats in the picture (and the recording)? What gauge?[/quote] It has Rotosound Nickel Roundwounds fitted. 45-105 Simple strings, simple sound!
  6. [quote name='David Nimrod' post='162779' date='Mar 24 2008, 06:52 PM']True MM sound... and nice playing too [/quote] Thanks very much for your interest & compliment David
  7. [quote name='mathewsanchez' post='162727' date='Mar 24 2008, 05:20 PM']I think that finish is trans gold. There's a trans orange ray a bit further down the for sale page if you want to see the difference.[/quote] Top marks for your observation. I'm sure it's Translucent Orange. Check out the Musicman website. Thanks for your interest. Nick
  8. I have had a thought that I might aswell include two sample tracks that were recorded with this Stingray. These were put together with the versatile Mr Mic Mac Moe kindly playing the drums. The Mixing EQ is not great on these tracks but the Musicman still cuts through like a knife. Enjoy, Nick
  9. Hi Mick, I can burn them on CD and give you a copy when I see you next. I'm finishing th teaching in Sheffield this week, so hopefully the wk after will be a good time to meet up N
  10. [center][color="#FF0000"][size=5]USA Musicman 4 String Stringray Bass[/size][/color][b][/b] [size=4]Serial Number: 49385 Ernie Ball Musicman Stingray 4 3EQ (RRP £1,249.00) with MusicMan Hardcase You are looking at a pristine, as new condition, made to order, barely used Stingray in a beautiful ‘Translucent Gold’ finish. Nothing has been tampered with or changed. Having played different Musicman Stingrays I can genuinely say this bass has still got the original Musicman sound and more. I have tried older Musicmans and the punch from this one is immense. The design of the nut on these is much stronger than on older ones too. The condition of this bass is flawless. No fret wear, no nicks, no dings, no dents, no scratches, no flaws, no nothing, except perfection. It looks great, it sounds greats, it plays great, and it feels great. It is everything you could ever possibly want or expect in a Musicman. Musicmans build quality is exceptional. There no gaps between the neck and body and the action on this bass is low and comfortable. Comes packed as new with Musicman Cleaning Cloth & Warranty Card You are welcome to try the instrument first I am a bass tutor and am very careful with my gear, so everything described here is 100% accurate. Comes with: Receipt, Jim Dunlop Strap Locks, Musicman Cleaning Cloth & Manual Feel free to get some feedback on how mint this bass is from my one of my students who has tried it - NiceGuyHomer. Now reduced from [b][color="#FF0000"]£820[/color][/b] to [color="#FF0000"][b]£775[/b][/color] I would rather keep this fantastic bass to go with my collection but due to more recent expensive house repairs it has to go. If you would like some more photos emailed to you I will gladly do so. Further enquiries call/text 07931 315954 or email me. I will accept Pay Pal, Personal Cheque, Postal Order, Bankers Draft or Cash on Collection. As standard, if paying by any other method than cash on collection, all funds must be cleared before collection. Thanks for looking! Nick [/center][/size][/size]
  11. Hi Folks, Just to let you know I have got two items for sale that I will be taking with me on the mini bass bash. They are: > A pristine, as new Musicman Stingray, > A Trace Elliot SMX Compressor For pics go to this link: [url="http://www.nickcarey.co.uk/page3.htm"]http://www.nickcarey.co.uk/page3.htm[/url] If you have any questions in the mean time feel free to text me on: 07931-315954 You will get a quick response this way as I have limited email access at the mo. Cheers Nick
  12. [quote name='Beedster' post='116960' date='Jan 9 2008, 01:05 PM']Teaching and performing are two different things. If you want to teach for a profession, your level of technical ability is not all that important, whereas your ability to observe a pupil, to evaluate and identify, to communicate, to motivate, inspire etc are. If you find a school that will train you specifically to be a bass teacher this would likely be a far better route that one which will train you to be a bass performer. They are two different skills. Chris[/quote] I could'nt agree with this more. The two are like chalk and cheese. That's why I did my bass course first then 2 years later did my PGCE. I have been taught by some amazing players who can't teach for toffee. Who wants to go to a tutor who just blazes through some incredible bass licks on their bass and makes you feel de-motivated afterwards because you feel leaving humble. Beedster is so right. Teaching is the complete opposite where the tutor should bring out the best in students. I am a firm believer in active learning (or 'Experiential Learning') where students go through self discovery guided by the tutor rather than being 'fed' information in a one way process like sitting in a lecture. Nick
  13. [quote name='silverfoxnik' post='116065' date='Jan 8 2008, 09:09 AM']Hi Folks, Thanks for taking time to post your thoughts here, some of which have got me thinking about my original post. I kind of agree with Chris's point about this idea of education in the UK becoming ,[i] "..mass market, exploitative and in many cases, pretty much worthless to the student."[/i] and as a teacher, he should know. One of the things that I find so mystifying about this in an 'Alice in Wonderland' kind of way is that the recent massive growth in music schools/colleges has come at a time when the industry has shrunk to the point where it cannot possibly support all these new competent or brilliant musicians, no matter how much they've been taught how to be 'professional in their playing, their attitude, keep to a diary, learn how to network etc! My guess is that because there's no real money left in the music biz from record sales that all the new schools/college are and have been created and run by the people who used to be able to eke out a living through being in a signed band situation? On the other point about creativity, someone said that the really gifted 10% or so will always come shining through and I think that's fair to say.. As it is about how if you love something you're studying, then you'll do well at it. So, I have definitely taken those positive comments about the music schools on board.. My gut reaction though is that Jimi Hendrix, John Lennon, Elvis, Jaco, The Ox even Mark King for example , would never have even considered going through these type of music schools.. Rather, they would have been too busy getting out there doing it for real each in their own unique way.. Nik[/quote] I agree with Nik's gut reaction point about how well known bass players developed. [u]Here is my opinion on the subject:[/u] I graduated from one of the mentioned Music Schools in the dim and distant past. I went there having played bass since I was in my teens. I think places like BIMM/ACM schools give you some very useful pointers to expand your playing by getting you to study different genres. It is like they give you more tools for your bass 'toolkit'. The only critisim I have of this is that by getting you to focus on many styles it can take the focus off you developing [u]your own [/u][b][/b]unique style. Don't get me wrong I think being a well rounded musician is important, but I left feeling the school did'nt push you enough to develop your own style. At the end of the day I think a producer is more likely to call a bass player back who made a a strong impression with their style rather than someone who can play many styles in a so so way. Considering the famous players, who developed their own style you can recognise them just by listening to them. To me that's more important than being able to play umpteen styles but not have your own distinctive style. Regarding gear, the school I went to pushed us to be totally rounded musos who could adapt their gear to any gig. I'm not knocking this, but this relates to my point above about having a defined sound. I used to have many basses and amps so I could get many sounds. Today I have one amp and a two basses which are my sound and I feel settled. I firmly believe in encouraging my students to develop their unique style just like the famous players did. Regarding their gear I suggest the same so they are not constantly trying to perfect their bass and rig around many artists or styles. Once you have found your own style and sound you will feel like you have made a break through and feel much more settled. I don't mean to sound like a buddist about self discovery, but if you go chasing other peoples' styles and gear I don't think you will ever be totally happy with your setup. Believe in yourself. Sorry about the ranting, i could probably do disseratation on this... Happy Twanging Nick
  14. I look forward to seeing you all the Mini Bass Bash folks. I will gladly lend an ear to anyone on the day wanting to discuss any dilemas with their bass playing, not forgetting any positive revelations they wish to share with others! Regards Nick
  15. Hi Folks, I have had a few queries about exactly where Leyland is. I hope the info helps. Any Qs. feel free to ask. Nick Pls see: [url="http://www.multimap.com/maps/?&hloc=GB|PR268NY"]http://www.multimap.com/maps/?&hloc=GB|PR268NY[/url]
  16. Hi Steve, I have good news for you. I am based in sunny Leyland! So I am 25 miles closer to you than you first thought! The easiest way from Liverpool is probably the A59 through Ormskirk. I guess it depends which side of Liverpool you live in. The M6 may be more suitable??? Tell you what, just send me an email with your phone number to: [email protected] and I will give you a call to save you the expense. Regards Nick
  17. Cheers mate. Ye I agree they are great. There's just no point keeping one as I'm not gigging locally. Hay ho!
  18. Please type in the item number below on Ebay to view the cab: Item number: [b]200169843125[/b] Regards N
  19. Please type in the item number below on Ebay to view the amp: Item number: [b]200169849719[/b] Regards N
  20. [u][b]Lesson content:[/b][/u] This is structured in two ways: 1) around the learner's interests and aspirations, 2) the RGT Grades as these provide a structured approach covering the following subjects: > Scales & Arpeggios (with focus on the left hand) > Bass Patterns (Riffs & Phrases with focus on the plucking hand) > Performance (Improvisation - combining left and right hand pointers from above) > Aural Assessment (Ear Training) > Musicianship (Theory) > Reading & Solo Bass (optional from grade 6+) The RGT grades [u]can[/u] be used to gain UCAS points for those wishing to pursue study in further education (see attachment). Other benefits include: improved technique, greater live performance confidence, or simply provide some fun for players wanting to improve their bass playing by expanding their knowledge and technique. [b][u]Location:[/u][/b] Private bass tuition provided from a studio in Leyland, Lancashire (PR26 8NY). [url="http://www.multimap.com/maps/?&hloc=GB|PR268NY"]http://www.multimap.com/maps/?&hloc=GB|PR268NY[/url] [color="#0000FF"][b]I teach full-time but lesson slots are limited. I now only have 1 free regular lesson space remaining & some periodic ad hoc ones. All lessons are tailored to your requirements and I never use a 'production line' approach. [/b][/color] For further information see: [color="#0000FF"][url="http://www.bassguitarlesson.co.uk"][color="#0000FF"]www.bassguitarlesson.co.uk[/color][/url][/color] Also feel free to drop me an email to arrange a call to chat about your requirements without any obligation.
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