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Quatschmacher

⭐Supporting Member⭐
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Everything posted by Quatschmacher

  1. Good, I’m hungry.
  2. Also, the MIDIbass is a different thing; that’s from Industrial Radio in Australia.
  3. It’s a bit nuanced: as mentioned I had the whole spec except the neck depth finalised last year and had chosen the wood stock in person. Jon didn’t want me to pay a deposit until the final spec measurements were in. (I still need to specify a final shade for the body, but that can wait until he’s at the point of paint mixing.) So there was at least a verbal contract in place last year, though I only finally paid the big deposit yesterday. (I certainly wasn’t going to go to all the trouble of having a 100-email correspondence getting all the details sorted to then waste his time by backing out.)
  4. That’s fine. My inclusion stops me from just going nuts and buying more pedals and such though. If I’m out then I’ll likely be buying a nano q tron quicker thank it takes to bring a suitcase of wine to a “work meeting”.
  5. I’d argue that it’s when the commitment was made. I have had a MIDIbass on order since 2019 with $1500 paid up front. If that were to miraculously appear this year, I would not be counting that either.
  6. In other words, it was already a done deal last year.
  7. I disagree. I had pretty much the full spec and had gone in and reserved two chunks of wood (which ordinarily he’d only do after a deposit has been paid); I’d already said I wanted to pay him a deposit last year but he asked me to wait until the spec was finalised.
  8. Need to check with the powers that be: I had started the order process for a Shuker build with Jon last year and had all the specs down except for the neck depth; I had even been in and chosen the neck and fingerboard wood blanks. I finally paid the deposit last night so my question is, is that exempt? (If it helps, I sold a bass last week, the funds from which I have used as the deposit.) If not, then I guess I’m out in a fairly spectacular manner.
  9. Thanks for the response, folks. It’s less of a pressing concern now as I’ve submitted my build specs based on Stingray SLO neck dimensions. I’d still like to try some Sandbergs at some point soon though.
  10. You should hear the Mosquito one from the v3.00 set!
  11. @iamtheelvymake sure you get an expression pedal hooked up as soon as you can for even more fun - most of the sounds I programmed for it have morphing and other cool stuff when using expression.
  12. Let me guess, the Polka Madness one?
  13. Cool. I highly recommend patch 86, though I'm biased.
  14. If yours is a used one, then the patches may be completely different anyway as they are fully interchangeable. Hooking up to the editor will tell you what's on there.
  15. Yes, they are now 21-29 of the v3.5 factory set.
  16. Speaking of which, if anyone knows the current whereabouts of this one, I’d love to get it back, was mine for about 11 years.
  17. Thank you! I wonder how consistent they are piece to piece; my Sterling was the nicest neck I’ve played (though perhaps equal to my current Lakland).
  18. Thanks! That's cool. I was leaning towards 21.5mm-23.5mm for my build so am starting to feel like that's a good choice. Any USA Sterling players who could supply those measurements?
  19. Not quite a Sterling profile. The nut width is the same (1.5”) but the carve is a bit different. They’re close though. Had both side by side years ago.
  20. Is there anyone who owns one of these 4-string basses (the USA Sterling or Stingray SLO Special) with access to callipers who could measure the neck depth at the 1st and 12th fret for me. I’d be most grateful as EBMM don’t seem to be replying. @hiram.k.hackenbacker?
  21. No problem. Check out the whole album and the then the follow-up, “Thrust”; Paul Jackson’s basslines are brilliant.
  22. “Chameleon” off Herbie Hancock’s album “Head Hunters”. You’re in for a treat.
  23. If you weren’t so far away, I’d let you try mine. used one on eBay: https://www.ebay.co.uk/itm/Source-Audio-Collider-Delay-Reverb-Effects-Pedal-/154797845150?mkcid=16&mkevt=1&_trksid=p2349624.m46890.l49286&mkrid=710-127635-2958-0
  24. Source Audio Collider.
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