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Posts posted by Dad3353
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I'm sorry, I missed something. Could you post it again, please..?
...
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4k5..? I spent less than a quarter of that on an accumulateur water tank, 220l, with a heat-pump in its head. It runs off-peak, about 4 hours every other night, set to 50°C, and consumes 750W to do so. It has 2.5kW elements, but I've not connected them at all, it's just the heat-pump, s'all. It supplies showers, bath and washing-up for our household of three, for a daily running cost of less than 2p (so £7/year...)...
Edit : Apologies; I didn't realise that this was for central heating, and not just for domestic hot water, so no comparison. No piped gas here, though, so I'll keep the wood-burning insert and a nice warm dressing gown.
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Any and all of the combinations mentioned above are worth experimenting with, if you've the luxury of time, and a decent environment to record in. @Jakester's first suggestion makes the most sense to me as a starting point, and should give decent results with the combination of mic's available. I wouldn't put the bass drum mic inside, but it's all a question of 'suck it and see', really. No need to go mad, either; the differences, in a 'domestic' recording, are not going to be so flagrant as to be deal-breakers. Try the simple solution first, then play about with distances and positioning, then just concentrate on playing, and ignore the mics from then on. The mic's chosen may not be the ideal preference for a studio engineer, but will do a fine job, I'm Shure.
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Not available for us oldies (1950...), except double-basses. I'd have issues trying to wield such a beast at my age.
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59 minutes ago, Nice Guy Rich said:
@LukeFRC It’s not just volunteering to play music, it’s answering a calling to serve the congregation, it’s supplying the music to help people connect with other like-minded folk, and it should be an honour. I take my worship seriously and I refuse to sit back and watch anybody detract from it.
Fixed.
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9 minutes ago, TheGreek said:
Just been on Facebook where I was reminded of the perennial "plays like butter"...
... which is simply the shorthand version of 'passing a hot knife through butter', implying ease and/or speed.
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1 hour ago, Phil Starr said:
Genre often makes things more difficult too, I briefly played in a country band and thought foolishly 'all root-fifth and on the beat' Completely missed that this leaves nowhere to hide and the bass is prominent so you can't afford to be sloppy. Every genre has it's meme's and looks easy when someone else is playing.
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Invest in a looper pedal; play a couple of bars, switch to 'loop' then go lie down until it's over. With such a bass sound, you might even get away with no pedal, if you can capture some 50Hz buzz instead. Darned awful sludge, for my old ears. I'll not be listening to it twice.
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Simple black nylon, but my Hofner Verithin is very, very light, so...
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22 minutes ago, Nebadon2000 said:
Most equipment was poor that’s why you had to use fingers to get some semblance of what sound preferred
Hence sound in fingers is easier and more accurate with better equipment not just any old equipment IMHO and IME
Great sounds were being made before, during and after modern gear became available, and will always be made, as long as there are fingers and ears to make 'em, in my opinion and experience.
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39 minutes ago, Geek99 said:
... He’d put them in a plastic box in a field half a mile away...
That's not 'losing them', that's 'hiding them', probably to recover them later for his own use. Hmm... Not cool.
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8 minutes ago, Nebadon2000 said:
Yes that may be true along with dynamics and proper feel BUT you still need excellent equipment to properly reproduce your amazing fingers😏
Most equipment from the '60s onward is 'excellent', and capable of properly reproducing most sounds from most fingers.
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3 minutes ago, Bass Novice said:
When I bought my bass it came with a starter pack including a guitar bag, which I use when taking my bass to the lesson. A friend of mine plays electric guitar and he has a hard case he uses when going somewhere with his guitar. The electric guitar is shorter than a bass so it makes sense to have a hard case. I am a bit paranoid that I could damage my bass when going somewhere, what do you guys use to transport your bass? Do companies make practical hard cases for bass guitars?
For all but international flying, I'd say that a hard flight case is a bit overkill, and would suggest that a 'soft' hard case is a better solution, such as this one from Thomann (other cases and suppliers exist...)...
Harley Benton LightCase-El-Bass ...
It (or very similar...) is what we have been using for many years now, for guitars and basses, loading into tour buses, vans, public transport... It's all good. Hope this helps.
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Ah, that's more like it..! A real wreck-it, with no discernable whistling..! Good Stuff..!
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5 minutes ago, Leonard Smalls said:
Funny you should say that...
Here's my song for this month: ...
No, I'll not be tempted. I'll wait for your real
racketentry....
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12 minutes ago, Wolfram said:
...And I look forward to hearing the first whistled BassChat Composition Challenge entry! 😆
[Shudder...] Oh no..! Let's just hope that Lenny doesn't get wind of this..!
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4 minutes ago, markbunney said:
... and our drummer is a hard hitter
There are many ways to effectively muffle acoustic drums, and smaller-sized cymbals will tame that issue, too. There's no real reason why drums have to be loud, if the player can't do it him/her self using appropriate technique, such as hot-rods, or brushes. It's a little bit like the double-stack guitarist saying that it's for 'his/her' sound. It's a lifestyle choice, not a necessity.
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10 minutes ago, pigface said:
Hi Dave, may I ask why you refer to Paisley as being in Glasgow? It isn't, it's the 5th-biggest city/town in Scotland, and I should know, being a Buddy. I don't mean to be argumentative at all. I'm just curious.
My mum's family are all from East Kilbride; they all say they're from Glasgow, generally, unless being more specific. Just sayin'.
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On 12/11/2023 at 12:07, lurksalot said:
We had grand little Lurks over last weekend , and he played the piano for a while ...
Are you sure of the mix here, Lurks..? I can't hear the piano at all.
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3 minutes ago, BabyBlueSound said:
Every time I try to record myself, I practice the hell out of it, then during recording, I realise... I should at least double my practice time. Recording is an ugly, but honest mirror.
Hope 10 more days is enough... 🙃
It was made clear at the very start of this Challenge, that the criteria of recording quality, production, technical ability and more were (and, for me, still are...) essentially secondary to the inspirational and composition elements of the work proposed. Not everyone has a studio at their disposal, nor even the domestic conditions for professional-level recordings, so the pieces with background noise, some 'flubs', a low, or too high, level can still be appreciated for the idea behind them. Some may benefit from a heavenly choir, others a soft trumpet solo or a Trinidad steel band, but, even without any window dressing, a Good Composition is a Good Composition. I would humbly offer some of my own renderings as model of just how little technique is required; some of my pieces have even been voted as 'best', proving that it's not always the most 'pro' efforts that are recompensed.
In short : don't sweat it; it's fine as it is..!
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Parpaing Papier (We were asked to play their support slot...), at our local pub's 25th anniversary 'bash'. A Good Night was had by all.
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29 minutes ago, Boodang said:
Listen to Straight As Calm Can Be by Boodang on #SoundCloud
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One take using a looper and wiretap. The image reminds me a of the game Bio Shock. With that in mind this is the result.
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Artists you can't listen to anymore.
in General Discussion
Posted
I never tire of Schubert's Ninth.