eude
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Yup, makes sense. The bass presets in there are brilliant, the only thing that frustrates me is you need to remember where you saved stuff, "U8 Bank 4" makes sense until you power down, but when I power up again the following day, I rarely know what I saved where. I need to write stuff down! Also, it's a little annoying that you can't easily use the compressor and octave together without having to use the Modulation area for the compr, and then you can't use any chorus... I wish they'd have separated out the compressors. Anyway, I'm still very much enjoying mine. I still have my proper pedalboard, but for mucking around, and rehearsal etcs, the ME-90B very much does the job. I was tempted by the GX10, but I get peeved when us bassists are an afterthought. Anyway, I hope you continue to figure it all out.
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Did you have the ME-90B before this?
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It's done! It will be with me next week, pics to follow once it lands
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@EddieG hasn't been on this site since June 2025, I hope he's OK.
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That is weird, it literally only exists on that eBay advert. i wonder if it's a prototype?
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Looks good! Warwick's amps were always underrated for some reason, their original Wamp range back in the day was brilliant, massive range of stuff, very powerful and I never heard anything bad about them. I played through them as house rigs at gigs and rehearsal studios, and I thought they were fantastic. They made some very cool looking gear... Keep us posted on what you think... Eude
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Well that's pretty tidy! Hopefully it lands soon dude.
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Any more progress dude? I ordered a new custom ACG short(er) scale 6 a month or so after I asked about your coming shorty Sei and it's nearly done!
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Good point, but I did say, "many luthiers", not all I believe Warwick, for one example, are entirely CNC these days too, however, they are more than happy to accommodate extra custom work, they just create new CNC files as per the need, their custom shop prices certainly cover it... I was just trying to state that It is rare for small builders using CNC to veer heavily away from their norm is all.
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Absolutely, Alan has always been more than happy to entertain ideas on further customisation, something that is only possible due to him doing EVERYTHING without CNC. Many luthiers out there use CNC for a lot of the work, then finish things off by hand, which means they can only build from templates and are way less flexible - nothing like that happening at ACG Towers!
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LFSys and Barefaced Questions - Super Compact, Monaco and Monza?
eude replied to Linus27's topic in Amps and Cabs
I replaced two BF One10s with a single LFSys Monza, for similar reasons. It's been a while since the change and I'm still absolutely delighted every time I plug in, regardless of what volume I'm at! The build quality on the LFSys cabs is far superior in my opinion too, so you'll be getting something built to last. If you regularly go LOUD with your Two10, I would look at the Monaco, as the 12" speaker will give you more, but for me, so far, the 1x10 Monza is way louder than what I was getting with my two One10s. As noted above, you're not comparing apples with apples if you're considering a Super Compact vs an LFSys cab. The crossover and additional mid/high driver of the LFSys, will really bring out more of the nuances from fretless playing. As far as the difference between the LFSys and a BF BigBaby, more like apples and apples, the BigBaby seems to be truly FRFR, and the LFSys is too, yet somehow, it's subtly more suited to bass guitar, it's still a bass cab, not a PA speaker. So in summary, I'd go for an LFSys cab Cheers, Ewan -
They've incredible instruments, Alan is such a talented luthier!
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And now some colouring in >>
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Body and neck >> Getting everything lined up nicely >> Body meets neck >>
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